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The Past, Present, and Future of Copyright Law's Musical Work : = A View From Music Theory.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	The Past, Present, and Future of Copyright Law's Musical Work :/
Reminder of title:	A View From Music Theory.
Author:	Wilson, Lauren.
Description:	1 online resource (251 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-06, Section: A.
Contained By:	Dissertations Abstracts International85-06A.
Subject:	Law. -
Online resource:	click for full text (PQDT)
ISBN:	9798381119077

The Past, Present, and Future of Copyright Law's Musical Work : = A View From Music Theory.
Wilson, Lauren.

The Past, Present, and Future of Copyright Law's Musical Work :A View From Music Theory. - 1 online resource (251 pages)

Source: Dissertations Abstracts International, Volume: 85-06, Section: A.

Thesis (Ph.D.)--University of Rochester, 2023.

Includes bibliographical references

This dissertation examines the relationship music theory can play and has played in American music copyright theory and litigation. Through the lens of copyright law's "musical work," I analyze how copyright laws have drifted in and out of alignment with the ways that contemporary theorists and musicians understand music. By exploring copyright's history through a music-theoretical, technological, and cultural perspective, I argue that lawmakers' attempts to understand and react to new musical developments have not kept pace with contemporary popular music. I then turn to the current state of music copyright litigation to problematize the current system of musical ownership that copyright law supports. A system of common property, which keeps the commonplace segments of music at issue in many copyright suits in the public domain, will best reflect the compositional processes known to the musicians governed by copyright laws. Finally, I offer a vision for the future of copyright law's musical work that brings the law's understanding of musical creativity into alignment with the priorities and practices of contemporary popular music.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798381119077Subjects--Topical Terms:

671705
Law.
Subjects--Index Terms:

AuthorshipIndex Terms--Genre/Form:

554714
Electronic books.

The Past, Present, and Future of Copyright Law's Musical Work : = A View From Music Theory.
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520 $a This dissertation examines the relationship music theory can play and has played in American music copyright theory and litigation. Through the lens of copyright law's "musical work," I analyze how copyright laws have drifted in and out of alignment with the ways that contemporary theorists and musicians understand music. By exploring copyright's history through a music-theoretical, technological, and cultural perspective, I argue that lawmakers' attempts to understand and react to new musical developments have not kept pace with contemporary popular music. I then turn to the current state of music copyright litigation to problematize the current system of musical ownership that copyright law supports. A system of common property, which keeps the commonplace segments of music at issue in many copyright suits in the public domain, will best reflect the compositional processes known to the musicians governed by copyright laws. Finally, I offer a vision for the future of copyright law's musical work that brings the law's understanding of musical creativity into alignment with the priorities and practices of contemporary popular music.
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