國立虎尾科技大學 |

Finding the Personal Voice in Filmmaking

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Finding the Personal Voice in Filmmaking/ by Erik Knudsen.
Author:	Knudsen, Erik.
Description:	VII, 130 p. 2 illus.online resource. :
Contained By:	Springer Nature eBook
Subject:	Motion picture authorship. -
Online resource:	https://doi.org/10.1007/978-3-030-00377-7
ISBN:	9783030003777

Finding the Personal Voice in Filmmaking
Knudsen, Erik.

Finding the Personal Voice in Filmmaking[electronic resource] /by Erik Knudsen. - 1st ed. 2018. - VII, 130 p. 2 illus.online resource.

1. Introduction -- 2. Why Create? -- 3. What is Creativity? -- 4. Why Story? -- 5. Transformations -- 6. Appendix.

This book philosophically and creatively examines ways in which independent filmmakers may explore, through practice, the discovery and development of a personal voice in the making of their films. Filmmaker and academic, Professor Erik Knudsen, uses a combination of autoethnographic experience derived from his own filmmaking practice and new insights gained from a series of ethnomediaological StoryLab workshops with independent filmmakers in Malaysia, Ghana and Colombia to drive this innovative examination. The book contextualises this practice exploration within an eclectic psychological and philosophical framework that ranges from Jungian psychological theories of the collective unconscious to Sheldrakian scientific theories of morphic resonance, from Christian mystical ideas about creative motivation to structuralist theories that underpin our linguistic understanding of story and narrative. Why should we create? What is a creative act? This in-depth study tackles these questions by examining the early ideation stages of cinematic expression and ultimately seeks to understand the practical ways in which ideas are shaped into stories and narratives. .

ISBN: 9783030003777

Standard No.: 10.1007/978-3-030-00377-7doiSubjects--Topical Terms:

657658
Motion picture authorship.

LC Class. No.: PN1996

Dewey Class. No.: 791.43

Finding the Personal Voice in Filmmaking
LDR:02639nam a22003975i 4500 001 987713
003 DE-He213
005 20200702202705.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783030003777 $9 978-3-030-00377-7
024 7 $a 10.1007/978-3-030-00377-7 $2 doi
035 $a 978-3-030-00377-7
050 4 $a PN1996
072 7 $a APFD $2 bicssc
072 7 $a PER004050 $2 bisacsh
072 7 $a ATFD $2 thema
082 0 4 $a 791.43 $2 23
100 1 $a Knudsen, Erik. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1209488
245 1 0 $a Finding the Personal Voice in Filmmaking $h [electronic resource] / $c by Erik Knudsen.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2018.
300 $a VII, 130 p. 2 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Introduction -- 2. Why Create? -- 3. What is Creativity? -- 4. Why Story? -- 5. Transformations -- 6. Appendix.
520 $a This book philosophically and creatively examines ways in which independent filmmakers may explore, through practice, the discovery and development of a personal voice in the making of their films. Filmmaker and academic, Professor Erik Knudsen, uses a combination of autoethnographic experience derived from his own filmmaking practice and new insights gained from a series of ethnomediaological StoryLab workshops with independent filmmakers in Malaysia, Ghana and Colombia to drive this innovative examination. The book contextualises this practice exploration within an eclectic psychological and philosophical framework that ranges from Jungian psychological theories of the collective unconscious to Sheldrakian scientific theories of morphic resonance, from Christian mystical ideas about creative motivation to structuralist theories that underpin our linguistic understanding of story and narrative. Why should we create? What is a creative act? This in-depth study tackles these questions by examining the early ideation stages of cinematic expression and ultimately seeks to understand the practical ways in which ideas are shaped into stories and narratives. .
650 0 $a Motion picture authorship. $3 657658
650 0 $a Motion pictures $x Production and direction. $3 656878
650 1 4 $a Screenwriting. $3 1115682
650 2 4 $a Film and TV Production. $3 1228492
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030003760
776 0 8 $i Printed edition: $z 9783030003784
776 0 8 $i Printed edition: $z 9783030131081
856 4 0 $u https://doi.org/10.1007/978-3-030-00377-7
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)