國立虎尾科技大學 |

Jacquard Weave for Interior Design : = Valuing Arts and Crafts Through Encoding Emotion and Information.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Jacquard Weave for Interior Design :/
其他題名:	Valuing Arts and Crafts Through Encoding Emotion and Information.
作者:	Seo, Jimin.
面頁冊數:	1 online resource (175 pages)
附註:	Source: Dissertations Abstracts International, Volume: 78-01, Section: B.
Contained By:	Dissertations Abstracts International78-01B.
標題:	Design. -
電子資源:	click for full text (PQDT)
ISBN:	9798684644399

Jacquard Weave for Interior Design : = Valuing Arts and Crafts Through Encoding Emotion and Information.
Seo, Jimin.

Jacquard Weave for Interior Design :Valuing Arts and Crafts Through Encoding Emotion and Information. - 1 online resource (175 pages)

Source: Dissertations Abstracts International, Volume: 78-01, Section: B.

Thesis (Ph.D.)--Royal College of Art (United Kingdom), 2016.

Includes bibliographical references

This dissertation exists in relation to the exhibition of design practice at the RCA, November 7th 2014 (documented in photographs accompanying the text); it is structured according to my construction of the exhibition. It therefore integrates the question of describing my practice-based research methods along with the descriptions of my research context, and case studies of other contemporary designers; the history of the Arts and Crafts ethos, as a precursor of modernity, is also reconsidered as of potential use for a crafts approach to textile sustainability. The methods used are a compound of the workshop method of experiments at the desk, drawing board, computer screen, loom and print room, along with a search for existing cases of similar textile-weave practice in current production, some historical research and some autoethnography, which documents the subjective experience of researching sustainability in one aspect of textile design.The thesis explores aspects of emotional durability through textile design. The meaning of emotionally durable textiles, particularly those using a Jacquard weave design, was encoded in the form of QR code (Quick Response code) patterns, which, when scanned by a smartphone, lead users through the digital portal to digital platforms which inform and network users. Considering the origins of the computer in the digital binary logic of weave and its mechanisation in the Jacquard loom, the use of the weave process as a medium for encoding the meaning of the material is especially interesting for the designer as a means of activating the agency of the maker and the user. The use of textiles in all aspects of everyday life ensures the proximity of textile as an interface between the familiarity and comfort of the material and the designer's addition of the function of rationality in relation to others and to the world of knowledge, networking and activism. The research concludes with a range of prototype Jacquard designs, which activate the relationship between designer and user through the medium of encoded messages. Using the Jacquard code as a part of new digital media of twenty-first-century technology is a way for design practice to celebrate the industrial innovation of mechanised weave and to apply this to the challenges of sustainability.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798684644399Subjects--Topical Terms:

595500
Design.
Subjects--Index Terms:

Jacquard loomIndex Terms--Genre/Form:

554714
Electronic books.

Jacquard Weave for Interior Design : = Valuing Arts and Crafts Through Encoding Emotion and Information.
LDR:03664ntm a22003737 4500 001 1142374
005 20240422070816.5
006 m o d
007 cr mn ---uuuuu
008 250605s2016 xx obm 000 0 eng d
020 $a 9798684644399
035 $a (MiAaPQ)AAI10136703
035 $a (MiAaPQ)RoyalCollegeArt1756
035 $a AAI10136703
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Seo, Jimin. $3 1466654
245 1 0 $a Jacquard Weave for Interior Design : $b Valuing Arts and Crafts Through Encoding Emotion and Information.
264 0 $c 2016
300 $a 1 online resource (175 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 78-01, Section: B.
502 $a Thesis (Ph.D.)--Royal College of Art (United Kingdom), 2016.
504 $a Includes bibliographical references
520 $a This dissertation exists in relation to the exhibition of design practice at the RCA, November 7th 2014 (documented in photographs accompanying the text); it is structured according to my construction of the exhibition. It therefore integrates the question of describing my practice-based research methods along with the descriptions of my research context, and case studies of other contemporary designers; the history of the Arts and Crafts ethos, as a precursor of modernity, is also reconsidered as of potential use for a crafts approach to textile sustainability. The methods used are a compound of the workshop method of experiments at the desk, drawing board, computer screen, loom and print room, along with a search for existing cases of similar textile-weave practice in current production, some historical research and some autoethnography, which documents the subjective experience of researching sustainability in one aspect of textile design.The thesis explores aspects of emotional durability through textile design. The meaning of emotionally durable textiles, particularly those using a Jacquard weave design, was encoded in the form of QR code (Quick Response code) patterns, which, when scanned by a smartphone, lead users through the digital portal to digital platforms which inform and network users. Considering the origins of the computer in the digital binary logic of weave and its mechanisation in the Jacquard loom, the use of the weave process as a medium for encoding the meaning of the material is especially interesting for the designer as a means of activating the agency of the maker and the user. The use of textiles in all aspects of everyday life ensures the proximity of textile as an interface between the familiarity and comfort of the material and the designer's addition of the function of rationality in relation to others and to the world of knowledge, networking and activism. The research concludes with a range of prototype Jacquard designs, which activate the relationship between designer and user through the medium of encoded messages. Using the Jacquard code as a part of new digital media of twenty-first-century technology is a way for design practice to celebrate the industrial innovation of mechanised weave and to apply this to the challenges of sustainability.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Design. $3 595500
650 4 $a Textile research. $3 1180298
650 4 $a Sustainability. $3 793436
650 4 $a Dissertations & theses. $3 1372732
650 4 $a Clothing. $3 1466655
650 4 $a Upholstery. $3 1086158
650 4 $a Manufacturing. $3 1295128
653 $a Jacquard loom
653 $a Textile design
653 $a Sustainability
655 7 $a Electronic books. $2 local $3 554714
690 $a 0389
690 $a 0994
690 $a 0640
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Royal College of Art (United Kingdom). $3 1335395
773 0 $t Dissertations Abstracts International $g 78-01B.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10136703 $z click for full text (PQDT)