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The Sociolinguistics of Hip-hop as C...
~
Ross, Andrew S.
The Sociolinguistics of Hip-hop as Critical Conscience = Dissatisfaction and Dissent /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Sociolinguistics of Hip-hop as Critical Conscience/ edited by Andrew S. Ross, Damian J. Rivers.
其他題名:
Dissatisfaction and Dissent /
其他作者:
Ross, Andrew S.
面頁冊數:
XIII, 271 p. 14 illus., 6 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Sociolinguistics. -
電子資源:
https://doi.org/10.1007/978-3-319-59244-2
ISBN:
9783319592442
The Sociolinguistics of Hip-hop as Critical Conscience = Dissatisfaction and Dissent /
The Sociolinguistics of Hip-hop as Critical Conscience
Dissatisfaction and Dissent /[electronic resource] :edited by Andrew S. Ross, Damian J. Rivers. - 1st ed. 2018. - XIII, 271 p. 14 illus., 6 illus. in color.online resource.
Chapter 1: The Linguistic and Lyrical Development of 2Pac in Relation to Regional Hip-Hop Identity and Conflict -- Chapter 2: Dimensions of Dissatisfaction and Dissent in Contemporary German Rap: Social Marginalization, Politics, and Identity Formation -- Chapter 3: “77% of Aussies are Racist” – Intersections of Politics and Hip-Hop in Australia -- Chapter 4: Where is the Love? White Nationalist Discourse on Hip Hop -- Chapter 5: "Who's afraid of the Dark?": The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music -- Chapter 6: How the Financial Crisis Changed Hip Hop -- Chapter 7: Dissatisfaction and Dissent in the Transmodal Performances of Hip Hop Artists in Mongolia -- Chapter 8: Counter-Hegemonic Linguistic Ideologies and Practices in Brazilian Indigenous Rap -- Chapter 9: The Death of Dissent and the Decline of Dissin': A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap.
This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.
ISBN: 9783319592442
Standard No.: 10.1007/978-3-319-59244-2doiSubjects--Topical Terms:
555401
Sociolinguistics.
LC Class. No.: P40-40.5
Dewey Class. No.: 306.44
The Sociolinguistics of Hip-hop as Critical Conscience = Dissatisfaction and Dissent /
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Chapter 1: The Linguistic and Lyrical Development of 2Pac in Relation to Regional Hip-Hop Identity and Conflict -- Chapter 2: Dimensions of Dissatisfaction and Dissent in Contemporary German Rap: Social Marginalization, Politics, and Identity Formation -- Chapter 3: “77% of Aussies are Racist” – Intersections of Politics and Hip-Hop in Australia -- Chapter 4: Where is the Love? White Nationalist Discourse on Hip Hop -- Chapter 5: "Who's afraid of the Dark?": The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music -- Chapter 6: How the Financial Crisis Changed Hip Hop -- Chapter 7: Dissatisfaction and Dissent in the Transmodal Performances of Hip Hop Artists in Mongolia -- Chapter 8: Counter-Hegemonic Linguistic Ideologies and Practices in Brazilian Indigenous Rap -- Chapter 9: The Death of Dissent and the Decline of Dissin': A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap.
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