國立虎尾科技大學 |

Experiments With China in American Modernity.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Experiments With China in American Modernity./
作者:	Lester, Jason.
面頁冊數:	1 online resource (224 pages)
附註:	Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:	Dissertations Abstracts International85-02A.
標題:	American literature. -
電子資源:	click for full text (PQDT)
ISBN:	9798379958114

Experiments With China in American Modernity.
Lester, Jason.

Experiments With China in American Modernity. - 1 online resource (224 pages)

Source: Dissertations Abstracts International, Volume: 85-02, Section: A.

Thesis (Ph.D.)--University of Oregon, 2023.

Includes bibliographical references

Experiments with China in American Modernity explores formulations of China within America's early and interwar modernist period. I propose the concept of "transpacific experimentalism" to identify an emergent, sustained aesthetic engagement with China, grounded in empiricist, scientistic, or otherwise humanist claims, which can be understood through John Dewey's theory of creative imagination. This dissertation resonates with the continuing expansion of new modernist studies, offering new methodological approaches and archival challenges to a field which has been historically constricted to a narrow high modernist canon. By tracing a constellation of texts situated on the disciplinary interstices of modernist studies, Chinese area studies, and Asian American studies, I do not intend to further horizontally expand the category of American modernism, but to reveal the extent to which it has always already been historically, culturally, and aesthetically transpacific-a term which, following Hua Hsu, "describes a physical space" connecting the United States to Asia, "as well as a horizon of possibility." From the transpacific birth and circuits of Harriet Monroe's Poetry magazine and Ezra Pound's living Chinese character, to Witter Bynner's collaboration with Jiang Kanghu and the recovery of Sino-US poets and scholars of American modernism, this dissertation argues for a new mode of reading which unearths the horizontal aesthetic relations which emerged across American and Chinese modernity.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798379958114Subjects--Topical Terms:

685398
American literature.
Subjects--Index Terms:

Aesthetic theoryIndex Terms--Genre/Form:

554714
Electronic books.

Experiments With China in American Modernity.
LDR:02863ntm a22003977 4500 001 1142232
005 20240416125333.5
006 m o d
007 cr mn ---uuuuu
008 250605s2023 xx obm 000 0 eng d
020 $a 9798379958114
035 $a (MiAaPQ)AAI30526804
035 $a AAI30526804
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Lester, Jason. $3 1466509
245 1 0 $a Experiments With China in American Modernity.
264 0 $c 2023
300 $a 1 online resource (224 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
500 $a Advisor: Peppis, Paul.
502 $a Thesis (Ph.D.)--University of Oregon, 2023.
504 $a Includes bibliographical references
520 $a Experiments with China in American Modernity explores formulations of China within America's early and interwar modernist period. I propose the concept of "transpacific experimentalism" to identify an emergent, sustained aesthetic engagement with China, grounded in empiricist, scientistic, or otherwise humanist claims, which can be understood through John Dewey's theory of creative imagination. This dissertation resonates with the continuing expansion of new modernist studies, offering new methodological approaches and archival challenges to a field which has been historically constricted to a narrow high modernist canon. By tracing a constellation of texts situated on the disciplinary interstices of modernist studies, Chinese area studies, and Asian American studies, I do not intend to further horizontally expand the category of American modernism, but to reveal the extent to which it has always already been historically, culturally, and aesthetically transpacific-a term which, following Hua Hsu, "describes a physical space" connecting the United States to Asia, "as well as a horizon of possibility." From the transpacific birth and circuits of Harriet Monroe's Poetry magazine and Ezra Pound's living Chinese character, to Witter Bynner's collaboration with Jiang Kanghu and the recovery of Sino-US poets and scholars of American modernism, this dissertation argues for a new mode of reading which unearths the horizontal aesthetic relations which emerged across American and Chinese modernity.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a American literature. $3 685398
650 4 $a Comparative literature. $3 835159
650 4 $a Asian American studies. $3 1181012
653 $a Aesthetic theory
653 $a Anglo-American modernism
653 $a Chinese studies
653 $a Global modernism
653 $a Transpacific studies
655 7 $a Electronic books. $2 local $3 554714
690 $a 0591
690 $a 0295
690 $a 0343
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of Oregon. $b Department of Comparative Literature. $3 1466510
773 0 $t Dissertations Abstracts International $g 85-02A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30526804 $z click for full text (PQDT)