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Anglican Chant in the Twentieth-Century : = Genesis, Harmonic Development, and Style.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Anglican Chant in the Twentieth-Century :/
Reminder of title:	Genesis, Harmonic Development, and Style.
Author:	Gravis, Christopher Gardner.
Description:	1 online resource (142 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9781369724363

Anglican Chant in the Twentieth-Century : = Genesis, Harmonic Development, and Style.
Gravis, Christopher Gardner.

Anglican Chant in the Twentieth-Century :Genesis, Harmonic Development, and Style. - 1 online resource (142 pages)

Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.

Thesis (D.M.A.)--University of Southern California, 2017.

Includes bibliographical references

Anglican chant in four parts developed out of Sarum plainsong melodies harmonized in the fauxbourdon and falsobordone styles following the English Reformation in 1534. The derived chant tones took on the harmonic musical language of their time period, establishing a lasting Tudor musical aesthetic to which many future composers aspired. The modal borrowing common in the sixteenth-century became a common musical expression for the genre in later years, reaching its zenith in the late Victorian Era (1837-1901).

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369724363Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Anglican Chant in the Twentieth-Century : = Genesis, Harmonic Development, and Style.
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100 1 $a Gravis, Christopher Gardner. $3 1185619
245 1 0 $a Anglican Chant in the Twentieth-Century : $b Genesis, Harmonic Development, and Style.
264 0 $c 2017
300 $a 1 online resource (142 pages)
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500 $a Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.
500 $a Adviser: Jo-Michael Scheibe.
502 $a Thesis (D.M.A.)--University of Southern California, 2017.
504 $a Includes bibliographical references
520 $a Anglican chant in four parts developed out of Sarum plainsong melodies harmonized in the fauxbourdon and falsobordone styles following the English Reformation in 1534. The derived chant tones took on the harmonic musical language of their time period, establishing a lasting Tudor musical aesthetic to which many future composers aspired. The modal borrowing common in the sixteenth-century became a common musical expression for the genre in later years, reaching its zenith in the late Victorian Era (1837-1901).
520 $a The harmonic developments of the twentieth-century, including the use of extended tertian chords, quartal harmonies, unresolved non-chord tones, and jazz elements would prove to further influence composers of Anglican chant. Three distinct periods existed for the development of Anglican chant in the twentieth-century, each with a cohort of church musicians who contributed to the canon of repertoire published.
520 $a The early period was defined by its development upon inherited Victorian musical traditions, and the renewal of sixteenth-century Tudor aestheticism across English artistic disciplines. Composers such as Ivor Atkins (1869-1953), Edward Bairstow (1874-1946), Henry Walford Davies (1869-1941), and John Hylton Stewart (1884-1932) contributed to the Anglican chant output. The mid-twentieth-century marked a period of enormous social and political change for the Church of England. Composers such as George Thalben-Ball (1896-1987), David Willcocks (1919-2015), and Noel Rawsthorne (b. 1929), emulated the quickly advancing harmonic language present in non-liturgical art music, while embracing the increasing virtuosity of their professional collegiate and cathedral choirs. The late period, exemplified by the chant contributions of Gerre Hancock (1934-2012), David Hurd (b. 1950), and John Scott (1956-2015), was a time paradoxically witnessing the most advanced harmonic and virtuosic writing for Anglican chant, as well as the steady decline of influence for the Anglican Communion, and of traditional Anglican choirs.
520 $a The non-metrical chanting of harmonized tones is a unique tradition lasting nearly five hundred years, and survives to this day as a defining characteristic of Anglican choral worship. The genre remains a staple of the musical repertoire sung daily in cathedrals, collegiate chapels, and royal peculiars.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Music. $3 649088
655 7 $a Electronic books. $2 local $3 554714
690 $a 0413
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of Southern California. $b Choral Music. $3 1185620
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10256259 $z click for full text (PQDT)