British literature.
Overview
| Works: | 376 works in 3 publications in 3 languages | |
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Titles
Re-evaluating the literary coterie, 1580-1830 = from Sidney to Blackwood's /
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Novelists Against Social Change = Conservative Popular Fiction, 1920-1960 /
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The Circulation of Power in Medieval Biblical Drama = Theaters of Authority /
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Contemporary Literature and the End of the Novel = Creature, Affect, Form /
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Liminal Fictions in Postmodern Culture = The Politics of Self-Development /
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Imagining Shakespeare's Original Audience, 1660-2000 = Groundlings, Gallants, Grocers /
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Vision and Audience in Medieval Drama = A Study of The Castle of Perseverance /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Victorian Writers and the Stage = The Plays of Dickens, Browning, Collins and Tennyson /
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Reading Women in Late Medieval Europe = Anne of Bohemia and Chaucer’s Female Audience /
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Contemporary British Fiction and the Cultural Politics of Disenfranchisement = Freedom and the City /
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Chaucer the Alchemist = Physics, Mutability, and the Medieval Imagination /
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Ulysses Explained = How Homer, Dante, and Shakespeare Inform Joyce’s Modernist Vision /
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Romantic Poetry and Literary Coteries = The Dialect of the Tribe /
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The History of British Women's Writing, 1970-Present = Volume Ten /
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Mourning and Mysticism in First World War Literature and Beyond = Grappling with Ghosts /
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The Anthropocene Lyric = An Affective Geography of Poetry, Person, Place /
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The Literature of Waste = Material Ecopoetics and Ethical Matter /
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The Culture of Translation in Early Modern England and France, 1500–1660
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Neo-Victorian Freakery = The Cultural Afterlife of the Victorian Freak Show /
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Deixis in the Early Modern English Lyric: Unsettling Spatial Anchors Like “Here,” “This,” “Come”
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Katherine Mansfield and Continental Europe = Connections and Influences /
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Literature’s Sensuous Geographies = Postcolonial Matters of Place /
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The Keys of Middle-earth = Discovering Medieval Literature Through the Fiction of J. R. R. Tolkien /
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Adaptive Marketing = Leveraging Real-Time Data to Become a More Competitive and Successful Company /
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Utopian Literature and Science = From the Scientific Revolution to Brave New World and Beyond /
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The Gnostic Paradigm = Forms of Knowing in English Literature of the Late Middle Ages /
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Literary Networks and Dissenting Print Culture in Romantic-Period Ireland
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Early Modern Authorship and Prose Continuations = Adaptation and Ownership from Sidney to Richardson /
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The Geocritical Legacies of Edward W. Said = Spatiality, Critical Humanism, and Comparative Literature /
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Constructions of Cancer in Early Modern England = Ravenous Natures /
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Voice and Context in Eighteenth-Century Verse = Order in Variety /
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Modernist Legacies = Trends and Faultlines in British Poetry Today /
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A Poetics of Postmodernism and Neomodernism = Rewriting Mrs Dalloway /
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‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication
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Virginia Woolf’s Influential Forebears = Julia Margaret Cameron, Anny Thackeray Ritchie and Julia Prinsep Stephen /
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Transport in British Fiction = Technologies of Movement, 1840-1940 /
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Joseph Conrad and H. G. Wells = The Fin-de-Siècle Literary Scene /
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Notions of the Feminine: Literary Essays from Dostoyevsky to Lacan
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The Evolution of Modern Fantasy = From Antiquarianism to the Ballantine Adult Fantasy Series /
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The Victorian Novel, Service Work, and the Nineteenth-Century Economy
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Mapping British Women Writers’ Urban Imaginaries = Space, Self and Spirituality /
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Gender and Representations of the Female Subject in Early Modern England = Creating Their Own Meanings /
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Shakespeare and Cognition = Thinking Fast and Slow through Character /
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Re-evaluating the Literary Coterie, 1580–1830 = From Sidney to Blackwood's /
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Writing Islam from a South Asian Muslim Perspective = Rushdie, Hamid, Aslam, Shamsie /
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Ben Jonson, John Marston and Early Modern Drama = Satire and the Audience /
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The History of British Women's Writing, 1880-1920 = Volume Seven /
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Early Modern Diplomacy, Theatre and Soft Power = The Making of Peace /
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Civic and Medical Worlds in Early Modern England = Performing Barbery and Surgery /
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Atlantic Afterlives in Contemporary Fiction = The Oceanic Imaginary in Literature since the Information Age /
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Utopias and Dystopias in the Fiction of H. G. Wells and William Morris = Landscape and Space /
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The Emergence of Pre-Cinema = Print Culture and the Optical Toy of the Literary Imagination /
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Conrad’s Popular Fictions = Secret Histories and Sensational Novels /
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Memories of War in Early Modern England = Armor and Militant Nostalgia in Marlowe, Sidney, and Shakespeare /
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Shakespeare the Renaissance Humanist = Moral Philosophy and His Plays /
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Victorian Children’s Literature = Experiencing Abjection, Empathy, and the Power of Love /
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Shakespeare, Revenge Tragedy and Early Modern Law = Vindictive Justice /
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Shakespeare in Cold War Europe = Conflict, Commemoration, Celebration /
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Writing Displacement = Home and Identity in Contemporary Post-Colonial English Fiction /
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Confession and Memory in Early Modern English Literature = Penitential Remains /
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Imagining Motherhood in Contemporary Irish and Caribbean Literature
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James Joyce's Teaching Life and Methods = Language and Pedagogy in A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake /
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Celebrity Authorship and Afterlives in English and American Literature
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Passions, Sympathy and Print Culture = Public Opinion and Emotional Authenticity in Eighteenth-Century Britain /
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Haunting Modernity and the Gothic Presence in British Modernist Literature
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Joseph Conrad Among the Anarchists = Nineteenth Century Terrorism and The Secret Agent /
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Women of Words in Le Morte Darthur = The Autonomy of Speech in Malory’s Female Characters /
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Prison Shakespeare = For These Deep Shames and Great Indignities /
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Literature in the Age of Celestial Discovery = From Copernicus to Flamsteed /
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Sex, Time, and Space in Contemporary Fiction = Exceptional Intercourse /
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Creatural Fictions = Human-Animal Relationships in Twentieth- and Twenty-First-Century Literature /
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Fashioning Authorship in the Long Eighteenth Century = Stylish Books of Poetic Genius /
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Shakespeare and Space = Theatrical Explorations of the Spatial Paradigm /
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The Post-Apocalyptic Novel in the Twenty-First Century = Modernity beyond Salvage /
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Hand-Made Television = Stop-Frame Animation for Children in Britain, 1961-1974 /
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British Women Writers and the Reception of Ancient Egypt, 1840-1910 = Imperialist Representations of Egyptian Women /
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Time, Literature, and Cartography After the Spatial Turn = The Chronometric Imaginary /
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The Cultural Memory of Africa in African American and Black British Fiction, 1970-2000 = Specters of the Shore /
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Representing Difference in the Medieval and Modern Orientalist Romance
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Adolescent Girlhood and Literary Culture at the Fin de Siècle = Daughters of Today /
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Queering Agatha Christie = Revisiting the Golden Age of Detective Fiction /
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Thomas Hardy and Victorian Communication = Letters, Telegrams and Postal Systems /
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Post-Agreement Northern Irish Literature = Lost in a Liminal Space? /
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The New Mountaineer in Late Victorian Britain = Materiality, Modernity, and the Haptic Sublime /
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Chaucerotics = Uncloaking the Language of Sex in The Canterbury Tales and Troilus and Criseyde /
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Christina Reid's Theatre of Memory and Identity = Within and Beyond the Troubles /
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The Return of the Mughal: Historical Fiction and Despotism in Colonial India, 1863–1908
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Robert Burns and the United States of America = Poetry, Print, and Memory 1786–1866 /
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Beckett, Deleuze and Performance = A Thousand Failures and A Thousand Inventions /
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Oscar Wilde and Contemporary Irish Drama = Learning to be Oscar's Contemporary /
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The Coleridge Legacy = Samuel Taylor Coleridge's Intellectual Legacy in Britain and America, 1834–1934 /
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Contemporary Irish Writing and Environmentalism = The Wearing of the Deep Green /
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Irish Expatriatism, Language and Literature = The Problem of English /
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Detective Fiction and the Problem of Knowledge = Perspectives on the Metacognitive Mystery Tale /
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Shakespearean Celebrity in the Digital Age = Fan Cultures and Remediation /
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British Women's Writing from Brontë to Bloomsbury, Volume 1 = 1840s and 1850s /
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Henry James's Feminist Afterlives = Annie Fields, Emily Dickinson, Marguerite Duras /
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Money, Commerce, and Economics in Late Medieval English Literature
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Movement in Renaissance Literature = Exploring Kinesic Intelligence /
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The Influence of Oscar Wilde on W.B. Yeats = "An Echo of Someone Else’s Music" /
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Discourses of Vision in Nineteenth-Century Britain = Seeing, Thinking, Writing /
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Conversion Narratives in Early Modern England = Tales of Turning /
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Literature, Belief and Knowledge in Early Modern England = Knowing Faith /
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The Labour of Literature in Britain and France, 1830-1910 = Authorial Work Ethics /
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Classical Presences in Irish Poetry after 1960 = The Answering Voice /
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Shakespeare and Authority = Citations, Conceptions and Constructions /
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Inventing the Gothic Corpse = The Thrill of Human Remains in the Eighteenth-Century Novel /
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Victorian Environments = Acclimatizing to Change in British Domestic and Colonial Culture /
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Performing Character in Modern Irish Drama = Between Art and Society /
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Memories from the Frontline = Memoirs and Meanings of The Great War from Britain, France and Germany /
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Fashion, Dress and Identity in South Asian Diaspora Narratives = From the Eighteenth Century to Monica Ali /
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Terry Pratchett's Narrative Worlds = From Giant Turtles to Small Gods /
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Social Memory in Late Medieval England = Village Life and Proofs of Age /
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Decadence and Modernism in European and Russian Literature and Culture = Aesthetics and Anxiety in the 1890s /
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British Invasion and Spy Literature, 1871–1918 = Historical Perspectives on Contemporary Society /
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Topographies of Caribbean Writing, Race, and the British Countryside
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Romanticism and Popular Magic = Poetry and Cultures of the Occult in the 1790s /
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Drugs and the Addiction Aesthetic in Nineteenth-Century Literature
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Jane Austen and William Shakespeare = A Love Affair in Literature, Film and Performance /
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Oscar Wilde's Aesthetic Education = The Oxford Classical Curriculum /
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British Romanticism in Asia = The Reception, Translation, and Transformation of Romantic Literature in India and East Asia /
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The Queer Cultures of 1930s Prose = Language, Identity and Performance in Interwar Britain /
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The Art and Science of Trauma and the Autobiographical = Negotiated Truths /
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The Poetry of Clare, Hopkins, Thomas, and Gurney = Lyric Individualism /
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Borders and Border Crossings in the Contemporary British Short Story
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Inclusive Young Adult Fiction = Authors of Colour in the United Kingdom /
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Victorian Cosmopolitanism and English Catholicity in the Mid-Century Novel
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An Anthology of London in Literature, 1558-1914 = 'Flower of Cities All' /
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Remediating Shakespeare in the Eighteenth and Nineteenth Centuries
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Geofeminism in Irish and Diasporic Culture = Intimate Cartographies /
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Romantic Climates = Literature and Science in an Age of Catastrophe /
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The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction = Revolutionary and Evolutionary Paradoxes /
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The Carceral Network in Ireland = History, Agency and Resistance /
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Parents and Children in the Mid-Victorian Novel = Traumatic Encounters and the Formation of Family /
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British Women's Writing from Brontë to Bloomsbury, Volume 2 = 1860s and 1870s /
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British Detective Fiction 1891–1901 = The Successors to Sherlock Holmes /
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Continental Tourism, Travel Writing, and the Consumption of Culture, 1814–1900
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Music and Sound in the Life and Literature of James Joyce = Joyces Noyces /
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Blasphemy and Politics in Romantic Literature = Creativity in the Writing of Percy Bysshe Shelley /
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Birds in Eighteenth-Century Literature = Reason, Emotion, and Ornithology, 1700–1840 /
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Economies of Literature and Knowledge in Early Modern Europe = Change and Exchange /
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Nineteenth-Century Poetry and the Physical Sciences = Poetical Matter /
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Traditions and Difference in Contemporary Irish Short Fiction = Ireland Then and Now /
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British Sociability in the European Enlightenment = Cultural Practices and Personal Encounters /
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