British & Irish literature.
Overview
| Works: | 224 works in 0 publications in 0 languages | |
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Titles
Fidelity, Remix, and the Adaptive Potential: Leveraging AI and ML Techniques in Literary Adaptation Theory /
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Children's literature and modern thought: Bridging the barrier of World War I.
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Water, prestige, and Christianity: An ecocritical look at Medieval literature.
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"Stories Can Save Us": Writing as Therapy in War Literature, Poetry, and Memoir.
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"An imagist turned philosopher" : = Formal innovation, conscious experience, and the self in modernist women's poetry.
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Not without literature : = Joyce with Lacan in the reinvention of psychoanalysis.
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Proved Upon Our Pulses : = Romanticism and the Life of Things Today.
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The Gothic Fantasy of History : = Fear and Loss in the British Long Eighteenth Century.
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Convergence and Contest : = Humanism, Comic Books, and Higher Education in the Digital Age.
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Wound up about brave new seed : = Biotechnology and the food industry in dystopian literature.
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Eighteenth-Century Women's Cookbooks : = Authors and Copyright.
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Sounding bodies and voices in nineteenth-century British and American Gothic fiction.
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Writing Environment : = Cultural Phenomenology of Place in Anna Seward's Writing Process.
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Individuation Process of Adolescents : = Horcruxes and Harry Potter.
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Apologia pro Semanalyse : = Kristeva and Wordsworth's Maternal Sublime.
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For love of country : = History, nation and identity in British women's writings 1763-1812.
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The fictional sob sisters : = Narrative construction of women journalists in popular literature.
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A soldier, a captain, and a king : = Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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"SUCH HOLY SONG" : = MUSIC AS IDEA, FORM, AND IMAGE IN THE POETRY OF WILLIAM BLAKE.
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Surviving domestic tensions : = Existential uncertainty in New World African diasporic women's literature.
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Performing ethnic identities in global economies: = Power and resistance in Sri Lanka's dirty war.
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Epidemiology of Terror : = Health, Horror, and Politics in Colonial and Postcolonial Literature.
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Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.
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NATURAL MAGIC AND MODERN SCIENCE IN THE POETIC WORKS OF NOVALIS AND SHELLEY (ALCHEMY, ROMANTIC, NEOPLATONISM, PERCY BYSSHE SHELLEY).
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Envisioning the transcendent : = The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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Turning Toward the World : = Aestheticism, Christianity, and the Ends of Art in Modernist Literature.
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Latin Labyrinths, Celtic Knots : = Modernism and the Dead in Irish and Latin American Literature.
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The politics of taste : = Mary Wollstonecraft and Jane Austen on the cultivation of democratic judgment.
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Democratic Experiments : = Irish Literature between Nationalism and Modernism.
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Man-Made Menopause and Architectural Embodiment in Herman Melville's "I and My Chimney" and "A Disembodied Listener" : = Hawthorne's Mesmeric Narrator in The House of the Seven Gables.
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Absorption and Denial : = Toward an Aesthetics of Ends in Old and Middle English Poetry.
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Giambattista Velluti in London (1825-1829) : = Literary Constructions of the Last Operatic Castrato.
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Traveling Tunes : = French Comic Opera and Theater in London, 1714-1745.
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The Good Look : = Victorian Visual Ethics and the Problem of Physical Difference.
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Secret Springs of Action : = Necessity and Anglo-American Literature in the Age of Revolution.
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Struggling Adolescent Writers Describe Their Writing Experience.
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Children's literature and modern thought : = Bridging the barrier of World War I.
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Water, prestige, and Christianity : = An ecocritical look at Medieval literature.
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"Stories Can Save Us" : = Writing as Therapy in War Literature, Poetry, and Memoir.
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There's No Place Like "Home" Displacement, Domestic Space, and Ecological Consciousness in the work of Elizabeth Gaskell and Susanna Moodie.
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Inventing the Southwest : = How Modernists Shaped an American Regional Experience.
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The politics of translation : = Authorship and authority in the writings of Alfred the Great.
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"A plague 'o both your houses" : = Shakespeare and early modern plague writing.
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Voicing female ambition and purpose : = The role of the artist figure in the works of George Eliot.
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"I am my own mistress" : = Narrating professional autonomy and love in Charlotte Bronte's novels.
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The impact of contemporary theological attitudes towards poverty on William Wordsworth's writing.
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Nursery of the nation : = Mothers, midwives and national identity on the eighteenth-century comedic stage.
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Subversive merit : = The revision of the classical clever slave as witty servant and social satirist in the comedies of Ben Jonson.
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"Scrupulous sympathy" : = James Joyce's "Ulysses" and the ethics of modern sentimentality.
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Worldmaking in early modern Europe : = Global imaginations from Montaigne to Milton.
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'The shame of all her kind' : = A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity.
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The empty center : = Acting out theatric alliance in three texts by Sarah Kane.
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Bodies as texts, texts as bodies : = Corpses in nineteenth-century British literature.
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Kinship lessons : = The cultural uses of childhood in late medieval England.
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Nature, nurture, nation : = Race and childhood in transatlantic American discourses of slavery.
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Katharine Tynan's literature for children and the construction of Irish identity.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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From Time to Totality : = The Aesthetic Temporality of Objecthood.
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Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals.
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Absorbing Fare : = Food, Bodies, and Social Attention in Modern Britain.
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Plagued Subjects : = Political Culture of Crisis in Early Modern English Literature.
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Lyric Spaces : = Past Tense Speakers in Late Twentieth-Century Poetry.
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Ways of Thanking in American-English, Chinese-Mandarin, South Korean, and Thai : = An Intercultural and Cross-linguistic Approach.
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'Poisoning the Viewer' : = The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Astraea's Adversary : = The Rivalry Between Law and Literature in Elizabethan England.
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Towards a Critical Awareness of Worldliness : = A. H. Tanpinar's "Huzur", Mahmoud Darwish's "Memory for Forgetfulness", and Virginia Woolf's "Mrs. Dalloway".
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Place and Displacement : = The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century.
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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
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Gestural Ekphrasis : = Toward a Phenomenology of the Moving Body in Joyce and Woolf.
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The Foibles of Play : = Three Case Studies on Play in the Interwar Years.
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"The Second Barrel is Nearly Always Fatal" : = Rhetoric in the Three Trials of Oscar Wilde.
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The Art of Railing : = Knowledge and Satire from Skelton to Shakespeare.
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Rhetoric of Resistance : = Social Justice in the Work of Wollstonecraft, Cugoano, and Godwin.
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Shakespeare's Middle Comedies : = Human Agency and the Early Modern Experience.
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Servant Voices and Tales in the British Gothic Novel, 1764-1847.
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The Gendered Pocket : = Fashion and Patriarchal Anxieties about the Female Consumer in Select Victorian Literature.
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Between Two Worlds : = The Functions of Liminal Space in Twentieth-Century Literature.
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Affective Citizenship : = Gender and Narratives of Affiliation in Multi-Ethnic British Literature.
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To Start, Continue, and Conclude : = Foregrounding Narrative Production in Serial Fiction Publishing.
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Sustaining Sustainers : = Moving Culturally Sustaining Pedagogies Across Classrooms and Communities.
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Social Sympathy in Nineteenth-Century British Prose Narratives.
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Reading the West Indies : = Empire, Slavery and the Rise of the Novel.
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Theatrical Weddings and Pious Frauds : = Performance and Law in Victorian Marriage Plots.
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Through the Spaceship's Window : = A Bio-Political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction.
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Radical Canons : = Epigraphic Practice, Identity Formation, and Caribbean Writers.
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Listening for Unreliable Narration : = Narrative Noise in the Nineteenth-Century British Novel.
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Dreaming Change, Changing Dreams in the British Gothic Novel, 1765-1818.
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The "Objectivists" : = A Website Dedicated to the "Objectivist" Poets.
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'This, Reader, Is No Fiction' : = Examining the Rhetorical Uses of Reader Address across the Nineteenth- and Twentieth-Century Novel.
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Illuminating the Eighteenth-Century British Stage : = Perfecting Performance through Education.
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Feminist Shakespeares : = Adapting Shakespeare for a Modern Audience in the Hogarth Shakespeare Project.
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Explorations of Childhood Gender-fluidity and the Subversion of Masculinity in Peter Pan.
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Late Sun at Mid-Century: Empire, Modernist Aesthetics, Forms of War.
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The Trade of Penance : = Commercial Practice and Penitential Piety in Late Medieval Literature.
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Manuscript of Apocalyptic Poems With Critical Introduction on a Tradition of Apocalyptic Poetry.
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Uncovering Community in the Queer American Underground : = Through George Kuchar and LGBTQ Zines.
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"Killers Who Preach" : = Horror and the "Victorian" Culture Text in the Modern American Musical.
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Princes, Princesses, and Socialites : = Feminism and Class Transgression in Hollywood Romantic Comedies.
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Alimentary Theology : = Religious Experience and the Language of Food in Late-Medieval English Vernacular Literature.
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Fables for the patriarchs : = Gender politics in Tang discourses.
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Five Lessons My Students Have Taught Me About Being a Good Teacher.
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Statistical Fictions : = Nineteenth-Century Narrative and the Probability of Change.
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Grief Narratology in the Digital Age : = Writing the Self in Academic Spaces.
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The Cult of Cinderella : = A Perennial Princess in Fourth-Wave Feminist America.
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Seems Pretty Real : = An Examination of 9/11's Impact on the American Post-Apocalyptic Novel.
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"Lacking an Emotional Country..." : = Motion, Instability, and the Female Cosmopolitan in the Fiction of Mavis Gallant.
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"We Gefrunon" : = Aurality, Social Dramas, and Liminality in Old English Literature.
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To Cuivienen There Is No Return : = English and American Fantasy Literature as a Second Hagiography.
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Resurrection, Imperfect : = Immanent Revival in Early Modern English Literature.
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Thomas Becket's Muslim Mother : = Imagining Englishness in the South English Legendary.
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The View Sub Specie Aeternitatis and Consolation : = Parallel Themes in the Old English Boethius and Selected Medieval English Literature.
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Poetry and Prophecy : = The Question of Salvation in Abolitionist Poetry.
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Sacred Nature : = Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.
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'Since No Expressions Do' : = Queer Tools for Studying Literature.
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"Lives Of" : = The Making of Historical Figures in Britain (1580-1900).
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A Mantic Disposition : = The Prophetic Madman in the Woods in Medieval Narratives.
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Abandoned Form : = Secularity & Religion in the Eighteenth-Century British Novel.
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An Exploration of an Original Young Adult Novel : = The Ways in Which Story Structure, Magical Realism, and Fictionalized History Enhance Reader Engagement.
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Toward Ethical Potentiality : = Conceptualizing Postcolonial Bildungsroman.
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Horror, Not Just Horrible : = A Reconsideration of the Thematic Unity of Monsters in the Beowulf-Manuscript Through the Lens of Horror.
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Loving Bodies, Willing Minds : = Affect, Cognition, and Gender in Late Medieval English Literature.
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Emerging Authorities in Restoration Theatre : = Women's Entry Into Self-Representation.
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Agency and Trauma in Syrian Refugee Literature for Children and Young Adults.
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Olivier and Beyond : = Film Adaptations of Shakespeare's Hamlet.
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An Empire of Clocks in Disarray : = Time Coordination and Adventure Fiction in the British Empire, 1880-1890.
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Playing with Words : = Child Voices in British Fantasy Literature 1749-1906.
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Exploring English Language Arts (ELA) Student Experiences With Virtual Reality (VR) Activities.
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Standing in Creon's shadow : = Defining the female tragic hero.
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Luyisi Kareer de yin xing shu xie : = "Ailisi huan you ji jing" yu "Jing zhong ji yuan" zhong de nu xing yi shi = Lewis Carroll's Ecriture Feminine : Female Consciousness in Alice in Wonderland and Through the Looking Glass.
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The Dramatization of Non-Dramatic Material in the Secondary English Language Arts Classroom : = The House on Mango Street.
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"I Hope You Are Not Being Stupid About Children" : = Transforming Literature Pedagogy Through Children's Literature.
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Get Out (2017), Us (2019), and Jordan Peele's New Black Body Horror.
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Queer Impersonality : = Compulsory Visibility and the Politics of Form in Modernist Women's Life Writing.
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Patterns of Complementarity : = Masculine and Feminine Relationships in "Othello," "King Lear," and "Macbeth."
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Rebel Shakespearean Sequels : = Challenging Legacy through Continuity in Selected Modern Plays = Rebellische Shakespeare-Fortsetzungen : Herausforderndes Erbe Durch Kontinuitat in Ausgewahlten Modernen Stucken.
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The Ram and Ewe of Venice : = Blackness and the Tragedy of Interracial Marriage in William Shakespeare's Othello.
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"Father As It Pleases Me" : = Christopher Marlowe's Inspiration of William Shakespeare Within Much Ado About Nothing.
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"Changeling Humorists:" The Speech Acts of the Early Modern English Fool.
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"That Danger Shall Seem Sport" : = Shakespearean Romantic Comedy for a Postfeminist Era.
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Master Mulcaster's Pageantry of Miseducation in Book One of Spenser's Faerie Queene.
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Forgive Me, Father, for I Have Sinned : = The Dramatic Potency of Confession on the Early Modern English Shakespearean Stage.
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Falling in the 'Unequal Contest' : = Adhesiveness and Surplus Punishment in Shakespeare.
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Romance networks : = Aspiration & desire in today's digital culture.
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Art That Is Not So New : = Tracing Aesthetics and Thematic Elements of the Pre-Raphaelites, Arts and Crafts, and Art Nouveau Movements.
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Feasting Bodies : = Structural Cannibalism and Literature in the 19th Century.
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Entanglements : = Place-Based Literatures for Ecological Liberation.
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Shakespeare's Economies of Hospitality : = Broken Comedies, Bad Hosts, and Troublesome Guests.
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Transcending Genres : = J.R.R. Tolkien's Influence on Narrative Worlds in Ursula K. Le Guin, Margaret Atwood, and Junot Diaz.
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Pained Subjects : = Self-harm, Sexual Health, and US Citizenship.
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Probing Short Story Cycles : = Interpreting Dubliners and Winesburg, Ohio Through Nietzsche's Philosophical Concepts.
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Understanding the Experiences of Secondary ELA Teachers with the Integration of LGBTQ+-Inclusive Literature in the Core Curriculum.
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The Manifestation of Toxic Masculine Beliefs in Secondary English Curriculum and Instruction in the Southeastern United States : = A Grounded Theory Study.
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Laughter in Early Modern Drama : = Permission to Laugh Ourselves Into Stitches.
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To see it feelingly : = Towards a theory of theatrical empathy in Shakespeare's plays.
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Discrimination adapted from novels to films in "Harry Potter" : = "Goblet of Fire" and "Order of the Phoenix".
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The Importance of the Absent Mother and Orphanhood in Emily Bronte's Wuthering Heights and Charlotte Bronte's Jane Eyre Thesis.
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Material Witness : = Occult Affects in the Mystery Fiction of the Fin de Siecle.
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Beyond the Supernova : = Time, Space, and Utopia in Outer Wilds.
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The Children of Anger and Revenge : = Managing Emotion in Early English Literature.
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Food for Sympathy : = Illness, Nursing, and Affect in Victorian Literature and Culture.
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Laughter and the politics of affect in early modern English literature, 1590-1610.
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Reading bodies : = Associationism, empathy, and the ethics of sensation in nineteenth-century fiction.
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Between cultures : = Third-wave Russian fiction in Russian and English.
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Domesticating emotions : = Technologies of affect in Victorian literature and culture.
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Andrej Belyj's "Petersburg" and James Joyce's "Ulysses" : = A comparative study.
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Strange Intimacy : = Affect, Embodiment, Materiality, and the Non-Human in Virginia Woolf and Jean Rhys.
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Sorrow Worlds : = Romantic Melancholy and the Condition of History.
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The Queer Ecology of Clouds in Nineteenth-Century British Poetics.
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Imagining World Order : = International Law and Literature in Britain, 1876-1907.
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Improper Translations : = Naming and Vernacular Poetics in Medieval England.
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Cultural Trauma and Narratives of Silence in Kazuo Ishiguro's Never Let Me Go and The Remains of the Day.
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Holmes in the Empire : = Postcolonial Textual Authority, Transcultural Adaptation, and Crime Fiction as World Literature.
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Accommodating the posthuman in twentieth century dystopian literature.
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"A Sad Tale Is Best for Winter:" The Use of Nature and Children in Adaptations of The Winter's Tale.
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The Public Theater as Grammar School Education in Early Modern England : = An Exploration of Women's Spectatorship and the New Comic Pattern in Renaissance Comedy.
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Theo-Political Consensus in Antitheatrical Polemic and Metatheatrical Drama.
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Transatlanitic Terrorism : = British and America Literature, 1859-1991.
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Hidden Monstrosities : = The Transformation of Medieval Characters and Conventions in Shakespeare's Romances.
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Henry Howard, Thomas Nashe, Christopher Marlowe, and Queer Humanism in the Sixteenth Century.
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At the Mercy of Society : = Kazuo Ishiguro and Catholic Social Teaching.
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"Manne, for Thy Loue Wolde I Not Lette" : = Eucharistic Portrayals of Caritas in Medieval and Early Modern English Literature and Drama 1350-1650.
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Only a Body "Who nobody owns:" Adolescent Identity in Neil Gaiman's The Graveyard Book.
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