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Posthumanist Perspectives on Literary and Cultural Animals
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Posthumanist Perspectives on Literary and Cultural Animals/ edited by Krishanu Maiti.
其他作者:
Maiti, Krishanu.
面頁冊數:
XIII, 188 p. 1 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Literature, general. -
電子資源:
https://doi.org/10.1007/978-3-030-76159-2
ISBN:
9783030761592
Posthumanist Perspectives on Literary and Cultural Animals
Posthumanist Perspectives on Literary and Cultural Animals
[electronic resource] /edited by Krishanu Maiti. - 1st ed. 2021. - XIII, 188 p. 1 illus.online resource. - Issues in Literature and Culture,2365-9688. - Issues in Literature and Culture,.
1. Zoohistoricism: Literary animals as codes in history and culture -- 2. Can natural theology rethink its relationship with non-human animals? -- 3. Jacques Derrida and the Autobiographical (Non-Human) Animal: An Analysis of (False) Animal Autobiographies -- 4. Reassessing Predatory Animals in Literary Journalism: A Look at John Vaillant’s The Tiger and Nate Blakeslee’s The Wolf -- 5.The Bird and Eye: Kinship with Birds as Proto-Ecofeminist Discourse of Liberation in George Meredith’s The Egoist -- 6. Deconstructing the Human-Animal Hierarchy at the End of the World: Readings in Literary Representation of Apocalypse -- 7. The Snake Has A Face: Levinas, Mondo, and the Suffering Non-Human Animal -- 8. Bowers of Persuasion: Toward a Posthuman Visual Rhetoric. .
This book offers Posthumanist readings of animal-centric literary and cultural texts. The contributors put the precepts and premises of humanism into question by seriously considering the animal presence in texts. The essays collected here focus primarily on literary and cultural texts from varied theoretically informed interdisciplinary perspectives advanced by critical approaches such as Critical Animal Studies and Posthumanism. Contributors select texts that cut across geographical and period boundaries and demonstrate how practices of close reading give rise to new ways of thinking about animals. By implicating the “animal turn” in the field of literary and cultural studies, this book urges us to problematize the separation of the human from other animals and rethink the hierarchical order of beings through close readings of select texts. It offers fresh perspectives on Posthumanist theory, inviting readers to revisit those criteria that created species’ difference from the early ages of human civilization. This book constitutes a rich and thorough scholarly resource on the politics of representation of animals in literature and culture. The essays in this book are empirically and theoretically informed and explore a range of dynamic, captivating, and highly relevant topics. Comprising over 15 chapters by a team of international contributors, this book is divided into four parts: Contestation over Species Hierarchy and Categorization Animal (Re)constructions Interspecies Relationalities Intersectionality- Animal and Gender This book will be essential reading for students and researchers of Critical Animal Studies and Environmental Studies. .
ISBN: 9783030761592
Standard No.: 10.1007/978-3-030-76159-2doiSubjects--Topical Terms:
1104866
Literature, general.
LC Class. No.: L1-991
Dewey Class. No.: 370
Posthumanist Perspectives on Literary and Cultural Animals
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1. Zoohistoricism: Literary animals as codes in history and culture -- 2. Can natural theology rethink its relationship with non-human animals? -- 3. Jacques Derrida and the Autobiographical (Non-Human) Animal: An Analysis of (False) Animal Autobiographies -- 4. Reassessing Predatory Animals in Literary Journalism: A Look at John Vaillant’s The Tiger and Nate Blakeslee’s The Wolf -- 5.The Bird and Eye: Kinship with Birds as Proto-Ecofeminist Discourse of Liberation in George Meredith’s The Egoist -- 6. Deconstructing the Human-Animal Hierarchy at the End of the World: Readings in Literary Representation of Apocalypse -- 7. The Snake Has A Face: Levinas, Mondo, and the Suffering Non-Human Animal -- 8. Bowers of Persuasion: Toward a Posthuman Visual Rhetoric. .
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