English drama - History and criticism. - Early modern and Elizabethan, 1500-1600
Overview
Works: | 63 works in 14 publications in 14 languages |
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Titles
Shakespeare's golden ages = resisting nostalgia in Elizabethan drama /
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Memory and forgetting in English Renaissance drama : = Shakespeare, Marlowe, Webster /
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Shakespeare, the Queen's Men, and the Elizabethan performance of history /
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Religious dissimulation and early modern drama : = the limits of toleration /
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Theatrical convention and audience response in early modern drama /
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Stage and picture in the English Renaissance : = the mirror up to nature /
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(Re)defining gender in early modern English drama = power, sexualities and ideologies in text and performance /
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The theatre of civilized excess = new perspectives on Jacobean tragedy /
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The sultan speaks = dialogue in English plays and histories about the Ottoman Turks /
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The Invention of Suspicion. = Law and Mimesis in Shakespeare and Renaissance Drama.
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Early modern drama and the Bible = contexts and readings, 1570-1625 /
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Foreign and native on the English stage, 1588-1611 = metaphor and national identity /
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Mother Queens and princely sons = rogue Madonnas in the age of Shakespeare /
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Re-imagining Western European geography in English Renaissance drama
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Reformations of the body = idolatry, sacrifice, and early modern theater /
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Romance on the early modern stage = English expansion before and after Shakespeare /
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Sexual types = embodiment, agency, and dramatic character from Shakespeare to Shirley /
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The aesthetics of spectacle in early modern drama and modern cinema : = Robert Greene's theatre of attractions /
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Performing environments : = site-specificity in Medieval and Early Modern English drama /
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Editing, performance, texts : = new practices in Medieval and early modern English drama /
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Ben Jonson, John Marston and early modern drama = satire and the audience /
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Shakespeare and space = theatrical explorations of the spatial paradigm /
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The early modern theatre of cruelty and its doubles = Artaud and influence /
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Sounding otherness in early modern drama and travel = uncanny vibrations in the English archive /
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Stage and picture in the English Renaissance = the mirror up to nature /
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