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Post-Yugoslav Cinema = Towards a Cos...
~
Murtic, Dino.
Post-Yugoslav Cinema = Towards a Cosmopolitan Imagining /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Post-Yugoslav Cinema/ by Dino Murtic.
Reminder of title:
Towards a Cosmopolitan Imagining /
Author:
Murtic, Dino.
Description:
IX, 207 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Motion pictures—European influences. -
Online resource:
https://doi.org/10.1057/9781137520357
ISBN:
9781137520357
Post-Yugoslav Cinema = Towards a Cosmopolitan Imagining /
Murtic, Dino.
Post-Yugoslav Cinema
Towards a Cosmopolitan Imagining /[electronic resource] :by Dino Murtic. - 1st ed. 2015. - IX, 207 p.online resource.
Drawing primarily on selected filmic texts from former-Yugoslavia, the book examines key social and political events that triggered the Yugoslav wars in the 1990s. Yugoslav politics and society are set within the broader artistic and cinematic strategies that helped stabilise post-Yugoslav territories strategies that were part of the national desire of looking forward to a time of 'perpetual peace' and its subsequent cosmopolitan norms. It argues that filmic texts demonstrate the degree to which nationalism was at the heart of the violent disintegration of Yugoslavia. Yet, the concern of the argument is not simply to offer a filmic critique but to develop an alternative to nationalism; namely, a theoretical framework through which cosmopolitan humanism is at the forefront of addressing former Yugoslavia's political wounds.
ISBN: 9781137520357
Standard No.: 10.1057/9781137520357doiSubjects--Topical Terms:
1255460
Motion pictures—European influences.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.4094
Post-Yugoslav Cinema = Towards a Cosmopolitan Imagining /
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Drawing primarily on selected filmic texts from former-Yugoslavia, the book examines key social and political events that triggered the Yugoslav wars in the 1990s. Yugoslav politics and society are set within the broader artistic and cinematic strategies that helped stabilise post-Yugoslav territories strategies that were part of the national desire of looking forward to a time of 'perpetual peace' and its subsequent cosmopolitan norms. It argues that filmic texts demonstrate the degree to which nationalism was at the heart of the violent disintegration of Yugoslavia. Yet, the concern of the argument is not simply to offer a filmic critique but to develop an alternative to nationalism; namely, a theoretical framework through which cosmopolitan humanism is at the forefront of addressing former Yugoslavia's political wounds.
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Motion pictures—European influences.
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Motion pictures—History.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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