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Stage and picture in the English Renaissance : = the mirror up to nature /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Stage and picture in the English Renaissance :/ John H. Astington, University of Toronto.
其他題名:	the mirror up to nature /
作者:	Astington, John,
面頁冊數:	1 online resource (xii, 270 pages) :digital, PDF file(s). :
附註:	Title from publisher's bibliographic system (viewed on 07 Jul 2017).
標題:	Renaissance - England. -
電子資源:	https://doi.org/10.1017/9781316344095
ISBN:	9781316344095 (ebook)

Stage and picture in the English Renaissance : = the mirror up to nature /
Astington, John,

Stage and picture in the English Renaissance :the mirror up to nature /John H. Astington, University of Toronto. - 1 online resource (xii, 270 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 07 Jul 2017).

Machine generated contents note: Introduction; 1. Antique Romans; 2. Aeneas' tale to Dido; 3. Corn and camels; 4. The picture of we three; 5. Excellent morals; 6. A Mirror for Magistrates; 7. The theatre pictured; 8. Conclusion.

This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.

ISBN: 9781316344095 (ebook)Subjects--Topical Terms:

556957
Renaissance
--England.

LC Class. No.: PR658.A73 / A88 2017

Dewey Class. No.: 822/.309357

Stage and picture in the English Renaissance : = the mirror up to nature /
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520 $a This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.
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