British & Irish literature.
概要
| 作品: | 223 作品在 0 項出版品 0 種語言 | |
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書目資訊
Only a Body "Who nobody owns:" Adolescent Identity in Neil Gaiman's The Graveyard Book.
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"Manne, for Thy Loue Wolde I Not Lette" : = Eucharistic Portrayals of Caritas in Medieval and Early Modern English Literature and Drama 1350-1650.
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Henry Howard, Thomas Nashe, Christopher Marlowe, and Queer Humanism in the Sixteenth Century.
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Hidden Monstrosities : = The Transformation of Medieval Characters and Conventions in Shakespeare's Romances.
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"A Sad Tale Is Best for Winter:" The Use of Nature and Children in Adaptations of The Winter's Tale.
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Holmes in the Empire : = Postcolonial Textual Authority, Transcultural Adaptation, and Crime Fiction as World Literature.
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Cultural Trauma and Narratives of Silence in Kazuo Ishiguro's Never Let Me Go and The Remains of the Day.
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The Children of Anger and Revenge : = Managing Emotion in Early English Literature.
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Strange Intimacy : = Affect, Embodiment, Materiality, and the Non-Human in Virginia Woolf and Jean Rhys.
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Domesticating emotions : = Technologies of affect in Victorian literature and culture.
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Reading bodies : = Associationism, empathy, and the ethics of sensation in nineteenth-century fiction.
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Food for Sympathy : = Illness, Nursing, and Affect in Victorian Literature and Culture.
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The Importance of the Absent Mother and Orphanhood in Emily Bronte's Wuthering Heights and Charlotte Bronte's Jane Eyre Thesis.
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Discrimination adapted from novels to films in "Harry Potter" : = "Goblet of Fire" and "Order of the Phoenix".
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To see it feelingly : = Towards a theory of theatrical empathy in Shakespeare's plays.
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Understanding the Experiences of Secondary ELA Teachers with the Integration of LGBTQ+-Inclusive Literature in the Core Curriculum.
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Probing Short Story Cycles : = Interpreting Dubliners and Winesburg, Ohio Through Nietzsche's Philosophical Concepts.
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Transcending Genres : = J.R.R. Tolkien's Influence on Narrative Worlds in Ursula K. Le Guin, Margaret Atwood, and Junot Diaz.
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Shakespeare's Economies of Hospitality : = Broken Comedies, Bad Hosts, and Troublesome Guests.
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Art That Is Not So New : = Tracing Aesthetics and Thematic Elements of the Pre-Raphaelites, Arts and Crafts, and Art Nouveau Movements.
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Falling in the 'Unequal Contest' : = Adhesiveness and Surplus Punishment in Shakespeare.
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Forgive Me, Father, for I Have Sinned : = The Dramatic Potency of Confession on the Early Modern English Shakespearean Stage.
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Master Mulcaster's Pageantry of Miseducation in Book One of Spenser's Faerie Queene.
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"That Danger Shall Seem Sport" : = Shakespearean Romantic Comedy for a Postfeminist Era.
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"Father As It Pleases Me" : = Christopher Marlowe's Inspiration of William Shakespeare Within Much Ado About Nothing.
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The Ram and Ewe of Venice : = Blackness and the Tragedy of Interracial Marriage in William Shakespeare's Othello.
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Patterns of Complementarity : = Masculine and Feminine Relationships in "Othello," "King Lear," and "Macbeth."
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Queer Impersonality : = Compulsory Visibility and the Politics of Form in Modernist Women's Life Writing.
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"I Hope You Are Not Being Stupid About Children" : = Transforming Literature Pedagogy Through Children's Literature.
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The Dramatization of Non-Dramatic Material in the Secondary English Language Arts Classroom : = The House on Mango Street.
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Exploring English Language Arts (ELA) Student Experiences With Virtual Reality (VR) Activities.
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Loving Bodies, Willing Minds : = Affect, Cognition, and Gender in Late Medieval English Literature.
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Horror, Not Just Horrible : = A Reconsideration of the Thematic Unity of Monsters in the Beowulf-Manuscript Through the Lens of Horror.
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An Empire of Clocks in Disarray : = Time Coordination and Adventure Fiction in the British Empire, 1880-1890.
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Emerging Authorities in Restoration Theatre : = Women's Entry Into Self-Representation.
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Sacred Nature : = Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.
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Seems Pretty Real : = An Examination of 9/11's Impact on the American Post-Apocalyptic Novel.
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"Lacking an Emotional Country..." : = Motion, Instability, and the Female Cosmopolitan in the Fiction of Mavis Gallant.
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The View Sub Specie Aeternitatis and Consolation : = Parallel Themes in the Old English Boethius and Selected Medieval English Literature.
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Thomas Becket's Muslim Mother : = Imagining Englishness in the South English Legendary.
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To Cuivienen There Is No Return : = English and American Fantasy Literature as a Second Hagiography.
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"We Gefrunon" : = Aurality, Social Dramas, and Liminality in Old English Literature.
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Statistical Fictions : = Nineteenth-Century Narrative and the Probability of Change.
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Alimentary Theology : = Religious Experience and the Language of Food in Late-Medieval English Vernacular Literature.
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Princes, Princesses, and Socialites : = Feminism and Class Transgression in Hollywood Romantic Comedies.
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"Killers Who Preach" : = Horror and the "Victorian" Culture Text in the Modern American Musical.
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Uncovering Community in the Queer American Underground : = Through George Kuchar and LGBTQ Zines.
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Manuscript of Apocalyptic Poems With Critical Introduction on a Tradition of Apocalyptic Poetry.
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The Trade of Penance : = Commercial Practice and Penitential Piety in Late Medieval Literature.
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"An imagist turned philosopher" : = Formal innovation, conscious experience, and the self in modernist women's poetry.
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The Gothic Fantasy of History : = Fear and Loss in the British Long Eighteenth Century.
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Convergence and Contest : = Humanism, Comic Books, and Higher Education in the Digital Age.
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Wound up about brave new seed : = Biotechnology and the food industry in dystopian literature.
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Sounding bodies and voices in nineteenth-century British and American Gothic fiction.
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Writing Environment : = Cultural Phenomenology of Place in Anna Seward's Writing Process.
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For love of country : = History, nation and identity in British women's writings 1763-1812.
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The fictional sob sisters : = Narrative construction of women journalists in popular literature.
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A soldier, a captain, and a king : = Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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"SUCH HOLY SONG" : = MUSIC AS IDEA, FORM, AND IMAGE IN THE POETRY OF WILLIAM BLAKE.
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Surviving domestic tensions : = Existential uncertainty in New World African diasporic women's literature.
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Performing ethnic identities in global economies: = Power and resistance in Sri Lanka's dirty war.
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Epidemiology of Terror : = Health, Horror, and Politics in Colonial and Postcolonial Literature.
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Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.
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NATURAL MAGIC AND MODERN SCIENCE IN THE POETIC WORKS OF NOVALIS AND SHELLEY (ALCHEMY, ROMANTIC, NEOPLATONISM, PERCY BYSSHE SHELLEY).
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Envisioning the transcendent : = The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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Turning Toward the World : = Aestheticism, Christianity, and the Ends of Art in Modernist Literature.
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Latin Labyrinths, Celtic Knots : = Modernism and the Dead in Irish and Latin American Literature.
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The politics of taste : = Mary Wollstonecraft and Jane Austen on the cultivation of democratic judgment.
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Absorption and Denial : = Toward an Aesthetics of Ends in Old and Middle English Poetry.
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Giambattista Velluti in London (1825-1829) : = Literary Constructions of the Last Operatic Castrato.
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Secret Springs of Action : = Necessity and Anglo-American Literature in the Age of Revolution.
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"Stories Can Save Us" : = Writing as Therapy in War Literature, Poetry, and Memoir.
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There's No Place Like "Home" Displacement, Domestic Space, and Ecological Consciousness in the work of Elizabeth Gaskell and Susanna Moodie.
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The politics of translation : = Authorship and authority in the writings of Alfred the Great.
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Voicing female ambition and purpose : = The role of the artist figure in the works of George Eliot.
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"I am my own mistress" : = Narrating professional autonomy and love in Charlotte Bronte's novels.
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The impact of contemporary theological attitudes towards poverty on William Wordsworth's writing.
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Nursery of the nation : = Mothers, midwives and national identity on the eighteenth-century comedic stage.
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Subversive merit : = The revision of the classical clever slave as witty servant and social satirist in the comedies of Ben Jonson.
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"Scrupulous sympathy" : = James Joyce's "Ulysses" and the ethics of modern sentimentality.
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Worldmaking in early modern Europe : = Global imaginations from Montaigne to Milton.
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'The shame of all her kind' : = A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity.
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Bodies as texts, texts as bodies : = Corpses in nineteenth-century British literature.
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Nature, nurture, nation : = Race and childhood in transatlantic American discourses of slavery.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals.
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Plagued Subjects : = Political Culture of Crisis in Early Modern English Literature.
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Ways of Thanking in American-English, Chinese-Mandarin, South Korean, and Thai : = An Intercultural and Cross-linguistic Approach.
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'Poisoning the Viewer' : = The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Astraea's Adversary : = The Rivalry Between Law and Literature in Elizabethan England.
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Place and Displacement : = The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century.
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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
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Gestural Ekphrasis : = Toward a Phenomenology of the Moving Body in Joyce and Woolf.
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"The Second Barrel is Nearly Always Fatal" : = Rhetoric in the Three Trials of Oscar Wilde.
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Rhetoric of Resistance : = Social Justice in the Work of Wollstonecraft, Cugoano, and Godwin.
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The Gendered Pocket : = Fashion and Patriarchal Anxieties about the Female Consumer in Select Victorian Literature.
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Between Two Worlds : = The Functions of Liminal Space in Twentieth-Century Literature.
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Affective Citizenship : = Gender and Narratives of Affiliation in Multi-Ethnic British Literature.
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To Start, Continue, and Conclude : = Foregrounding Narrative Production in Serial Fiction Publishing.
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Sustaining Sustainers : = Moving Culturally Sustaining Pedagogies Across Classrooms and Communities.
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Theatrical Weddings and Pious Frauds : = Performance and Law in Victorian Marriage Plots.
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Through the Spaceship's Window : = A Bio-Political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction.
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Listening for Unreliable Narration : = Narrative Noise in the Nineteenth-Century British Novel.
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'This, Reader, Is No Fiction' : = Examining the Rhetorical Uses of Reader Address across the Nineteenth- and Twentieth-Century Novel.
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Illuminating the Eighteenth-Century British Stage : = Perfecting Performance through Education.
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