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Self-Touch in Henry James's Major Phase.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Self-Touch in Henry James's Major Phase./
作者:
Martin, James.
面頁冊數:
1 online resource (147 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Contained By:
Dissertations Abstracts International84-11A.
標題:
American literature. -
電子資源:
click for full text (PQDT)
ISBN:
9798379536824
Self-Touch in Henry James's Major Phase.
Martin, James.
Self-Touch in Henry James's Major Phase.
- 1 online resource (147 pages)
Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Thesis (Ph.D.)--Florida Atlantic University, 2023.
Includes bibliographical references
The three novels of Henry James's "major phase" have alienated many readers in James's own time and today. I draw on the philosophical school of phenomenology, in particular the work of Maurice Merleau-Ponty and a recent extension by the philosopher Richard Kearney, to suggest that a lack of self-touch by characters in these novels has contributed in a significant but previously unnoticed way to many readers' sense that these novels feel frustratingly intangible. I make a comparison to the instances of selftouch in other Edwardian novels to underline the difference. I suggest that James is putting forward a model of "middle-distance intimacy" in which intimates orbit each other at a fixed distance, neither coming closer nor moving further away. This kind of intimacy, for James, privileges the eye that sees from across the room over the hand that touches from up close. While this model of intimacy perplexed many readers in James's time and later, it is a valuable exploration of a different yet-for some-no less satisfactory kind of emotional life.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024
Mode of access: World Wide Web
ISBN: 9798379536824Subjects--Topical Terms:
685398
American literature.
Subjects--Index Terms:
British literatureIndex Terms--Genre/Form:
554714
Electronic books.
Self-Touch in Henry James's Major Phase.
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Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
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Advisor: Furman, Andrew.
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The three novels of Henry James's "major phase" have alienated many readers in James's own time and today. I draw on the philosophical school of phenomenology, in particular the work of Maurice Merleau-Ponty and a recent extension by the philosopher Richard Kearney, to suggest that a lack of self-touch by characters in these novels has contributed in a significant but previously unnoticed way to many readers' sense that these novels feel frustratingly intangible. I make a comparison to the instances of selftouch in other Edwardian novels to underline the difference. I suggest that James is putting forward a model of "middle-distance intimacy" in which intimates orbit each other at a fixed distance, neither coming closer nor moving further away. This kind of intimacy, for James, privileges the eye that sees from across the room over the hand that touches from up close. While this model of intimacy perplexed many readers in James's time and later, it is a valuable exploration of a different yet-for some-no less satisfactory kind of emotional life.
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click for full text (PQDT)
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