Motion pictures—United States.
Overview
| Works: | 68 works in 0 publications in 0 languages | |
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Titles
Heightened Genre and Women's Filmmaking in Hollywood = The Rise of the Cine-fille /
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Investigating Stranger Things = Upside Down in the World of Mainstream Cult Entertainment /
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Generations of Jewish Directors and the Struggle for America’s Soul = Wyler, Lumet, and Spielberg /
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A Cinema of Hopelessness = The Rhetoric of Rage in 21st Century Popular Culture /
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Adaptation and the New Art Film = Remaking the Classics in the Twilight of Cinema /
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The Detective's Companion in Crime Fiction = A Study in Sidekicks /
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Binging Family = Die Konzeption von Familie in der Video-on-Demand-Serie /
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American Cinema and Cultural Diplomacy = The Fragmented Kaleidoscope /
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A Cultural History of the Disney Fairy Tale = Once Upon an American Dream /
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The Keys of Middle-earth = Discovering Medieval Literature Through the Fiction of J. R. R. Tolkien /
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Narco Cinema = Sex, Drugs, and Banda Music in Mexico’s B-Filmography /
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The Post-2000 Film Western = Contexts, Transnationality, Hybridity /
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Screen Hustles, Grifts and Stings = Stings, Grifts, Hustles and the Long Con /
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W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen = Becoming a Character Comedian /
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Screening the Sixties = Hollywood Cinema and the Politics of Memory /
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The Shawshank Experience = Tracking the History of the World’s Favorite Movie /
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Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism
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Pixar's America = The Re-Animation of American Myths and Symbols /
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Locating Classical Receptions on Screen = Masks, Echoes, Shadows /
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Action, Detection and Shane Black = Antiessentialist Genre Theory and Its Application /
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An Investigative Cinema = Politics and Modernization in Italian, French, and American Film /
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Blockbuster Performances = How Actors Contribute to Cinema’s Biggest Hits /
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Corporeal Legacies in the US South = Memory and Embodiment in Contemporary Culture /
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Researching Newsreels = Local, National and Transnational Case Studies /
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Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture = 1910–1960 /
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Visible and Invisible Whiteness = American White Supremacy through the Cinematic Lens /
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Empathetic Space on Screen = Constructing Powerful Place and Setting /
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Subverting Mainstream Narratives in the Reagan Era = Giving Power to the People /
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The Myth of Colorblindness = Race and Ethnicity in American Cinema /
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Policing the World on Screen = American Mythologies and Hollywood's Rogue Crimefighters /
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Surveillance and Terror in Post-9/11 British and American Television
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Reading Shakespeare in the Movies = Non-Adaptations and Their Meaning /
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