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Repetition in performance = returns ...

Kartsaki, Eirini.

Repetition in performance = returns and invisible forces /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Repetition in performance/ by Eirini Kartsaki.
Reminder of title:	returns and invisible forces /
Author:	Kartsaki, Eirini.
Published:	London :Palgrave Macmillan UK : : 2017.,
Description:	xii, 169 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Repetition (Aesthetics) -
Online resource:	http://dx.doi.org/10.1057/978-1-137-43054-0
ISBN:	9781137430540

Repetition in performance = returns and invisible forces /
Kartsaki, Eirini.

Repetition in performancereturns and invisible forces /[electronic resource] :by Eirini Kartsaki. - London :Palgrave Macmillan UK :2017. - xii, 169 p. :ill., digital ;24 cm.

1. Introduction: Invisible Forces -- 2. Stein, Beckett, Rainer and Brown -- 3. After Barthes -- 4. After Stein -- 5. Performance Returns -- 6. After Lacan -- 7. Conclusion: Filling the Gaps -- Bibliography -- Index.

This book explores repetition in contemporary performance and spectatorship. It offers an impassioned account of the ways in which speech, movement and structures repeat in performances by Pina Bausch, Anne Teresa De Keersmaeker, Lone Twin Theatre, Haranczak/Navarre and Marco Berrettini. It addresses repetition in relation to processes of desire and draws attention to the forces that repetition captures and makes visible. What is it in performances of repetition that persuades us to return to them again and again? How might we unpack their complexities and come to terms with their demands upon us? While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.

ISBN: 9781137430540

Standard No.: 10.1057/978-1-137-43054-0doiSubjects--Topical Terms:

1200194
Repetition (Aesthetics)

LC Class. No.: B105.R37 / K37 2017

Dewey Class. No.: 700.1

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245 1 0 $a Repetition in performance $h [electronic resource] : $b returns and invisible forces / $c by Eirini Kartsaki.
260 $a London : $c 2017. $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan,
300 $a xii, 169 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction: Invisible Forces -- 2. Stein, Beckett, Rainer and Brown -- 3. After Barthes -- 4. After Stein -- 5. Performance Returns -- 6. After Lacan -- 7. Conclusion: Filling the Gaps -- Bibliography -- Index.
520 $a This book explores repetition in contemporary performance and spectatorship. It offers an impassioned account of the ways in which speech, movement and structures repeat in performances by Pina Bausch, Anne Teresa De Keersmaeker, Lone Twin Theatre, Haranczak/Navarre and Marco Berrettini. It addresses repetition in relation to processes of desire and draws attention to the forces that repetition captures and makes visible. What is it in performances of repetition that persuades us to return to them again and again? How might we unpack their complexities and come to terms with their demands upon us? While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
650 0 $a Repetition (Aesthetics) $3 1200194
650 0 $a Performing arts $x Philosophy. $3 566787
650 1 4 $a Cultural and Media Studies. $3 1070598
650 2 4 $a Theatre and Performance Studies. $3 1104911
710 2 $a SpringerLink (Online service) $3 593884
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856 4 0 $u http://dx.doi.org/10.1057/978-1-137-43054-0
950 $a Literature, Cultural and Media Studies (Springer-41173)

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