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The counter-narratives of radical theology and popular music = songs of fear and trembling /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The counter-narratives of radical theology and popular music/ Edited by Mike Grimshaw.
Reminder of title:	songs of fear and trembling /
Author:	Grimshaw, Mike,
Published:	Basingstoke :Palgrave Macmillan : : 2014.,
Description:	232 p.
Notes:	Electronic book text.
Subject:	Popular music - Religious aspects. -
Online resource:	Online journal 'available contents' page
ISBN:	1137394110 (electronic bk.) :

The counter-narratives of radical theology and popular music = songs of fear and trembling /
Grimshaw, Mike,1967-,

The counter-narratives of radical theology and popular musicsongs of fear and trembling /[electronic resource] :Edited by Mike Grimshaw. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 232 p. - Radical theologies.

Electronic book text.

1. Sonic Bibles and the Closing of the Canon: The Sounds of Secular, Mundane Transcendence?-- Mike Grimshaw 2. My Affair with Ian-- Jennifer K. Otter 3. In the Colony with Joy Division-- Clayton Crockett 4. Sonic Stigmatas: Towards a New Fear and Trembling-- Sophie Fuggle 5. Improvisation and Divine Creation: A Riff on John Coltrane's 'A Love Supreme'-- Sam Laurent 6. Protocols of Surrender | Stammering Along the Gothic Line-- Joshua Ramey 7. Louis Armstrong: A Rhapsody on Repetition and Time-- Jeffrey W. Robbins 8. I Know my Way from Here: Walking the Hutterite Mile with David Eugene Edwards-- Eric Repphun 9. Meeting God in the Sound: The Seductive Dimension of U2's Future Hymns-- Deane Galbraith 10. Praying the Confiteor at Westminster Abbey: Four-on-the Floor Apocalypse-- Christopher D. Rodkey 11. Nick Cave and Death-- Roland Boer 12. Combine Dry Ingredients, Mix Well: Constituting Worlds through Mix-tapes and Maxi-mixes: Chris Nichol 13. Why Kanye West Gets it Wrong: it's not 'Jesus walks' but 'Christ who is glimpsed'...(or how to think theologically in the modern city)-- Mike Grimshaw 14. Stop, Think, Stop-- Daniel Colucciello Barber.

Document

In this unique collection, theologians born and formed during the Cold War offer their insights and perspectives on theological relationships with such musical artists and groups as Joy Division, U2, Nick Cave, and John Coltrane. These essays demonstrate that one's personal music preferences can inform and influence professional interests.Radical theology was and is a theology at home in the sweaty, profane world of rock 'n' roll. Both, when done properly, raise ever-urgent issues of existence and meaning, of taking the canon and rupturing it anew, re-making its resources against itself into a radical configuration with the here and now humanity finds itself in. These essays, combining a varying obsession with theology and music that focuses on their complex relationships, are written by some of those who have experienced, heard, and seen 'a sight and sound' of radical theology. Provocative and personal, these scholars write about the everyday from a theologically-informed position, expressing what radical theologies might sound like in the twenty-first century. Radical theology and rock 'n' roll offer a unique type of counter-narrative, which cries of deep value in a world of kitsch and cheap sentiment that aches for meaning in an easily-opiated world. This theology and rock of the post-war pop-music generation seeks to remake its traditions and possibilities to challenge its readers and listeners ever-fresh. It is in the sonic bibles of rock 'n' roll that the mundane, rebellious, and blasphemous are found full of Kierkegaardian fear and trembling.

PDF.

Mike Grimshaw is Associate Professor of Sociology at the University of Canterbury, New Zealand.

ISBN: 1137394110 (electronic bk.) :£56.50Subjects--Topical Terms:

953416
Popular music
--Religious aspects.

LC Class. No.: ML3921.8.P67 / C68 2014

Dewey Class. No.: 201.678166

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