Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Performance in Ones and Zeros : = No...
~
University of Maryland, College Park.
Performance in Ones and Zeros : = No-Budget Cinema in the Digital Era.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Performance in Ones and Zeros :/
Reminder of title:
No-Budget Cinema in the Digital Era.
Author:
Nixon, Adam Wayne.
Description:
1 online resource (412 pages)
Notes:
Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A.
Contained By:
Dissertation Abstracts International79-12A(E).
Subject:
Performing arts. -
Online resource:
click for full text (PQDT)
ISBN:
9780438154254
Performance in Ones and Zeros : = No-Budget Cinema in the Digital Era.
Nixon, Adam Wayne.
Performance in Ones and Zeros :
No-Budget Cinema in the Digital Era. - 1 online resource (412 pages)
Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A.
Thesis (Ph.D.)--University of Maryland, College Park, 2018.
Includes bibliographical references
Narrative feature filmmaking has traditionally been an elite art form practiced by moneyed, culturally powerful individuals through institutions in specific locations around the world. With the worldwide dissemination of the digital camera, however, non-professional self-financed, no budget, outsider filmmakers worldwide now practice the art form. This community of digital filmmakers numbers in the hundreds-of-thousands. They show their work in festivals ranging from fringe, smaller venues in places such as Jakarta and Milan, to massive international festivals in Cannes or Sundance. The dissertation examines the world of the no-budget DIY digital filmmaker and the festivals that display their work. I utilize the tools of the ethnographer to explore the meaning of film festival, to record red carpet performativity, and to track the accumulation of stature by digital filmmakers.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780438154254Subjects--Topical Terms:
556749
Performing arts.
Index Terms--Genre/Form:
554714
Electronic books.
Performance in Ones and Zeros : = No-Budget Cinema in the Digital Era.
LDR
:03499ntm a2200361Ki 4500
001
919476
005
20181127125342.5
006
m o u
007
cr mn||||a|a||
008
190606s2018 xx obm 000 0 eng d
020
$a
9780438154254
035
$a
(MiAaPQ)AAI10791090
035
$a
(MiAaPQ)umd:18932
035
$a
AAI10791090
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Nixon, Adam Wayne.
$3
1194061
245
1 0
$a
Performance in Ones and Zeros :
$b
No-Budget Cinema in the Digital Era.
264
0
$c
2018
300
$a
1 online resource (412 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A.
500
$a
Adviser: Laurie Frederik.
502
$a
Thesis (Ph.D.)--University of Maryland, College Park, 2018.
504
$a
Includes bibliographical references
520
$a
Narrative feature filmmaking has traditionally been an elite art form practiced by moneyed, culturally powerful individuals through institutions in specific locations around the world. With the worldwide dissemination of the digital camera, however, non-professional self-financed, no budget, outsider filmmakers worldwide now practice the art form. This community of digital filmmakers numbers in the hundreds-of-thousands. They show their work in festivals ranging from fringe, smaller venues in places such as Jakarta and Milan, to massive international festivals in Cannes or Sundance. The dissertation examines the world of the no-budget DIY digital filmmaker and the festivals that display their work. I utilize the tools of the ethnographer to explore the meaning of film festival, to record red carpet performativity, and to track the accumulation of stature by digital filmmakers.
520
$a
The methodology blends practice-based research, surveys both quantitative and qualitative, archival database research, and an examination of the mediated with the embodied, looking at both the filmmaker and the digital film in festival space. The artists studied are building processes that stand apart from traditional "Hollywood" systems. Like the subjects of my ethnography, I work outside of Hollywood with little money, making digital films while I build my own performative and off-camera identity in festival spaces.
520
$a
The embodied performance of Filmmaker on the red carpet at international festivals, small and large, is a powerful and unique vehicle for identity creation. The digital camera allows outsiders---middle income, excluded, non-western, or non-professional artists---to perform identities once exclusively controlled by powerful institutions and by the individuals inside those organizations. This research project examines the performativity of film festival spaces, the archiving of these moments for purposes of building new identities and socio-cultural status, and the assertion of power outside of traditional structures. It is concerned with identity creation through the process of filmmaking (capture, representation, reinterpretation, revision, assertion) and the formation of a self-made, artistic sense of self.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2018
538
$a
Mode of access: World Wide Web
650
4
$a
Performing arts.
$3
556749
650
4
$a
Film studies.
$3
1179264
655
7
$a
Electronic books.
$2
local
$3
554714
690
$a
0641
690
$a
0900
710
2
$a
ProQuest Information and Learning Co.
$3
1178819
710
2
$a
University of Maryland, College Park.
$b
Theatre.
$3
1187355
773
0
$t
Dissertation Abstracts International
$g
79-12A(E).
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10791090
$z
click for full text (PQDT)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login