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Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment./
Author:	Licciardi, Dominick Louis.
Description:	1 online resource (29 pages)
Notes:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
Subject:	Music. -
Online resource:	click for full text (PQDT)
ISBN:	9780438207349

Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
Licciardi, Dominick Louis.

Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment. - 1 online resource (29 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.S.)--University of Colorado at Denver, 2018.

Includes bibliographical references

For the live music observer, there is often a disconnect between visualizations and the performer. Music venues and nightclubs often use pre-programmed lights and videos, or an additional VJ performer, for visual stimulation during the music performance. Using this automated strategy, or multiple DJ/VJ performers, creates a detachment between the audience and the performer. This technical detachment can be distracting for patrons that are intently following the musical performance. In an effort to give artists another option for controlling visualizations, I designed and built an integrated and efficient live music/visualization performance environment, using affordable technology and open source software, that can be performed from one modest computer. This integrated design intricately coordinates the visualizations with the music and is controlled by the performer in real-time. Functionality of the environment includes real time control using external controllers, reactive control using a microphone or audio effects, and specific control using automation from specific sounds within the music performance. By incorporating direct and automated control into the system, I established a technique that is functional and fun to play. Using technology and innovative design, I've introduced a viable option for artists to express themselves musically and visually, immersing the audience in an interactive and dynamic musical experience, controlled exclusively by the artist, using one computer.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438207349Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
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245 1 0 $a Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
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500 $a Source: Masters Abstracts International, Volume: 58-01.
500 $a Adviser: Leslie Gaston-Bird.
502 $a Thesis (M.S.)--University of Colorado at Denver, 2018.
504 $a Includes bibliographical references
520 $a For the live music observer, there is often a disconnect between visualizations and the performer. Music venues and nightclubs often use pre-programmed lights and videos, or an additional VJ performer, for visual stimulation during the music performance. Using this automated strategy, or multiple DJ/VJ performers, creates a detachment between the audience and the performer. This technical detachment can be distracting for patrons that are intently following the musical performance. In an effort to give artists another option for controlling visualizations, I designed and built an integrated and efficient live music/visualization performance environment, using affordable technology and open source software, that can be performed from one modest computer. This integrated design intricately coordinates the visualizations with the music and is controlled by the performer in real-time. Functionality of the environment includes real time control using external controllers, reactive control using a microphone or audio effects, and specific control using automation from specific sounds within the music performance. By incorporating direct and automated control into the system, I established a technique that is functional and fun to play. Using technology and innovative design, I've introduced a viable option for artists to express themselves musically and visually, immersing the audience in an interactive and dynamic musical experience, controlled exclusively by the artist, using one computer.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
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650 4 $a Performing arts. $3 556749
650 4 $a Music education. $3 1179893
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710 2 $a University of Colorado at Denver. $b Recording Arts. $3 845719
773 0 $t Masters Abstracts International $g 58-01(E).
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