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21st Century Perspectives on Music, ...
~
Randall, R.
21st Century Perspectives on Music, Technology, and Culture = Listening Spaces /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
21st Century Perspectives on Music, Technology, and Culture/ edited by R. Purcell, R. Randall.
Reminder of title:
Listening Spaces /
other author:
Purcell, R.
Description:
XI, 204 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Music. -
Online resource:
https://doi.org/10.1057/9781137497604
ISBN:
9781137497604
21st Century Perspectives on Music, Technology, and Culture = Listening Spaces /
21st Century Perspectives on Music, Technology, and Culture
Listening Spaces /[electronic resource] :edited by R. Purcell, R. Randall. - 1st ed. 2016. - XI, 204 p.online resource. - Pop Music, Culture and Identity,2634-6613. - Pop Music, Culture and Identity,.
This collection examines the multiple ways people listen to, consume, and produce music and sound in an increasingly digital world. Technologies such as social networks, recommendation algorithms, virtual cloud storage, and portable listening devices increasingly mediate both personal and communal experiences with music. While such technologies may be convenient, their unexamined use raises ethical, socio-political, and philosophical questions. This volume brings together multiple contributions which engage with these questions and others posed by emergent musical and social technologies. Drawing upon a range of different areas of inquiry, it provides a varied critical approach to the question of how people interact with music in the modern era and debates the universal themes of modern music consumption.
ISBN: 9781137497604
Standard No.: 10.1057/9781137497604doiSubjects--Topical Terms:
649088
Music.
LC Class. No.: M1-960
Dewey Class. No.: 780
21st Century Perspectives on Music, Technology, and Culture = Listening Spaces /
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This collection examines the multiple ways people listen to, consume, and produce music and sound in an increasingly digital world. Technologies such as social networks, recommendation algorithms, virtual cloud storage, and portable listening devices increasingly mediate both personal and communal experiences with music. While such technologies may be convenient, their unexamined use raises ethical, socio-political, and philosophical questions. This volume brings together multiple contributions which engage with these questions and others posed by emergent musical and social technologies. Drawing upon a range of different areas of inquiry, it provides a varied critical approach to the question of how people interact with music in the modern era and debates the universal themes of modern music consumption.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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