Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Poetics of Curriculum, Poetics of Li...
~
SpringerLink (Online service)
Poetics of Curriculum, Poetics of Life = An Exploration of Poetry in the Context of Selves, Schools, and Society /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Poetics of Curriculum, Poetics of Life/ by Mary-Elizabeth Vaquer.
Reminder of title:
An Exploration of Poetry in the Context of Selves, Schools, and Society /
Author:
Vaquer, Mary-Elizabeth.
Description:
XII, 182 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Education. -
Online resource:
https://doi.org/10.1007/978-94-6300-465-7
ISBN:
9789463004657
Poetics of Curriculum, Poetics of Life = An Exploration of Poetry in the Context of Selves, Schools, and Society /
Vaquer, Mary-Elizabeth.
Poetics of Curriculum, Poetics of Life
An Exploration of Poetry in the Context of Selves, Schools, and Society /[electronic resource] :by Mary-Elizabeth Vaquer. - 1st ed. 2016. - XII, 182 p.online resource. - Imagination and Praxis: Criticality and Creativity in Education and Educational Research. - Imagination and Praxis: Criticality and Creativity in Education and Educational Research.
Acknowledgements -- Prelude -- A Sonnet: When Night Hangs Low -- A Sestina: O Muses, May You Come -- Free Verse with Pre-Commentary: The I/Eye of Beginning: The Importance of a Renewed Focus on Writing -- Interlude -- Poetry and Curriculum Align -- Curriculum and Poetry Meet -- Nature -- Knowledge and Culture Creation -- Autobiography -- The Regressive -- Progressive -- Therap-oetr-y -- Analytical -- Synthetical -- Preconscious Realms of Experience -- Expanded Sources of Literature -- Infinite Possibilities -- Personal Liberty and Emancipation -- The Means and the Ends -- Political and Social Implications -- New Language, New Freedom -- Interlude -- Poetry in a Standardized and Commodified World -- In Their Own Words -- Stolen Experience -- Hybridization and Mathematization -- Art and the Individual -- The Individual -- Kozol, Inequity, and Individualism -- Imitation -- Freeplay and Deconstruction -- Taking It Back -- Interlude -- Revisiting the Outdated: Form, Rhythm, and Performance in Poetry -- Psychology of Form -- Milktongue, Goatfoot, and Twinbird -- Form and Class -- Form and Possibility -- Poetry in Practice -- The Aural/Oral Element -- Memorization -- Reading out Loud -- Ultimately -- Interlude -- Minimalism, Creative Writing, and the Reader/Writer Connection -- Statement and Expression -- Minimalism? -- Reception Theory -- Genre -- The Human Text -- Différance and the Dearth of Essence -- Who Owns Writing? -- The Necessary Deconstruction -- The “Efferent” and the “Aesthetic” -- Le Grand Metanarrative -- Minimalism as Translation -- Analogies of Photography/Minimalism -- A Musical Consideration -- And Beyond -- Interlude -- Art as Experience through Dwelling, Lingering, and Loafing -- Transcendence -- Catharsis -- Being Connected -- So-Called “Best” Practices -- Solitude -- Dwelling -- Lingering -- Loafing -- The Art of Idleness -- Interlude -- Friends in Low Places: Poetry up, Down, and All Around -- The High and the Low of It -- But First, the Obvious: Poetry and Rap Music -- Slang and Stuff -- Speaking of New Languages… -- Even Stranger? -- Poetry, Naturally -- Dimming the Lights -- Addendum -- References. .
Through multiple lenses of curriculum studies, the author explores how poetry is situated in the pedagogical world. Her work aims to illuminate how poetry is studied in schools and how these practices of studying poetry give poetry its cultural identity. Each chapter is guided by insight from John Dewey’s Art as Experience which promotes explorations of opportunities for students to have profound experiences with poetry and art in schools. The purpose of this book is not to offer a prescription for teachers to use in their classrooms. This is not an outline regarding how someone should include poetry in a lesson plan. Rather, the author explores why poetry is important in our lives and how poetry can contribute to opening avenues for new possibilities through imagination and transformation based on phenomenological experience and scholarship. She explores poetry through Dewey’s notion of aesthetics across diverse aspects of meaning making through poetry in a contemporary context. She also explores the influences that poetry has on the curriculum of our lives, and the influence that our lived curriculum has on the future of poetry. .
ISBN: 9789463004657
Standard No.: 10.1007/978-94-6300-465-7doiSubjects--Topical Terms:
555912
Education.
LC Class. No.: L1-991
Dewey Class. No.: 370
Poetics of Curriculum, Poetics of Life = An Exploration of Poetry in the Context of Selves, Schools, and Society /
LDR
:04637nam a22003735i 4500
001
977853
003
DE-He213
005
20200630222535.0
007
cr nn 008mamaa
008
201211s2016 ne | s |||| 0|eng d
020
$a
9789463004657
$9
978-94-6300-465-7
024
7
$a
10.1007/978-94-6300-465-7
$2
doi
035
$a
978-94-6300-465-7
050
4
$a
L1-991
072
7
$a
JN
$2
bicssc
072
7
$a
EDU000000
$2
bisacsh
072
7
$a
JN
$2
thema
082
0 4
$a
370
$2
23
100
1
$a
Vaquer, Mary-Elizabeth.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1105918
245
1 0
$a
Poetics of Curriculum, Poetics of Life
$h
[electronic resource] :
$b
An Exploration of Poetry in the Context of Selves, Schools, and Society /
$c
by Mary-Elizabeth Vaquer.
250
$a
1st ed. 2016.
264
1
$a
Rotterdam :
$b
SensePublishers :
$b
Imprint: SensePublishers,
$c
2016.
300
$a
XII, 182 p.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Imagination and Praxis: Criticality and Creativity in Education and Educational Research
505
0
$a
Acknowledgements -- Prelude -- A Sonnet: When Night Hangs Low -- A Sestina: O Muses, May You Come -- Free Verse with Pre-Commentary: The I/Eye of Beginning: The Importance of a Renewed Focus on Writing -- Interlude -- Poetry and Curriculum Align -- Curriculum and Poetry Meet -- Nature -- Knowledge and Culture Creation -- Autobiography -- The Regressive -- Progressive -- Therap-oetr-y -- Analytical -- Synthetical -- Preconscious Realms of Experience -- Expanded Sources of Literature -- Infinite Possibilities -- Personal Liberty and Emancipation -- The Means and the Ends -- Political and Social Implications -- New Language, New Freedom -- Interlude -- Poetry in a Standardized and Commodified World -- In Their Own Words -- Stolen Experience -- Hybridization and Mathematization -- Art and the Individual -- The Individual -- Kozol, Inequity, and Individualism -- Imitation -- Freeplay and Deconstruction -- Taking It Back -- Interlude -- Revisiting the Outdated: Form, Rhythm, and Performance in Poetry -- Psychology of Form -- Milktongue, Goatfoot, and Twinbird -- Form and Class -- Form and Possibility -- Poetry in Practice -- The Aural/Oral Element -- Memorization -- Reading out Loud -- Ultimately -- Interlude -- Minimalism, Creative Writing, and the Reader/Writer Connection -- Statement and Expression -- Minimalism? -- Reception Theory -- Genre -- The Human Text -- Différance and the Dearth of Essence -- Who Owns Writing? -- The Necessary Deconstruction -- The “Efferent” and the “Aesthetic” -- Le Grand Metanarrative -- Minimalism as Translation -- Analogies of Photography/Minimalism -- A Musical Consideration -- And Beyond -- Interlude -- Art as Experience through Dwelling, Lingering, and Loafing -- Transcendence -- Catharsis -- Being Connected -- So-Called “Best” Practices -- Solitude -- Dwelling -- Lingering -- Loafing -- The Art of Idleness -- Interlude -- Friends in Low Places: Poetry up, Down, and All Around -- The High and the Low of It -- But First, the Obvious: Poetry and Rap Music -- Slang and Stuff -- Speaking of New Languages… -- Even Stranger? -- Poetry, Naturally -- Dimming the Lights -- Addendum -- References. .
520
$a
Through multiple lenses of curriculum studies, the author explores how poetry is situated in the pedagogical world. Her work aims to illuminate how poetry is studied in schools and how these practices of studying poetry give poetry its cultural identity. Each chapter is guided by insight from John Dewey’s Art as Experience which promotes explorations of opportunities for students to have profound experiences with poetry and art in schools. The purpose of this book is not to offer a prescription for teachers to use in their classrooms. This is not an outline regarding how someone should include poetry in a lesson plan. Rather, the author explores why poetry is important in our lives and how poetry can contribute to opening avenues for new possibilities through imagination and transformation based on phenomenological experience and scholarship. She explores poetry through Dewey’s notion of aesthetics across diverse aspects of meaning making through poetry in a contemporary context. She also explores the influences that poetry has on the curriculum of our lives, and the influence that our lived curriculum has on the future of poetry. .
650
0
$a
Education.
$3
555912
650
1 4
$a
Education, general.
$3
1068901
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
830
0
$a
Imagination and Praxis: Criticality and Creativity in Education and Educational Research
$3
1269178
856
4 0
$u
https://doi.org/10.1007/978-94-6300-465-7
912
$a
ZDB-2-EDA
912
$a
ZDB-2-SXED
950
$a
Education (SpringerNature-41171)
950
$a
Education (R0) (SpringerNature-43721)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login