國立虎尾科技大學 |

Painting the Persona.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Painting the Persona./
作者:	White, Reed.
面頁冊數:	1 online resource (3 pages)
附註:	Source: Masters Abstracts International, Volume: 56-04.
Contained By:	Masters Abstracts International56-04(E).
標題:	Design. -
電子資源:	click for full text (PQDT)
ISBN:	9781369786385

Painting the Persona.
White, Reed.

Painting the Persona. - 1 online resource (3 pages)

Source: Masters Abstracts International, Volume: 56-04.

Thesis (M.A.)

Includes bibliographical references

I am an oil painter who paints the human form as a subject. My technique varies between loose transparent glazes to more realistic impasto, revealing the process in which I paint. My colors are often exaggerated and unrealistic.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369786385Subjects--Topical Terms:

595500
Design.
Index Terms--Genre/Form:

554714
Electronic books.

Painting the Persona.
LDR:02818ntm a2200385Ki 4500 001 909742
005 20180426091045.5
006 m o u
007 cr mn||||a|a||
008 190606s2017 xx obm 000 0 eng d
020 $a 9781369786385
035 $a (MiAaPQ)AAI10264963
035 $a (MiAaPQ)mnsu:10661
035 $a AAI10264963
040 $a MiAaPQ $b eng $c MiAaPQ
099 $a TUL $f hyy $c available through World Wide Web
100 1 $a White, Reed. $3 1180667
245 1 0 $a Painting the Persona.
264 0 $c 2017
300 $a 1 online resource (3 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 56-04.
500 $a Includes supplementary digital materials.
500 $a Adviser: Brian Frink.
502 $a Thesis (M.A.) $c Minnesota State University, Mankato $d 2017.
504 $a Includes bibliographical references
520 $a I am an oil painter who paints the human form as a subject. My technique varies between loose transparent glazes to more realistic impasto, revealing the process in which I paint. My colors are often exaggerated and unrealistic.
520 $a I choose to paint people in my community because it reveals a story about the time and place I live in. I enjoy painting people because we are interesting as physical objects: color, form, the way our bodies change as we age, what we chose to wear, etc. We come in many different sizes, colors, shapes, our postures and facial expressions articulate our emotions. We all have the experience of being human in common, and as a social species, are instinctively curious about other humans. We all have a story to tell, I try to express what I perceive with paint. I try to capture the persona of a person by painting with as few brush strokes as possible.
520 $a As an artist, I want my paintings to be interesting rather than a stagnant documentation of a person. I sometimes force the use of odd colors, outlines, incorrect perspective, etc., to escape the impulse to strive for perfection. When a painting is completely resolved, it looses something. There is a point when an unpolished painting has an energy, a vitality, and holds so much potential, a point at which the process is still evident. When the painting is purposefully imperfect, the viewer can focus on what I find to be important: the colors, the marks, the composition, the paint, and still see the persona of the person I painted.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Design. $3 595500
650 4 $a Fine arts. $3 1112523
655 7 $a Electronic books. $2 local $3 554714
690 $a 0389
690 $a 0357
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Minnesota State University, Mankato. $b Art: MA. $3 1180668
773 0 $t Masters Abstracts International $g 56-04(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10264963 $z click for full text (PQDT)