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Animal Visions = Posthumanist Dream Writing /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Animal Visions/ by Susan Mary Pyke.
其他題名:	Posthumanist Dream Writing /
作者:	Pyke, Susan Mary.
面頁冊數:	VIII, 314 p. 1 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	British literature. -
電子資源:	https://doi.org/10.1007/978-3-030-03877-9
ISBN:	9783030038779

Animal Visions = Posthumanist Dream Writing /
Pyke, Susan Mary.

Animal VisionsPosthumanist Dream Writing /[electronic resource] :by Susan Mary Pyke. - 1st ed. 2019. - VIII, 314 p. 1 illus.online resource. - Palgrave Studies in Animals and Literature,2634-6338. - Palgrave Studies in Animals and Literature,.

1. Introduction: Emplaced Readerly Devotions -- 2. Artful Dream Writing into the Roots -- 3. Ghosts: of Writing, at Windows, in Mirrors, on Moors -- 4. Moor Loving -- 5. Respecting and Trusting the Beast -- 6. Animal Grace.

Animal Visions considers how literature responds to the harms of anthropocentricism, working with Emily Brontë’s Wuthering Heights (1847) and various adaptations of this canonistic novel to show how posthumanist dream writing unsettles the privileging of the human species over other species. Two feminist and post-Freudian responses, Kathy Acker’s poem “Obsession” (1992) and Anne Carson’s “The Glass Essay” (1997) most strongly extend Brontë’s dream writing in this direction. Building on the trope of a ludic Cathy ghost who refuses the containment of logic and reason, these and other adaptations offer the gift of a radical peri-hysteria. This emotional excess is most clearly seen in Kate Bush’s music video “Wuthering Heights” (1978) and Peter Kosminsky’s film Wuthering Heights (1992). Such disturbances make space for a moor love that is particularly evident in Jane Urquhart’s novel Changing Heaven (1989) and, to a lesser extent Sylvia Plath’s poem, “Wuthering Heights” (1961). Brontë’s Wuthering Heights and its most productive afterings make space for co-affective relations between humans and other animal beings. Andrea Arnold’s film Wuthering Heights (2011) and Luis Buñuel’s Abismos de Pasión (1954) also highlight the rupturing split gaze of non-acting animals in their films. In all of these works depictions of intra-active and entangled responses between animals show the potential for dynamic and generative multispecies relations, where the human is one animal amongst the kin of the world.

ISBN: 9783030038779

Standard No.: 10.1007/978-3-030-03877-9doiSubjects--Topical Terms:

996807
British literature.

LC Class. No.: PN849.G74

Dewey Class. No.: 809.41

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