國立虎尾科技大學 |

Sinophone Adaptations of Shakespeare = An Anthology, 1987-2007 /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Sinophone Adaptations of Shakespeare/ edited by Alexa Alice Joubin.
Reminder of title:	An Anthology, 1987-2007 /
other author:	Joubin, Alexa Alice.
Description:	XV, 288 p.online resource. :
Contained By:	Springer Nature eBook
Subject:	Theater. -
Online resource:	https://doi.org/10.1007/978-3-030-92993-0
ISBN:	9783030929930

Sinophone Adaptations of Shakespeare = An Anthology, 1987-2007 /
Sinophone Adaptations of ShakespeareAn Anthology, 1987-2007 /[electronic resource] :edited by Alexa Alice Joubin. - 1st ed. 2022. - XV, 288 p.online resource. - Global Shakespeares,2947-891X. - Global Shakespeares,.

Chapter 1. Sinophone Shakespeares: A Critical Introduction, Alexa Alice Joubin -- Part 1. Existentialist Questions in Post-socialist China and Post-Martial-Law Taiwan -- Chapter 2. Hamlet as Political Theatre in Beijing: 哈姆雷特by Lin Zhaohua 林兆華 (1990), translated by Steven L. Riep and Ronald Kimmons and introduced by Steven Riep -- Chapter 3. Hamlet as Parody in Taipei: Shamlet 莎姆雷特 (Hamlet) by Lee Kuo-hsiu 李國修 (1992 / 2008), translated by Christopher Rea and introduced by Alexa Alice Joubin -- Part 2. Bewitched by Kunqu Opera and Avant-Garde Theatre -- Chapter 4. An Operatic Macbeth in Shanghai: Story of Bloody Hands 血手記 by Huang Zuolin 黃佐臨 (1987 / 2008), translated by Siyuan Liu and introduced by Alexa Alice Joubin -- Chapter 5. A Feminist Macbeth in Tainan: The Witches’ Sonata 女巫奏鳴曲．馬克白詩篇by Lü Po-shen呂柏伸 (2007), translated and introduced by Yilin Chen -- Part 3. Self-Identities in Traditional and Experimental Jingju Opera -- Chapter 6. A Confucian King Lear in Shanghai: King Qi’s Dream 岐王夢 (King Lear) by Shanghai Jingju Theatre Company (1995), translated by Dongshin Chang and introduced by Alexa Alice Joubin -- Chapter 7. A Buddhist King Lear in Taipei: Lear Is Here李爾在此by Wu Hsing-kuo 吳興國, Contemporary Legend Theatre (2001), translated and introduced by Alexa Alice Joubin -- Coda: Chapter 8. Coda: Theatrical Bricolage of Hamlet, King Lear, Macbeth,and Othello in Beijing, 1986 .

Shakespeare’s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries. .

ISBN: 9783030929930

Standard No.: 10.1007/978-3-030-92993-0doiSubjects--Topical Terms:

836732
Theater.

LC Class. No.: PN2000-3307

Dewey Class. No.: 792.9

Sinophone Adaptations of Shakespeare = An Anthology, 1987-2007 /
LDR:03814nam a22004095i 4500 001 1088313
003 DE-He213
005 20220720134312.0
007 cr nn 008mamaa
008 221228s2022 sz | s |||| 0|eng d
020 $a 9783030929930 $9 978-3-030-92993-0
024 7 $a 10.1007/978-3-030-92993-0 $2 doi
035 $a 978-3-030-92993-0
050 4 $a PN2000-3307
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 792.9 $2 23
245 1 0 $a Sinophone Adaptations of Shakespeare $h [electronic resource] : $b An Anthology, 1987-2007 / $c edited by Alexa Alice Joubin.
250 $a 1st ed. 2022.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a XV, 288 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Global Shakespeares, $x 2947-891X
505 0 $a Chapter 1. Sinophone Shakespeares: A Critical Introduction, Alexa Alice Joubin -- Part 1. Existentialist Questions in Post-socialist China and Post-Martial-Law Taiwan -- Chapter 2. Hamlet as Political Theatre in Beijing: 哈姆雷特by Lin Zhaohua 林兆華 (1990), translated by Steven L. Riep and Ronald Kimmons and introduced by Steven Riep -- Chapter 3. Hamlet as Parody in Taipei: Shamlet 莎姆雷特 (Hamlet) by Lee Kuo-hsiu 李國修 (1992 / 2008), translated by Christopher Rea and introduced by Alexa Alice Joubin -- Part 2. Bewitched by Kunqu Opera and Avant-Garde Theatre -- Chapter 4. An Operatic Macbeth in Shanghai: Story of Bloody Hands 血手記 by Huang Zuolin 黃佐臨 (1987 / 2008), translated by Siyuan Liu and introduced by Alexa Alice Joubin -- Chapter 5. A Feminist Macbeth in Tainan: The Witches’ Sonata 女巫奏鳴曲．馬克白詩篇by Lü Po-shen呂柏伸 (2007), translated and introduced by Yilin Chen -- Part 3. Self-Identities in Traditional and Experimental Jingju Opera -- Chapter 6. A Confucian King Lear in Shanghai: King Qi’s Dream 岐王夢 (King Lear) by Shanghai Jingju Theatre Company (1995), translated by Dongshin Chang and introduced by Alexa Alice Joubin -- Chapter 7. A Buddhist King Lear in Taipei: Lear Is Here李爾在此by Wu Hsing-kuo 吳興國, Contemporary Legend Theatre (2001), translated and introduced by Alexa Alice Joubin -- Coda: Chapter 8. Coda: Theatrical Bricolage of Hamlet, King Lear, Macbeth,and Othello in Beijing, 1986 .
520 $a Shakespeare’s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries. .
650 0 $a Theater. $2 swd $3 836732
650 0 $a Oriental literature. $3 1254509
650 0 $a Adaptation (Literary, artistic, etc.). $3 1366128
650 0 $a Translating and interpreting. $3 555477
650 1 4 $a Global and International Theatre and Performance. $3 1365991
650 2 4 $a Asian Literature. $3 1104894
650 2 4 $a Adaptation Studies. $3 1211229
650 2 4 $a Language Translation. $3 1365802
700 1 $a Joubin, Alexa Alice. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1208627
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030929923
776 0 8 $i Printed edition: $z 9783030929947
776 0 8 $i Printed edition: $z 9783030929954
830 0 $a Global Shakespeares, $x 2947-891X $3 1366012
856 4 0 $u https://doi.org/10.1007/978-3-030-92993-0
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)