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The Labour of Literature in Britain ...
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Waithe, Marcus.
The Labour of Literature in Britain and France, 1830-1910 = Authorial Work Ethics /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Labour of Literature in Britain and France, 1830-1910/ edited by Marcus Waithe, Claire White.
Reminder of title:
Authorial Work Ethics /
other author:
Waithe, Marcus.
Description:
XV, 268 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Literature, Modern—19th century. -
Online resource:
https://doi.org/10.1057/978-1-137-55253-2
ISBN:
9781137552532
The Labour of Literature in Britain and France, 1830-1910 = Authorial Work Ethics /
The Labour of Literature in Britain and France, 1830-1910
Authorial Work Ethics /[electronic resource] :edited by Marcus Waithe, Claire White. - 1st ed. 2018. - XV, 268 p.online resource. - Palgrave Studies in Nineteenth-Century Writing and Culture,2634-6494. - Palgrave Studies in Nineteenth-Century Writing and Culture,.
1. Introduction: Literature and Labour - Marcus Waithe and Claire White -- 2. ‘[A] common and not a divided interest’: Literature and the Labour of Representation - Jan-Melissa Schramm -- 3. Collective Biography and Working-Class Authorship, 1830-1859- Richard Salmon -- 4. George Sand, Digging - Claire White -- 5. Ruskin, Browning / Alpenstock, Hatchet - Ross Wilson -- 6. Flaubert’s Cailloux: Hard Labour and the Beauty of Stones - Patrick M. Bray -- 7. Marian Evans, George Eliot, and the Work of Sententiousness - Ruth Livesey -- 8. Baudelaire and the Dilettante Work Ethic - Richard Hibbitt -- 9. ‘Strenuous Minds’: Walter Pater and the Labour of Aestheticism - Marcus Waithe -- 10. The Work of Imitation: Decadent Writing as Mimetic Labour - Matthew Potolksy -- 11. Literary Machines: George Gissing’s Lost Illusions - Edmund Birch -- 12. Worlds of Work and the Work of Words: Zola: Susan Harrow -- 13. Gender Difference and Cultural Labour in French Fiction from Zola to Colette: Nicholas White -- 14. Immaterial Labour and the Modernist Work of Literature - Morag Shiach -- 15. Epilogue: Work Ethics, Past and Present - Marcus Waithe and Claire White.
This volume examines the anxieties that caused many nineteenth-century writers to insist on literature as a laboured and labouring enterprise. Following Isaac D’Israeli’s gloss on Jean de La Bruyère, it asks, in particular, whether writing should be ‘called working’. Whereas previous studies have focused on national literatures in isolation, this volume demonstrates the two-way traffic between British and French conceptions of literary labour. It questions assumed areas of affinity and difference, beginning with the labour politics of the early nineteenth century and their common root in the French Revolution. It also scrutinises the received view of France as a source of a ‘leisure ethic’, and of British writers as either rejecting or self-consciously mimicking French models. Individual essays consider examples of how different writers approached their work, while also evoking a broader notion of ‘work ethics’, understood as a humane practice, whereby values, benefits, and responsibilities, are weighed up.
ISBN: 9781137552532
Standard No.: 10.1057/978-1-137-55253-2doiSubjects--Topical Terms:
1253622
Literature, Modern—19th century.
LC Class. No.: PN760.5-769
Dewey Class. No.: 809.034
The Labour of Literature in Britain and France, 1830-1910 = Authorial Work Ethics /
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1. Introduction: Literature and Labour - Marcus Waithe and Claire White -- 2. ‘[A] common and not a divided interest’: Literature and the Labour of Representation - Jan-Melissa Schramm -- 3. Collective Biography and Working-Class Authorship, 1830-1859- Richard Salmon -- 4. George Sand, Digging - Claire White -- 5. Ruskin, Browning / Alpenstock, Hatchet - Ross Wilson -- 6. Flaubert’s Cailloux: Hard Labour and the Beauty of Stones - Patrick M. Bray -- 7. Marian Evans, George Eliot, and the Work of Sententiousness - Ruth Livesey -- 8. Baudelaire and the Dilettante Work Ethic - Richard Hibbitt -- 9. ‘Strenuous Minds’: Walter Pater and the Labour of Aestheticism - Marcus Waithe -- 10. The Work of Imitation: Decadent Writing as Mimetic Labour - Matthew Potolksy -- 11. Literary Machines: George Gissing’s Lost Illusions - Edmund Birch -- 12. Worlds of Work and the Work of Words: Zola: Susan Harrow -- 13. Gender Difference and Cultural Labour in French Fiction from Zola to Colette: Nicholas White -- 14. Immaterial Labour and the Modernist Work of Literature - Morag Shiach -- 15. Epilogue: Work Ethics, Past and Present - Marcus Waithe and Claire White.
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This volume examines the anxieties that caused many nineteenth-century writers to insist on literature as a laboured and labouring enterprise. Following Isaac D’Israeli’s gloss on Jean de La Bruyère, it asks, in particular, whether writing should be ‘called working’. Whereas previous studies have focused on national literatures in isolation, this volume demonstrates the two-way traffic between British and French conceptions of literary labour. It questions assumed areas of affinity and difference, beginning with the labour politics of the early nineteenth century and their common root in the French Revolution. It also scrutinises the received view of France as a source of a ‘leisure ethic’, and of British writers as either rejecting or self-consciously mimicking French models. Individual essays consider examples of how different writers approached their work, while also evoking a broader notion of ‘work ethics’, understood as a humane practice, whereby values, benefits, and responsibilities, are weighed up.
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