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Fluid Lines : = Tracing Ryakuga-Shiki in Japan and France.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Fluid Lines :/
Reminder of title:	Tracing Ryakuga-Shiki in Japan and France.
Author:	Erdman, Selena.
Description:	1 online resource (64 pages)
Notes:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
Subject:	Art history. -
Online resource:	click for full text (PQDT)
ISBN:	9780438269095

Fluid Lines : = Tracing Ryakuga-Shiki in Japan and France.
Erdman, Selena.

Fluid Lines :Tracing Ryakuga-Shiki in Japan and France. - 1 online resource (64 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.A.)--The University of Wisconsin - Milwaukee, 2018.

Includes bibliographical references

Rykuga-shiki, or 'abbreviated picture style,' woodblock prints were first published and circulated widely in Edo period Japan (1615-1868). The style, created and popularized by Kitao Keisai Masayoshi (1764-1824) was not only admired and studied in its own time, but these Japanese ukiyo-e prints continued to influence style in the West. The work of artists in Paris, Henri de Toulouse-Lautrec (1864-1901) and Henri-Gabriel Ibels (1867-1936) present undeniable similarities (both in style and subject matter) with the ryakuga-shiki. Rarely studied and exhibited, the ryakuga-shiki are a part of the story of japonisme in France. This exhibition presents these prints in the context of work by Lautrec and Ibels for the first time, arguing that the French artists were indeed familiar on some level with and influenced by Keisai's work. Beyond the obvious stylistic borrowings, the appropriation of Japanese prints styles and subject matter and their translation into French works has far more problematic cultural implications. By examining the legacy of the ryakuga-shiki beyond Japan, this exhibition and catalogue provide an opportunity to explore what it means to imitate and appropriate, collect, and value artwork from cultures that are not one's own.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438269095Subjects--Topical Terms:

1180038
Art history.
Index Terms--Genre/Form:

554714
Electronic books.

Fluid Lines : = Tracing Ryakuga-Shiki in Japan and France.
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100 1 $a Erdman, Selena. $3 1195716
245 1 0 $a Fluid Lines : $b Tracing Ryakuga-Shiki in Japan and France.
264 0 $c 2018
300 $a 1 online resource (64 pages)
336 $a text $b txt $2 rdacontent
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338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 58-01.
500 $a Advisers: Sarah Schaefer; Katherine Wells.
502 $a Thesis (M.A.)--The University of Wisconsin - Milwaukee, 2018.
504 $a Includes bibliographical references
520 $a Rykuga-shiki, or 'abbreviated picture style,' woodblock prints were first published and circulated widely in Edo period Japan (1615-1868). The style, created and popularized by Kitao Keisai Masayoshi (1764-1824) was not only admired and studied in its own time, but these Japanese ukiyo-e prints continued to influence style in the West. The work of artists in Paris, Henri de Toulouse-Lautrec (1864-1901) and Henri-Gabriel Ibels (1867-1936) present undeniable similarities (both in style and subject matter) with the ryakuga-shiki. Rarely studied and exhibited, the ryakuga-shiki are a part of the story of japonisme in France. This exhibition presents these prints in the context of work by Lautrec and Ibels for the first time, arguing that the French artists were indeed familiar on some level with and influenced by Keisai's work. Beyond the obvious stylistic borrowings, the appropriation of Japanese prints styles and subject matter and their translation into French works has far more problematic cultural implications. By examining the legacy of the ryakuga-shiki beyond Japan, this exhibition and catalogue provide an opportunity to explore what it means to imitate and appropriate, collect, and value artwork from cultures that are not one's own.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
655 7 $a Electronic books. $2 local $3 554714
690 $a 0377
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a The University of Wisconsin - Milwaukee. $b Art History. $3 1195715
773 0 $t Masters Abstracts International $g 58-01(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10815779 $z click for full text (PQDT)