American literature.
Overview
| Works: | 121 works in 1 publications in 1 languages | |
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Titles
Mark Twain's Ambivalence Toward the "Tennessee Land" and His Pioneer Roots in Kentucky : = The "Savage" Other and the "Sivilized" Order.
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Reshaping Black Brilliance : = Towards the Development of a Pan-Afrikan Pedagogy.
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Place as a Participant in Mid-Twentieth Century American Literary Nonfiction.
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Transatlanitic Terrorism : = British and America Literature, 1859-1991.
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Liberalism and Feminist Political Thought in U.S. Women's Suffrage Fiction, 1856-1891.
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Narrating the American Wilderness : = The Narratological Transformation of Indigenous Ecologies to "Wild" Land.
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"A Century New for the Duty and the Deed" Black Speculative Fiction at the Turn of the Twentieth Century.
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Accommodating the posthuman in twentieth century dystopian literature.
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Reframing culture and criticism in grotesque laughter : = The sublime excremental vision of Thomas Bangs Thorpe, humorist of the Old Southwest.
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Laughter without Humor : = Affective Passages through Post-War Culture.
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Narrative empathy for "the other" in American literature, 1845-1945.
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Southern carnivalesque : = Laughter and the performance of the politics of race in American fiction, 1885 - 2010.
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Shattering laughter : = Apocalypse and body in Herman Melville's "Typee".
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How Russian Literature Influenced the Modernist Movement : = A Closer Look at Who Inspired Hemingway, Kafka, Woolf, and Others.
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Contracting Subjectivities : = Que(e)rying Gesture, Affect, and Politics in French and AmericanAIDS Literature.
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Melancholy, Emotions and Feelings in Flannery O'Connor's Fiction.
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Modernist Empathy in American Literature : = William Faulkner, Nathanael West, and Richard Wright.
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A Study of Geo-Regional Place-Consciousness in American Literature.
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The Lowest Basin, Arizona Stories on Being From Arizona, on Writing About Arizona on Identifying and Contributing to an Arizona Literary Regionalism.
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Don't put your shoes on the bed : = A moral analysis of "To Kill a Mockingbird".
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Everyday Apocalypse : = Minor Realism in the Contemporary Climate Novel.
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Unsettling Economies : = Exceptionalism, Precarity, and the Frontier Myth in Neoliberal American Literature.
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The Contemporary Female Gothic : = Hauntings From the Home to the Colonial Landscape.
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Probing Short Story Cycles : = Interpreting Dubliners and Winesburg, Ohio Through Nietzsche's Philosophical Concepts.
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Transcending Genres : = J.R.R. Tolkien's Influence on Narrative Worlds in Ursula K. Le Guin, Margaret Atwood, and Junot Diaz.
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House of Horrors : = Shirley Jackson and the Perils of the Domestic in American Literature, 1945-1965.
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Elements of Place : = Southern Women Writers, Race, and Generational Environmental Knowledge.
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More Than a Feeling : = Materializing Sympathy in Nineteenth-Century American Literature.
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Antho-Logic : = The Anthology and 20th Century U.S. Literature.
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Feasting Bodies : = Structural Cannibalism and Literature in the 19th Century.
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"A Pulse in the Neon" : = Televisual Assimilation in the Works of David Foster Wallace.
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Authenticating voices : = Performance, black identity, and slam poetry.
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States of mind : = The politics of psychology in American literature, 1780-1860.
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Queer Impersonality : = Compulsory Visibility and the Politics of Form in Modernist Women's Life Writing.
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Citation and Tradition : = Hannah Arendt's and Susan Sontag's Walter Benjamin Portraits.
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Lin jia si jie mei : = xi lun "Xiao fu ren" san zhong yi ben de fan yi ce lue = Four Sisters Living Next Door : A Comparative Analysis of Translation Strategies in Three Chinese Versions of Little Women.
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Standing in Creon's shadow : = Defining the female tragic hero.
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Social class depiction in selected award -winning children's narrative fiction.
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The Book of Nicodemus and Other Apocrypha : = The Works of Robert C. O'Brien as a Reflection of Technological/Scientific Anxieties in 1960s American Culture.
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Word Made Flesh : = Biblicality in Cormac McCarthy's Appalachian Novels.
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Hemingway's Curse Reimagined : = A Depth Psychological Analysis of His Fiction.
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Sacred Nature : = Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.
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To Cuivienen There Is No Return : = English and American Fantasy Literature as a Second Hagiography.
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Reading mysteries : = Interpretation and the metaphysical detective story.
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Mediated Mysticism : = The Medieval Development of Mystica Theologia and Its Reception by Martin Luther.
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Rethinking Chicana/o literature through food : = postnational appetites /
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Urban space and late twentieth-century New York literature : = reformed geographies /
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Narratives of diaspora : = representations of Asia in Chinese American literature /
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Within and without: Psychoanalysis, trauma theory, and the healing narrative.
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"Stories Can Save Us": Writing as Therapy in War Literature, Poetry, and Memoir.
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"An imagist turned philosopher" : = Formal innovation, conscious experience, and the self in modernist women's poetry.
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Wound up about brave new seed : = Biotechnology and the food industry in dystopian literature.
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Sounding bodies and voices in nineteenth-century British and American Gothic fiction.
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Beyond the comfort zone: = Monolingual ideologies, bilingual U.S. Latino texts.
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A soldier, a captain, and a king : = Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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Reading the Vietnam War and encountering other others : = Race and ethnicity in American novels of the Vietnam War.
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Identity Construction and Language Deconstruction Codeswitching, Lexical Experimentation, and Self-Translation in Vladimir Nabokov's "Lolita", "Pnin", and "King, Queen, Knave".
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Surviving domestic tensions : = Existential uncertainty in New World African diasporic women's literature.
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Partners in catastrophe : = The phantasmic in African American, Jewish American, and Native American trauma narratives.
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Rewriting the Republic : = American women's historical fiction, 1824-1869.
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Der traum von der Geliebten : = Aeussere und innere Bauform, Erzaehlweise und stofflicher Gehalt in Werken von Novalis, E. T. A. Hoffmann, Edgar Allan Poe und Nerval.
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Turning Toward the World : = Aestheticism, Christianity, and the Ends of Art in Modernist Literature.
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Caressing Radical Alterity : = For a Queer Ethic of Embodiment in Contemporary Films and Literature.
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Rethinking the Normative : = Madness, Abjection, and Awareness in American Literature and Film.
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"Nobody owing nobody nothing" : = Reading Flannery O'Connor anew through the ethics of Emmanuel Levinas.
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Search for significant form, 1905-1915 : = An evaluation of the symbols of tradition and revolt in American literature, painting, and music.
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Man-Made Menopause and Architectural Embodiment in Herman Melville's "I and My Chimney" and "A Disembodied Listener" : = Hawthorne's Mesmeric Narrator in The House of the Seven Gables.
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"Let the Deal Go Down" : = Zora Neale Hurston and a New Direction for the Migration Narrative.
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Fashioning High-Heeled Identity : = Material Culture and Identity Formation in Maya Angelou's Autobiographies.
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God's Ragged Edges : = Religion and Public Life in the Work of Herman Melville.
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Incongruity and Social Expectations : = Cultural Identity in Carson McCullers' Southern Gothic Novel "The Heart Is a Lonely Hunter".
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Climate change in literature and culture : = Conversion, speculation, education.
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Vulgar Grandeur : = Literature and the American Monument During the Long Nineteenth Century.
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Secret Springs of Action : = Necessity and Anglo-American Literature in the Age of Revolution.
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Within and without : = Psychoanalysis, trauma theory, and the healing narrative.
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Post-Internet Writing : = Social Media and Contemporary Fiction.
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"Stories Can Save Us" : = Writing as Therapy in War Literature, Poetry, and Memoir.
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Indian Fields : = Historicizing Native Space and Sovereignty in the Era of Removal.
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Biopolitical Cyborgs in Post-1980 North American Critical Dystopias.
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And They Lived Happily Ever After. The End? Postfeminism and the Rebranding of the Disney Princesses.
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Inventing the Southwest : = How Modernists Shaped an American Regional Experience.
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William Faulkner, his eye for archetypes, and America's divided legacy of medicine.
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Time material : = Temporality, narrative, and modernity in silent film and American naturalism.
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Nature, nurture, nation : = Race and childhood in transatlantic American discourses of slavery.
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Underground Sounds : = Oral Tradition and Recording Culture in American Poetry, 1917-2008.
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Imagining Pleasure : = Experimentalism and Race in Twentieth-Century American Literature and Visual Culture.
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Individual encounters with painting and poetry : = Duncan Phillips, Mark Rothko, and Lawrence Ferlinghetti.
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Lyric Spaces : = Past Tense Speakers in Late Twentieth-Century Poetry.
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Nationalism, secularism, belonging, and identity in Philip Roth, Salman Rushdie, and Orhan Pamuk.
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To Start, Continue, and Conclude : = Foregrounding Narrative Production in Serial Fiction Publishing.
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Through the Spaceship's Window : = A Bio-Political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction.
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The Ethos of Dissent : = Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature.
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'This, Reader, Is No Fiction' : = Examining the Rhetorical Uses of Reader Address across the Nineteenth- and Twentieth-Century Novel.
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From Italian American Icon to Working Class Hero : = Perspectives on Pietro di Donato's "Christ in Concrete".
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The New What's Next : = Innovation and Failure in Contemporary American Literature.
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