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Apologia pro Semanalyse : = Kristeva...
~
Middle Tennessee State University.
Apologia pro Semanalyse : = Kristeva and Wordsworth's Maternal Sublime.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Apologia pro Semanalyse :/
其他題名:
Kristeva and Wordsworth's Maternal Sublime.
作者:
Latham, Mary Marley.
面頁冊數:
1 online resource (146 pages)
附註:
Source: Masters Abstracts International, Volume: 55-04.
Contained By:
Masters Abstracts International55-04(E).
標題:
British & Irish literature. -
電子資源:
click for full text (PQDT)
ISBN:
9781339743981
Apologia pro Semanalyse : = Kristeva and Wordsworth's Maternal Sublime.
Latham, Mary Marley.
Apologia pro Semanalyse :
Kristeva and Wordsworth's Maternal Sublime. - 1 online resource (146 pages)
Source: Masters Abstracts International, Volume: 55-04.
Thesis (M.A.)
Includes bibliographical references
Julia Kristeva's critical approach to poetic revolution reclaims hitherto neglected feminine elements of the sublime. Her process of "semanalysis"---which combines semiotics and psychoanalysis---presents a gendered dynamic in psycholinguistics. Semanalysis exposes the artificiality of communication to unsettle any illusion of fundamental order in language. Wordsworth's Prelude, in its interminable coming-into-being, exposes the speaking subject as constituted fluidly in "spots of time." Wordsworth's "speaking subject" feels continuous in time but also dissolute within his universe. Driven by a desire to embody and inscribe his moments, the speaking subject of The Prelude struggles against the limits of language in meaning-making.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9781339743981Subjects--Topical Terms:
1148425
British & Irish literature.
Index Terms--Genre/Form:
554714
Electronic books.
Apologia pro Semanalyse : = Kristeva and Wordsworth's Maternal Sublime.
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Source: Masters Abstracts International, Volume: 55-04.
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Middle Tennessee State University
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Julia Kristeva's critical approach to poetic revolution reclaims hitherto neglected feminine elements of the sublime. Her process of "semanalysis"---which combines semiotics and psychoanalysis---presents a gendered dynamic in psycholinguistics. Semanalysis exposes the artificiality of communication to unsettle any illusion of fundamental order in language. Wordsworth's Prelude, in its interminable coming-into-being, exposes the speaking subject as constituted fluidly in "spots of time." Wordsworth's "speaking subject" feels continuous in time but also dissolute within his universe. Driven by a desire to embody and inscribe his moments, the speaking subject of The Prelude struggles against the limits of language in meaning-making.
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The critical approach of semanalysis reveals repressed feminine processes and drives underpinning creative language acts. Such repressed expressions enact a process similar to the sublimation of feminine psycholinguistic tendencies in the Symbolic order. Thus, semanalysis offers an intellectual practice uniquely able to make evident feminine creative constituencies in the Symbolic order even in a masculine-identified speaking subject like Wordsworth's. Wordsworth's recurrent "revisitings" of moments of time memorialized in his verse---apparent in the overwhelming accumulation of drafting artifacts that is The Prelude---reveal a poetic subject veiling and counter-veiling his attraction to the maternal sublime under the auspices of an idealized, impossible-to-embody Recluse, a figure---spectrally textual---beckoning the poet with the promise of a position in monumental time.
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Ann Arbor, Mich. :
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2018
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Mode of access: World Wide Web
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British & Irish literature.
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click for full text (PQDT)
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