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Feeling film = a spatial approach /
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SpringerLink (Online service)
Feeling film = a spatial approach /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Feeling film/ by Beth Carroll.
Reminder of title:
a spatial approach /
Author:
Carroll, Beth.
Published:
London :Palgrave Macmillan UK : : 2016.,
Description:
xi, 210 p. :ill., digital ; : 22 cm.;
Contained By:
Springer eBooks
Subject:
Motion pictures - Aesthetics. -
Online resource:
http://dx.doi.org/10.1057/978-1-137-53936-6
ISBN:
9781137539366
Feeling film = a spatial approach /
Carroll, Beth.
Feeling film
a spatial approach /[electronic resource] :by Beth Carroll. - London :Palgrave Macmillan UK :2016. - xi, 210 p. :ill., digital ;22 cm. - Palgrave studies in audio-visual culture. - Palgrave studies in audio-visual culture..
1. A New Methodological Approach -- 2. Theoretical Approaches -- 3. Sound Space -- 4. Visual Space -- 5. Audio-Visual Space -- 6. What Next?
This book questions the de facto dominance of narrative when watching films. Using the film musical as a case study, this book explores whether an alternative spatial understanding of film can offer alternative readings to narrative. For instance, how do film aesthetics influence our interaction with the film? Can camera movement and music make us 'feel' cinema? Can the film world bleed into our own? Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier's Dancer in the Dark (2000), Feeling Film: A Spatial Approachinvestigates how we might go about understanding the audience's spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.
ISBN: 9781137539366
Standard No.: 10.1057/978-1-137-53936-6doiSubjects--Topical Terms:
700728
Motion pictures
--Aesthetics.
LC Class. No.: PN1995 / .C3546 2016
Dewey Class. No.: 791.4301
Feeling film = a spatial approach /
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This book questions the de facto dominance of narrative when watching films. Using the film musical as a case study, this book explores whether an alternative spatial understanding of film can offer alternative readings to narrative. For instance, how do film aesthetics influence our interaction with the film? Can camera movement and music make us 'feel' cinema? Can the film world bleed into our own? Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier's Dancer in the Dark (2000), Feeling Film: A Spatial Approachinvestigates how we might go about understanding the audience's spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.
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Literature, Cultural and Media Studies (Springer-41173)
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