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Sylvia Townsend Warner's Modernist E...

ProQuest Information and Learning Co.

Sylvia Townsend Warner's Modernist Ekphrasis and Synesthesia.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Sylvia Townsend Warner's Modernist Ekphrasis and Synesthesia./
作者:	McMahon, Rosemary.
面頁冊數:	1 online resource (55 pages)
附註:	Source: Masters Abstracts International, Volume: 56-06.
Contained By:	Masters Abstracts International56-06(E).
標題:	British & Irish literature. -
電子資源:	click for full text (PQDT)
ISBN:	9780355199741

Sylvia Townsend Warner's Modernist Ekphrasis and Synesthesia.
McMahon, Rosemary.

Sylvia Townsend Warner's Modernist Ekphrasis and Synesthesia. - 1 online resource (55 pages)

Source: Masters Abstracts International, Volume: 56-06.

Thesis (M.A.)

Includes bibliographical references

The presence of music and sound is crucially important in the writing of Sylvia Townsend Warner (1873-1978). A noticeably acoustic writer, music, and noise in general, are major tools Warner employed to convey the vacillation of the Modernist perspective. Examining the deployment of these tools reveals a type of musical rhetoric which is built around aural ekphrasis and literary synesthesia, and this study concentrates on this feature of three of Warner's novels and one short story: Lolly Willowes (1926), Mr. Fortune's Maggot (1927), The Corner That Held Them (1948), and "Emil" (1956). While the exact patterns of Warner's use of music and sound throughout her fiction ultimately remain ambiguous, probing them in these four works does cast light upon Warner's private and public concerns.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355199741Subjects--Topical Terms:

1148425
British & Irish literature.
Index Terms--Genre/Form:

554714
Electronic books.

Sylvia Townsend Warner's Modernist Ekphrasis and Synesthesia.
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035 $a AAI10646673
040 $a MiAaPQ $b eng $c MiAaPQ
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100 1 $a McMahon, Rosemary. $3 1182817
245 1 0 $a Sylvia Townsend Warner's Modernist Ekphrasis and Synesthesia.
264 0 $c 2017
300 $a 1 online resource (55 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 56-06.
500 $a Adviser: Helena Feder.
502 $a Thesis (M.A.) $c East Carolina University $d 2017.
504 $a Includes bibliographical references
520 $a The presence of music and sound is crucially important in the writing of Sylvia Townsend Warner (1873-1978). A noticeably acoustic writer, music, and noise in general, are major tools Warner employed to convey the vacillation of the Modernist perspective. Examining the deployment of these tools reveals a type of musical rhetoric which is built around aural ekphrasis and literary synesthesia, and this study concentrates on this feature of three of Warner's novels and one short story: Lolly Willowes (1926), Mr. Fortune's Maggot (1927), The Corner That Held Them (1948), and "Emil" (1956). While the exact patterns of Warner's use of music and sound throughout her fiction ultimately remain ambiguous, probing them in these four works does cast light upon Warner's private and public concerns.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a British & Irish literature. $3 1148425
655 7 $a Electronic books. $2 local $3 554714
690 $a 0593
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a East Carolina University. $b English. $3 1179274
773 0 $t Masters Abstracts International $g 56-06(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10646673 $z click for full text (PQDT)

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