Music theory.
Overview
| Works: | 74 works in 1 publications in 1 languages | |
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Titles
Servant Leader Choral Conductor : = The Effect of Servant Leadership in Community Choirs and Community Partnerships.
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A Performance Guide for Eight Selected Chinese Art Songs Based on Song Ci from the Song Dynasty.
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A Study of Contrasting Elements Among the Early, Large-Scale, Choral-Orchestral Works of Fredrik Sixten Set in Historical Forms (2004-2015).
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A Performance Guide of Cecile Chaminade's Early Piano Works : = Piano Sonata Op. 21, Six Etudes de Concert Op. 35, and Concertstuck Op. 40.
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Strategy in Contemporary Jazz Improvisation : = Theory and Practice.
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The Past, Present, and Future of Copyright Law's Musical Work : = A View From Music Theory.
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The Development of the Piano Intermezzo from the Nineteenth to Twenty-First Centuries.
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Sad Songs : = Volume I for Mezzo-soprano, Flute, Clarinet, and Cello.
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Reading between the Lines : = Narrativity in Beethoven's Piano Sonatas.
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"It's All the Same" : = Genre Generalization in the American Music Industry.
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Dualist Approaches to Resonance in French Music and Music Theory, 1900-1960.
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Enhancing Students' Motivational Capacities in Music Classrooms Through Gamification of Curriculum.
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A Performance Guide to Josh Oxford's Luminous Mysteries Rosary Sonata : = Situating a Commission Within Historical, Musical, Narrative, and Technical Contexts, With Violin Part in Semi-Tablature Notation.
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Composing (With) Theories of Acoustics and Pitch Perception After 1950.
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Genre Experience Maps and Their Role in the Analysis of Post-2000s Popular Music.
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Scoring the Unknown : = Rethinking Fixity and Openness in Western Art Music Notation.
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Linguistic Influence in Digital Music : = Toward a Critical Theory for Music Software Practices.
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Musical Expression in German Neo-Baroque Organ Music : = Case Studies of Selected Works by Hugo Distler and Ernst Pepping.
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A Pedagogical Analysis of Zhao Zhang's Pi Huang : = Representing Peking Opera on the Piano.
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"Let the Music Win!" Towards a Reimagined Choral Pedagogy : = A Phenomenological Case Study of Chorister Experience at the Toronto Children's Chorus.
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Transnational Historiography and Twentieth-Century Modernity : = Rachmaninoff Beyond Russia.
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Extreme Metal Across the Digital Divide : = Music, Technology, Genre.
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Transcendent Machine : = An Analysis of ELiane Radigue's ARP 2500 Synthesizer Music.
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Temporality in the First Movement of Trio No.1 for Piano, Violin, and Cello (1954) by Leon Kirchner in Light of Jonathan Kramer's Approach to Temporal Study.
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Intercultural Music and Meaning in Akin Euba's Chaka : = An Opera in Two Chants.
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Constructing an Architectural Model of Music : = A Comparative Study of Beethoven's Ninth Symphony and Van Alen's Chrysler Building.
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The Cello Exercise Index : = Considering Technique Resources for Cello Teachers and Students.
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Playing With Shadows : = Tools for Interactive DMX Design in Max/MSP for Musical Composition.
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Engaging With Musical Theater Practitioners' Vernacular Musical Knowledge as Music-Theoretical Practice.
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Post-Classical Sonata Forms in the Piano Works of Chopin, Schumann, Liszt, and Brahms : = Romanticism Within Classicism.
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Ways of Silence and Other Absences in the Music of George Crumb.
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Enlivening Baroque Solo Repertoire : = Thomas Demenga's ECM Recording of J.S. Bach's Fourth Cello Suite.
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From Small to Large : = Observations on George Crumb's Eleven Echoes of Autumn for Alto Flute, Clarinet, Violin, and Piano.
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Compassionate Music Teaching With Adults Learning Recreationally in Lessons : = A Narrative Inquiry.
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The Nordic Romantic : = A Contextualized Study of Niels W. Gade's Sonata No.2 in D Minor, Op. 21a, for Viola and Piano.
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Analyzing Postcolonial Creativity : = A Novel Theory for East-Asian New Music and Film Soundtracks.
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The Order of Pitches : = Music Theory, Science, and Western Learning in 17th-Century China.
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Quantum Computer Music = Foundations, Methods and Advanced Concepts /
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Polyphonie und Hybridität = Musikaustausch zwischen China und Europa /
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Composition and cognition : = reflections on contemporary music and the musical mind /
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Music theory and its methods = structures, challenges, directions /
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Los Angeles Noisescapes : = Culture and Aesthetics in the Early Twenty-First Century Experimental 'Noise' Scenes.
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Form, Style, and Influence in the Chamber Music of Antonin Dvorak.
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A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943).
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The Shape of Sound from Opto-Acoustic Inscription to an Immersive Sonic Art.
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Visualizing Temporality in Music : = Music Perception - Feature Extraction.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Joining Forces in Technology : = Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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Challenges to Student Success in an Introductory Music Theory I Course.
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A Cognitively Inspired Method for the Statistical Analysis of Eighteenth-Century Music, as Applied in Two Corpus Studies.
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The Rise of the Chinese Concerto : = A Look into the Developments of Chinese Traditional Instrument Concerti with Western Orchestra.
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"Let the Feast of Fools Begin, Batman!" : = The Traditional and Gothic Carnvialesques in the Sound Design of the "Batman : Arkham" Video Games.
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Cross-Sensory Perception in Music and Visual Media : = A Neurocognitive Approach to Multimedia Counterpoint.
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