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Made in China : = Chinese export art and its European reception in the seventeenth century.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Made in China :/
Reminder of title:	Chinese export art and its European reception in the seventeenth century.
Author:	Wang, Shuning.
Description:	1 online resource (97 pages)
Notes:	Source: Masters Abstracts International, Volume: 55-06.
Contained By:	Masters Abstracts International55-06(E).
Subject:	Art history. -
Online resource:	click for full text (PQDT)
ISBN:	9781339863955

Made in China : = Chinese export art and its European reception in the seventeenth century.
Wang, Shuning.

Made in China :Chinese export art and its European reception in the seventeenth century. - 1 online resource (97 pages)

Source: Masters Abstracts International, Volume: 55-06.

Thesis (M.A.)--Tulane University, 2016.

Includes bibliographical references

This thesis considers the process of transcultural mediation in seventeenth-century Chinese export art objects and their European remediations. It consists of case studies, considering tapestries and ceramics made for the Portuguese and the Dutch markets. These objects were selected due to the fact that their production was directly commissioned from Chinese makers by Europeans, and thus were always conceived as transcultural mediations. During the seventeenth century, the supply of Chinese goods to Europe was on the rise yet Europeans still perceived the Chinese style as "decidedly aristocratic." Europeans who commissioned objects from China or objects intended to look like they were Chinese in origin tried to strike a balance between the supposed "Chinese-ness" of the objects and their own European identities. During the course of the seventeenth century, this perception of "Chinese-ness" gradually shifted away from the materiality of individual art objects to a more general concept of the exotic, which in the following centuries developed into the style of Chinoiserie. These two forms of "Chinese-ness" can often coexist. The European patrons often evoked "Chinese-ness" differently, depending on their individual cultural and social contexts.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781339863955Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Made in China : = Chinese export art and its European reception in the seventeenth century.
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500 $a Source: Masters Abstracts International, Volume: 55-06.
500 $a Adviser: Stephanie Porras.
502 $a Thesis (M.A.)--Tulane University, 2016.
504 $a Includes bibliographical references
520 $a This thesis considers the process of transcultural mediation in seventeenth-century Chinese export art objects and their European remediations. It consists of case studies, considering tapestries and ceramics made for the Portuguese and the Dutch markets. These objects were selected due to the fact that their production was directly commissioned from Chinese makers by Europeans, and thus were always conceived as transcultural mediations. During the seventeenth century, the supply of Chinese goods to Europe was on the rise yet Europeans still perceived the Chinese style as "decidedly aristocratic." Europeans who commissioned objects from China or objects intended to look like they were Chinese in origin tried to strike a balance between the supposed "Chinese-ness" of the objects and their own European identities. During the course of the seventeenth century, this perception of "Chinese-ness" gradually shifted away from the materiality of individual art objects to a more general concept of the exotic, which in the following centuries developed into the style of Chinoiserie. These two forms of "Chinese-ness" can often coexist. The European patrons often evoked "Chinese-ness" differently, depending on their individual cultural and social contexts.
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538 $a Mode of access: World Wide Web
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