國立虎尾科技大學 |

"I am my own mistress" : = Narrating professional autonomy and love in Charlotte Bronte's novels.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	"I am my own mistress" :/
其他題名:	Narrating professional autonomy and love in Charlotte Bronte's novels.
作者:	Davis, Helen H.
面頁冊數:	1 online resource (185 pages)
附註:	Source: Dissertation Abstracts International, Volume: 69-05, Section: A, page: 1793.
Contained By:	Dissertation Abstracts International69-05A.
標題:	British & Irish literature. -
電子資源:	click for full text (PQDT)
ISBN:	9780549585176

"I am my own mistress" : = Narrating professional autonomy and love in Charlotte Bronte's novels.
Davis, Helen H.

"I am my own mistress" :Narrating professional autonomy and love in Charlotte Bronte's novels. - 1 online resource (185 pages)

Source: Dissertation Abstracts International, Volume: 69-05, Section: A, page: 1793.

Thesis (Ph.D.)--City University of New York, 2008.

Includes bibliographical references

The social order of nineteenth-century England was rapidly shifting as power and wealth were increasingly controlled by the professional man. Writing in the middle of the nineteenth century, Charlotte Bronte used her art to attempt to make a place in this emerging power structure for the professional woman. In her novels, Bronte's heroines struggle to form an autonomous self while developing and maintaining social ties. This struggle manifests itself differently in each novel, but in each the quest for autonomy is intrinsically linked to professionalization, and the women's autonomy is complicated by relationships with men and women. Professionalization matters because work leads to autonomy only if the woman is in an authoritative professional position, and if her professional authority is not restricted by a husband. In Bronte's novels, the professional space occupied by women is specifically intellectual: her heroines are teachers and/or writers. My study brings together discussions of professionalization with a feminist narratological analysis of Bronte's texts. This analysis expands Bronte studies and presents a new application of feminist narratology. It offers a new perspective on Bronte's feminism by analyzing the ways narration constructs empowered female space in the novels, and also by challenging previous feminist critiques of Bronte that dismiss her feminism because all of her heroines marry or become engaged. To claim that any domestic ending is a "domestication" ignores the reality that independent women still want to have social relationships. When Bronte's heroines marry, it is not at the expense of the feminist tendencies of the novels; in fact, the marriages serve to highlight the tension between social acceptance and autonomy. Bronte demonstrates that relationships and autonomy are not exclusive of one another, but are uneasy companions. In the course of her novels, she moves from an idealistic portrayal of marriage to preemptive widowhood, gradually distancing her heroines from relationships, but never eliminating them altogether. Although Bronte moves away from domesticity through the course of her novels, she never abandons the heroines' urges for relationships. Rather, all four novels can be seen as repeated attempts to negotiate autonomy while maintaining relationships.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780549585176Subjects--Topical Terms:

1148425
British & Irish literature.
Index Terms--Genre/Form:

554714
Electronic books.

"I am my own mistress" : = Narrating professional autonomy and love in Charlotte Bronte's novels.
LDR:03577ntm a2200325Ki 4500 001 915944
005 20180907134543.5
006 m o u
007 cr mn||||a|a||
008 190606s2008 xx obm 000 0 eng d
020 $a 9780549585176
035 $a (MiAaPQ)AAI3310597
035 $a (MiAaPQ)minarees:2148
035 $a AAI3310597
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Davis, Helen H. $3 1189499
245 1 0 $a "I am my own mistress" : $b Narrating professional autonomy and love in Charlotte Bronte's novels.
264 0 $c 2008
300 $a 1 online resource (185 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertation Abstracts International, Volume: 69-05, Section: A, page: 1793.
500 $a Adviser: Anne Humpherys.
502 $a Thesis (Ph.D.)--City University of New York, 2008.
504 $a Includes bibliographical references
520 $a The social order of nineteenth-century England was rapidly shifting as power and wealth were increasingly controlled by the professional man. Writing in the middle of the nineteenth century, Charlotte Bronte used her art to attempt to make a place in this emerging power structure for the professional woman. In her novels, Bronte's heroines struggle to form an autonomous self while developing and maintaining social ties. This struggle manifests itself differently in each novel, but in each the quest for autonomy is intrinsically linked to professionalization, and the women's autonomy is complicated by relationships with men and women. Professionalization matters because work leads to autonomy only if the woman is in an authoritative professional position, and if her professional authority is not restricted by a husband. In Bronte's novels, the professional space occupied by women is specifically intellectual: her heroines are teachers and/or writers. My study brings together discussions of professionalization with a feminist narratological analysis of Bronte's texts. This analysis expands Bronte studies and presents a new application of feminist narratology. It offers a new perspective on Bronte's feminism by analyzing the ways narration constructs empowered female space in the novels, and also by challenging previous feminist critiques of Bronte that dismiss her feminism because all of her heroines marry or become engaged. To claim that any domestic ending is a "domestication" ignores the reality that independent women still want to have social relationships. When Bronte's heroines marry, it is not at the expense of the feminist tendencies of the novels; in fact, the marriages serve to highlight the tension between social acceptance and autonomy. Bronte demonstrates that relationships and autonomy are not exclusive of one another, but are uneasy companions. In the course of her novels, she moves from an idealistic portrayal of marriage to preemptive widowhood, gradually distancing her heroines from relationships, but never eliminating them altogether. Although Bronte moves away from domesticity through the course of her novels, she never abandons the heroines' urges for relationships. Rather, all four novels can be seen as repeated attempts to negotiate autonomy while maintaining relationships.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a British & Irish literature. $3 1148425
655 7 $a Electronic books. $2 local $3 554714
690 $a 0593
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a City University of New York. $b English. $3 1185049
773 0 $t Dissertation Abstracts International $g 69-05A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3310597 $z click for full text (PQDT)