國立虎尾科技大學 |

European Film and Television Co-production = Policy and Practice /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	European Film and Television Co-production/ edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall.
Reminder of title:	Policy and Practice /
other author:	Hammett-Jamart, Julia.
Description:	XXIII, 365 p. 26 illus., 13 illus. in color.online resource. :
Contained By:	Springer Nature eBook
Subject:	Motion pictures—European influences. -
Online resource:	https://doi.org/10.1007/978-3-319-97157-5
ISBN:	9783319971575

European Film and Television Co-production = Policy and Practice /
European Film and Television Co-productionPolicy and Practice /[electronic resource] :edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall. - 1st ed. 2018. - XXIII, 365 p. 26 illus., 13 illus. in color.online resource. - Palgrave European Film and Media Studies,2634-615X. - Palgrave European Film and Media Studies,.

1. Introduction: European Film and Television Co-production, Julia Hammett-Jamart, Petar Mitric and Eva Novrup Redvall -- 2. Statistical Overview: Production, Co-production and Circulation, Julio Talavera -- Part I: Policy and Practice of Co-Production: Scholarly Voices -- 3. Official Co-production: Policy Instruments and Imperatives, Julia Hammett-Jamart -- 4. The European Co-production Treaties: A Short History and a Possible Typology, Petar Mitric -- 5. From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film, Philip Drake -- 6. European Co-productions in a Digital Single Market: EUtopia or Dystopia?, Nina Vindum Rasmussen -- 7. The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy, Christopher Meir -- 8. International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm, Eva Novrup Redvall -- 9. Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas, Petr Szczepanik -- 10. The Regional Film Fund as Co-production Crusader: The Case of Film i Väst, Olof Hedling -- 11. The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers, Marco Cucco -- 12. European Co-productions and Greek Cinema Since the Crisis: “Extroversion” as Survivall, Lydia Papadimitriou -- 13. Exporting the French Co-production Model: Aide aux cinėmas du monde and Produire au Sud, Ana Vinuela -- Part II: Policy and Practice of Co-production: Industry Voices -- 14. ‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla, Julia Hammett-Jamart -- 15. Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?, Anna Herold -- 16. The Impact of Regional Film Funds on the European Co-production Model, Charlotte Appelgren -- 17. Minority Co-production: Insights from MEDICI, Joelle Levie -- 18. ‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel, Petar Mitric -- 19. ‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge, Julia Hammett-Jamart -- 20. ‘European Television Co-productions’—an interview with Klaus Zimmermann, Benjamin Harris -- 21. ‘Co-production Case Study: Ida by Pawel Pawlikowski’— an interview with Ewa Puszczynska and Sofie Wanting Hassing, Petar Mitric -- 22. ‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch’—an interview with Juliette Grandmont, Katell Leon.

This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.

ISBN: 9783319971575

Standard No.: 10.1007/978-3-319-97157-5doiSubjects--Topical Terms:

1255460
Motion pictures—European influences.

LC Class. No.: PN1993-1999

Dewey Class. No.: 791.4094

European Film and Television Co-production = Policy and Practice /
LDR:05406nam a22003975i 4500 001 989346
003 DE-He213
005 20200930213040.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319971575 $9 978-3-319-97157-5
024 7 $a 10.1007/978-3-319-97157-5 $2 doi
035 $a 978-3-319-97157-5
050 4 $a PN1993-1999
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.4094 $2 23
245 1 0 $a European Film and Television Co-production $h [electronic resource] : $b Policy and Practice / $c edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a XXIII, 365 p. 26 illus., 13 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Palgrave European Film and Media Studies, $x 2634-615X
505 0 $a 1. Introduction: European Film and Television Co-production, Julia Hammett-Jamart, Petar Mitric and Eva Novrup Redvall -- 2. Statistical Overview: Production, Co-production and Circulation, Julio Talavera -- Part I: Policy and Practice of Co-Production: Scholarly Voices -- 3. Official Co-production: Policy Instruments and Imperatives, Julia Hammett-Jamart -- 4. The European Co-production Treaties: A Short History and a Possible Typology, Petar Mitric -- 5. From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film, Philip Drake -- 6. European Co-productions in a Digital Single Market: EUtopia or Dystopia?, Nina Vindum Rasmussen -- 7. The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy, Christopher Meir -- 8. International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm, Eva Novrup Redvall -- 9. Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas, Petr Szczepanik -- 10. The Regional Film Fund as Co-production Crusader: The Case of Film i Väst, Olof Hedling -- 11. The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers, Marco Cucco -- 12. European Co-productions and Greek Cinema Since the Crisis: “Extroversion” as Survivall, Lydia Papadimitriou -- 13. Exporting the French Co-production Model: Aide aux cinėmas du monde and Produire au Sud, Ana Vinuela -- Part II: Policy and Practice of Co-production: Industry Voices -- 14. ‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla, Julia Hammett-Jamart -- 15. Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?, Anna Herold -- 16. The Impact of Regional Film Funds on the European Co-production Model, Charlotte Appelgren -- 17. Minority Co-production: Insights from MEDICI, Joelle Levie -- 18. ‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel, Petar Mitric -- 19. ‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge, Julia Hammett-Jamart -- 20. ‘European Television Co-productions’—an interview with Klaus Zimmermann, Benjamin Harris -- 21. ‘Co-production Case Study: Ida by Pawel Pawlikowski’— an interview with Ewa Puszczynska and Sofie Wanting Hassing, Petar Mitric -- 22. ‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch’—an interview with Juliette Grandmont, Katell Leon.
520 $a This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.
650 0 $a Motion pictures—European influences. $3 1255460
650 0 $a Motion pictures. $3 562481
650 0 $a Cultural policy. $3 593498
650 0 $a Culture—Study and teaching. $3 1253505
650 1 4 $a European Cinema and TV. $3 1211764
650 2 4 $a Film/TV Industry. $3 1116367
650 2 4 $a Cultural Policy and Politics. $3 1113859
650 2 4 $a Popular Science in Cultural and Media Studies. $3 1140883
700 1 $a Hammett-Jamart, Julia. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1281257
700 1 $a Mitric, Petar. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1281258
700 1 $a Novrup Redvall, Eva. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1255976
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319971568
776 0 8 $i Printed edition: $z 9783319971582
830 0 $a Palgrave European Film and Media Studies, $x 2634-615X $3 1255978
856 4 0 $u https://doi.org/10.1007/978-3-319-97157-5
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)