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Cross-Sensory Perception in Music and Visual Media : = A Neurocognitive Approach to Multimedia Counterpoint.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Cross-Sensory Perception in Music and Visual Media :/
Reminder of title:	A Neurocognitive Approach to Multimedia Counterpoint.
Author:	Louden, Sarah Jane.
Description:	1 online resource (285 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
Contained By:	Dissertation Abstracts International79-10A(E).
Subject:	Music theory. -
Online resource:	click for full text (PQDT)
ISBN:	9780438050808

Cross-Sensory Perception in Music and Visual Media : = A Neurocognitive Approach to Multimedia Counterpoint.
Louden, Sarah Jane.

Cross-Sensory Perception in Music and Visual Media :A Neurocognitive Approach to Multimedia Counterpoint. - 1 online resource (285 pages)

Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.

Thesis (Ph.D.)--State University of New York at Buffalo, 2018.

Includes bibliographical references

Despite differences in language and methodology, the fields of music theory, multimedia studies, and cognitive neuroscience are exploring many of the same questions. This dissertation seeks to define and describe multimedia counterpoint using parallels between musical counterpoint and multisensory scene analysis. Research in crossmodal and intramodal association, crossmodal modulation, and multisensory integration is used to define the concept of a multimedia voice, to describe contrapuntal relationships between voices, and to explore the perceptual effects of those relationships in a work. The dissertation presents the Crossmodal and Intramodal Association (CIA) model to map relationships between music and visual parameters in three dimensions: type, intensity, and quality. The model is applied in two analyses: the "color crescendo" from Schoenberg's opera Die gluckliche Hand and a comparison of two scenes from Pink Floyd's film The Wall.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438050808Subjects--Topical Terms:

564045
Music theory.
Index Terms--Genre/Form:

554714
Electronic books.

Cross-Sensory Perception in Music and Visual Media : = A Neurocognitive Approach to Multimedia Counterpoint.
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502 $a Thesis (Ph.D.)--State University of New York at Buffalo, 2018.
504 $a Includes bibliographical references
520 $a Despite differences in language and methodology, the fields of music theory, multimedia studies, and cognitive neuroscience are exploring many of the same questions. This dissertation seeks to define and describe multimedia counterpoint using parallels between musical counterpoint and multisensory scene analysis. Research in crossmodal and intramodal association, crossmodal modulation, and multisensory integration is used to define the concept of a multimedia voice, to describe contrapuntal relationships between voices, and to explore the perceptual effects of those relationships in a work. The dissertation presents the Crossmodal and Intramodal Association (CIA) model to map relationships between music and visual parameters in three dimensions: type, intensity, and quality. The model is applied in two analyses: the "color crescendo" from Schoenberg's opera Die gluckliche Hand and a comparison of two scenes from Pink Floyd's film The Wall.
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