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Zainichi cinema = Koreans-in-Japan film culture /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Zainichi cinema/ by Oliver Dew.
Reminder of title:	Koreans-in-Japan film culture /
Author:	Dew, Oliver.
Published:	Cham :Springer International Publishing : : 2016.,
Description:	xiv, 235 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Koreans - History. - Japan -
Online resource:	http://dx.doi.org/10.1007/978-3-319-40877-4
ISBN:	9783319408774

Zainichi cinema = Koreans-in-Japan film culture /
Dew, Oliver.

Zainichi cinemaKoreans-in-Japan film culture /[electronic resource] :by Oliver Dew. - Cham :Springer International Publishing :2016. - xiv, 235 p. :ill., digital ;24 cm.

Introduction: Koreans-in-Japan, on-screen -- 1. 1968/2004: Bridging Imjin River -- 2. Screening the Zainichi subject -- 3. Excavating the Zainichi yakuza film -- 4. 'Pacchigi Power!': the 'coming out' melodrama -- 5. Arirang kamikaze: screening the memory wars -- 6. Intimate ethnographies: three family portraits -- Conclusion.

This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to "represent", and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.

ISBN: 9783319408774

Standard No.: 10.1007/978-3-319-40877-4doiSubjects--Topical Terms:

1115773
Koreans
--History.--Japan

LC Class. No.: PN1993.5.J3 / D49 2016

Dewey Class. No.: 791.430952

Zainichi cinema = Koreans-in-Japan film culture /
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505 0 $a Introduction: Koreans-in-Japan, on-screen -- 1. 1968/2004: Bridging Imjin River -- 2. Screening the Zainichi subject -- 3. Excavating the Zainichi yakuza film -- 4. 'Pacchigi Power!': the 'coming out' melodrama -- 5. Arirang kamikaze: screening the memory wars -- 6. Intimate ethnographies: three family portraits -- Conclusion.
520 $a This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to "represent", and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.
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