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The Art of Railing : = Knowledge and Satire from Skelton to Shakespeare.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	The Art of Railing :/
其他題名:	Knowledge and Satire from Skelton to Shakespeare.
作者:	Samuk, Tristan Alexander.
面頁冊數:	1 online resource (128 pages)
附註:	Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.
Contained By:	Dissertation Abstracts International79-08A(E).
標題:	British & Irish literature. -
電子資源:	click for full text (PQDT)
ISBN:	9780355777284

The Art of Railing : = Knowledge and Satire from Skelton to Shakespeare.
Samuk, Tristan Alexander.

The Art of Railing :Knowledge and Satire from Skelton to Shakespeare. - 1 online resource (128 pages)

Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.

Thesis (Ph.D.)--University of Toronto (Canada), 2017.

Includes bibliographical references

This dissertation argues that satire, or more specifically "railing," provided the writers of the English Renaissance with a means of making epistemological change perceptible through poetry. Chapter 1 traces the beginnings of railing in John Skelton's satiric attacks on Cardinal Thomas Wolsey, arguing that the paradoxes and inconsistencies of Skelton's poems are an attempt to explore how the centralized Tudor state was turning reason into a decentralized political force that could both legitimize and resist the truth claims of the ruler. Chapter 2 examines the verse satires of John Donne, in which Christian figuralism allows Donne to see individual morality as something involved in larger social and economic forces. In "Satyre 3," railing becomes a way to articulate a problem that arises from the Christian-figural viewpoint: how can you discern the true religion if historical forces emanate from everything and everyone? Next I turn to Edmund Spenser, whose satiric poetry in The Shepheardes Calender, Mother Hubberds Tale, and The Faerie Queene interrogates the emerging gap between human thought and the natural world. Spenser uses the limitations of satire and complaint, with their focus on the world as it is, to gesture at a higher possibility for poetry that imagines how the world could or should be. The final chapter examines how Shakespeare's As You Like It expands on the socially transformative promise of art that Spenser depicts in The Faerie Queene. Jaques, the play's satirist, tries to use the descriptive methods of natural philosophy as a model for curing the corruption of the world, but this approach ends up preventing him from imagining any alternative. Jaques, however, is a poet as well as a natural philosopher, and the poetry of his railing gestures at another form of truth that he himself is not entirely conscious of. This truth turns out to be the conditional truth of the aesthetic, the virtue of "if" that Rosalind uses to imagine a new life for the exiles in the Forest of Arden. Satire may not be able to change the world, but it makes it possible to imagine a kind of art that can.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355777284Subjects--Topical Terms:

1148425
British & Irish literature.
Index Terms--Genre/Form:

554714
Electronic books.

The Art of Railing : = Knowledge and Satire from Skelton to Shakespeare.
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520 $a This dissertation argues that satire, or more specifically "railing," provided the writers of the English Renaissance with a means of making epistemological change perceptible through poetry. Chapter 1 traces the beginnings of railing in John Skelton's satiric attacks on Cardinal Thomas Wolsey, arguing that the paradoxes and inconsistencies of Skelton's poems are an attempt to explore how the centralized Tudor state was turning reason into a decentralized political force that could both legitimize and resist the truth claims of the ruler. Chapter 2 examines the verse satires of John Donne, in which Christian figuralism allows Donne to see individual morality as something involved in larger social and economic forces. In "Satyre 3," railing becomes a way to articulate a problem that arises from the Christian-figural viewpoint: how can you discern the true religion if historical forces emanate from everything and everyone? Next I turn to Edmund Spenser, whose satiric poetry in The Shepheardes Calender, Mother Hubberds Tale, and The Faerie Queene interrogates the emerging gap between human thought and the natural world. Spenser uses the limitations of satire and complaint, with their focus on the world as it is, to gesture at a higher possibility for poetry that imagines how the world could or should be. The final chapter examines how Shakespeare's As You Like It expands on the socially transformative promise of art that Spenser depicts in The Faerie Queene. Jaques, the play's satirist, tries to use the descriptive methods of natural philosophy as a model for curing the corruption of the world, but this approach ends up preventing him from imagining any alternative. Jaques, however, is a poet as well as a natural philosopher, and the poetry of his railing gestures at another form of truth that he himself is not entirely conscious of. This truth turns out to be the conditional truth of the aesthetic, the virtue of "if" that Rosalind uses to imagine a new life for the exiles in the Forest of Arden. Satire may not be able to change the world, but it makes it possible to imagine a kind of art that can.
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