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Nature and Space in Contemporary Sco...
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Nature and Space in Contemporary Scottish Writing and Art
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Nature and Space in Contemporary Scottish Writing and Art/ by Camille Manfredi.
作者:
Manfredi, Camille.
面頁冊數:
XII, 217 p. 16 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
British literature. -
電子資源:
https://doi.org/10.1007/978-3-030-18760-6
ISBN:
9783030187606
Nature and Space in Contemporary Scottish Writing and Art
Manfredi, Camille.
Nature and Space in Contemporary Scottish Writing and Art
[electronic resource] /by Camille Manfredi. - 1st ed. 2019. - XII, 217 p. 16 illus.online resource. - Geocriticism and Spatial Literary Studies. - Geocriticism and Spatial Literary Studies.
1. Chapter 1/ ‘Our Land’: an introduction -- 2. Chapter 2/ Keeping the paths beaten: Robert Macfarlane, Linda Cracknell and Stuart McAdam’s hodological Scotland -- 3. Chapter 3 / Land made by walking: Andrew Greig, Thomas A. Clark, Hamish Fulton, or, the art of passing through -- 4. Chapter 4 / Spacings: Gerry Loose and Kathleen Jamie’s interspecies relationalities -- 5. Chapter 5 / Into the Fold: Kathleen Jamie and John Burnside’s oikopoetics -- 6. Chapter 6/ Things of space: Andy Goldsworthy’s Sheepfolds and Alec Finlay’s Company of Mountains, or, materialising as re-siting -- 7. Chapter 7 / Soundmarks and ecotones: ensounding Scotland -- 8. Chapter 8 / Filming Space: transenunciation as re-production. Susan Kemp’s Nort Atlantik Drift: A Portrait of Robert Alan Jamieson and Roseanne Watt’s Quoys -- 9. Chapter 9 / The hyperzone: is there a space on this screen? -- 10. Chapter 10 / Conclusion.
This book examines how contemporary Scottish writers and artists revisit and reclaim nature in the political and aesthetic context of devolved Scotland. Camille Manfredi investigates the interaction of landscape aesthetics and strategies of spatial representation in Scotland’s twenty-first-century literature and arts, focusing on the apparatuses designed by nature writers, poets, performers, walking artists and visual artists to physically and intellectually engage with the land and re-present it to themselves and to the world. Through a comprehensive analysis of a variety of site-specific artistic practices, artworks and publications, this book investigates the works of Scotland-based artists including Linda Cracknell, Kathleen Jamie, Thomas A. Clark, Gerry Loose, John Burnside, Alec Finlay, Hamish Fulton, Hanna Tuulikki and Roseanne Watt, with a view to exploring the ongoing re-invention of a territory-bound identity that dwells on an inclusive sense of place, as well as on a complex renegotiation with the time and space of Scotland.
ISBN: 9783030187606
Standard No.: 10.1007/978-3-030-18760-6doiSubjects--Topical Terms:
996807
British literature.
LC Class. No.: PN849.G74
Dewey Class. No.: 809.41
Nature and Space in Contemporary Scottish Writing and Art
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1. Chapter 1/ ‘Our Land’: an introduction -- 2. Chapter 2/ Keeping the paths beaten: Robert Macfarlane, Linda Cracknell and Stuart McAdam’s hodological Scotland -- 3. Chapter 3 / Land made by walking: Andrew Greig, Thomas A. Clark, Hamish Fulton, or, the art of passing through -- 4. Chapter 4 / Spacings: Gerry Loose and Kathleen Jamie’s interspecies relationalities -- 5. Chapter 5 / Into the Fold: Kathleen Jamie and John Burnside’s oikopoetics -- 6. Chapter 6/ Things of space: Andy Goldsworthy’s Sheepfolds and Alec Finlay’s Company of Mountains, or, materialising as re-siting -- 7. Chapter 7 / Soundmarks and ecotones: ensounding Scotland -- 8. Chapter 8 / Filming Space: transenunciation as re-production. Susan Kemp’s Nort Atlantik Drift: A Portrait of Robert Alan Jamieson and Roseanne Watt’s Quoys -- 9. Chapter 9 / The hyperzone: is there a space on this screen? -- 10. Chapter 10 / Conclusion.
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