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Intuitive Graphic Design.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Intuitive Graphic Design./
Author:	Afanasyev, Denis.
Description:	1 online resource (41 pages)
Notes:	Source: Masters Abstracts International, Volume: 85-01.
Contained By:	Masters Abstracts International85-01.
Subject:	Design. -
Online resource:	click for full text (PQDT)
ISBN:	9798379822712

Intuitive Graphic Design.
Afanasyev, Denis.

Intuitive Graphic Design. - 1 online resource (41 pages)

Source: Masters Abstracts International, Volume: 85-01.

Thesis (M.F.A.)--Pratt Institute, 2023.

Includes bibliographical references

Typographically oriented graphic design still balances itself on the comprehension of language, words, and even letters that are purely abstract shapes that don't have distinctive correspondences to the sounds that they represent. The vast majority of a type-oriented design's success derives from the audience's ability to decode such forms. Nonetheless, we by nature, are coders and decoders, especially when submerged within the field of communication. Subconsciously and intuitively we utilize external means that can be referred to as non-verbal forms of communication that create a greater depth of meaning. These vital but lesser-acknowledged patterns tend to stay distant from today's mass graphic communication practices. People often open up definitions and find new ways to interpret language that is presented in the design form, but what remains constant are their individual postures, physical habits, and expressions. Graphic design keeps hiding behind the well-established system that language provides without grasping at the possibility that these intuitive, gestural, expressive, and physical communication patterns exist. As a designer who experienced the effect of needing to utilize other means of communication when language was still unknown, I am eager to engage in a space of communication where words themselves may fail to communicate. Intuitive Graphic Design begins to propose new methodologies that harmoniously combine materiality, type as image, physical interaction and semiotic-like visuals. The possibility to import them and strategically implement them into design will ultimately act as a better bridge for micro and macro human communications.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798379822712Subjects--Topical Terms:

595500
Design.
Subjects--Index Terms:

AdvertisementIndex Terms--Genre/Form:

554714
Electronic books.

Intuitive Graphic Design.
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500 $a Advisor: Hwang, Gaia;Dyer, Michael.
502 $a Thesis (M.F.A.)--Pratt Institute, 2023.
504 $a Includes bibliographical references
520 $a Typographically oriented graphic design still balances itself on the comprehension of language, words, and even letters that are purely abstract shapes that don't have distinctive correspondences to the sounds that they represent. The vast majority of a type-oriented design's success derives from the audience's ability to decode such forms. Nonetheless, we by nature, are coders and decoders, especially when submerged within the field of communication. Subconsciously and intuitively we utilize external means that can be referred to as non-verbal forms of communication that create a greater depth of meaning. These vital but lesser-acknowledged patterns tend to stay distant from today's mass graphic communication practices. People often open up definitions and find new ways to interpret language that is presented in the design form, but what remains constant are their individual postures, physical habits, and expressions. Graphic design keeps hiding behind the well-established system that language provides without grasping at the possibility that these intuitive, gestural, expressive, and physical communication patterns exist. As a designer who experienced the effect of needing to utilize other means of communication when language was still unknown, I am eager to engage in a space of communication where words themselves may fail to communicate. Intuitive Graphic Design begins to propose new methodologies that harmoniously combine materiality, type as image, physical interaction and semiotic-like visuals. The possibility to import them and strategically implement them into design will ultimately act as a better bridge for micro and macro human communications.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
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653 $a Language
653 $a Non-verbal communication
653 $a Typography
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