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Music Analysis and Psychoanalysis : ...
~
Switzer, Andrew.
Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Music Analysis and Psychoanalysis :/
Reminder of title:
Applying Freudian Primary Processes to Music Analysis.
Author:
Switzer, Andrew.
Description:
1 online resource (131 pages)
Notes:
Source: Masters Abstracts International, Volume: 51-05.
Subject:
Music. -
Online resource:
click for full text (PQDT)
ISBN:
9780494925522
Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
Switzer, Andrew.
Music Analysis and Psychoanalysis :
Applying Freudian Primary Processes to Music Analysis. - 1 online resource (131 pages)
Source: Masters Abstracts International, Volume: 51-05.
Thesis (M.A.)--University of Alberta (Canada), 2013.
Includes bibliographical references
This thesis is an exploration of aspects of Sigmund Freud's (1856--1939) theories of psychoanalysis as analytical strategies for understanding works by Franz Liszt (1811--1886) and Clara Schumann (1819--1896). My analysis of Liszt's "Transcendental Etude No. 10" S.139 employs Freud's primary processes of condensation, displacement, and transformation to reveal a through-composed structure and a narrative trajectory that is contrasted with an alternative view of the Etude as a hybrid sonata form. Freud's concept of repression and in particular the correspondence between affect and idea is my focal point for analyzing Clara Schumann's "Ich Stand in Dunklen Traumen" Op. 13 and its original version "Ihr Bildnis", Unpublished. Exploration of repressive strategies in the interaction of voice and accompaniment in both versions orient the analytical discourse towards articulation of hidden affective changes as expressed through absences and omissions in the musical structure.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780494925522Subjects--Topical Terms:
649088
Music.
Index Terms--Genre/Form:
554714
Electronic books.
Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
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Music Analysis and Psychoanalysis :
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Applying Freudian Primary Processes to Music Analysis.
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Source: Masters Abstracts International, Volume: 51-05.
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Adviser: Maryam Moshaver.
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Thesis (M.A.)--University of Alberta (Canada), 2013.
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Includes bibliographical references
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This thesis is an exploration of aspects of Sigmund Freud's (1856--1939) theories of psychoanalysis as analytical strategies for understanding works by Franz Liszt (1811--1886) and Clara Schumann (1819--1896). My analysis of Liszt's "Transcendental Etude No. 10" S.139 employs Freud's primary processes of condensation, displacement, and transformation to reveal a through-composed structure and a narrative trajectory that is contrasted with an alternative view of the Etude as a hybrid sonata form. Freud's concept of repression and in particular the correspondence between affect and idea is my focal point for analyzing Clara Schumann's "Ich Stand in Dunklen Traumen" Op. 13 and its original version "Ihr Bildnis", Unpublished. Exploration of repressive strategies in the interaction of voice and accompaniment in both versions orient the analytical discourse towards articulation of hidden affective changes as expressed through absences and omissions in the musical structure.
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Electronic reproduction.
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Ann Arbor, Mich. :
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ProQuest,
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2018
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Mode of access: World Wide Web
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Music.
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649088
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ProQuest Information and Learning Co.
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University of Alberta (Canada).
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR92552
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click for full text (PQDT)
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