Music.
Overview
| Works: | 994 works in 140 publications in 140 languages | |
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Titles
Computational counterpoint worlds = mathematical theory, software, and experiments /
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Fundamentals of music processing = audio, analysis, algorithms, applications /
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Mathematics and computation in music = third international conference, MCM 2011, Paris, France, June 15-17, 2011 : proceedings /
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Sound FX = unlocking the creative potential of recording studio effects /
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Music and conflict transformation = harmonies and dissonances in geopolitics /
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Algorithmic composition = paradigms of automated music generation /
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Mathematics and computation in music = first international conference, MCM 2007 Berlin, Germany, May 18-20, 2007 : revised selected papers /
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Musical creativity = strategies and tools in composition and improvisation /
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Exploring music contents = 7th international symposium, CMMR 2010, Malaga, Spain, June 21-24, 2010 : revised papers /
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Language, music, and computing = first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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Music business and the experience economy = the Australasian case /
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From sounds to music and emotions = 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012 : revised selected papers /
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Arts and technology = second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
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Speech, sound and music processing: Embracing research in India = 8th International Symposium, CMMR 2011, 20th International Symposium, FRSM 2011, Bhubaneswar, India, March 9-12, 2011 : revised selected papers /
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Creative arts in education and culture = perspectives from greater China /
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Flow, gesture, and spaces in free jazz = towards a theory of collaboration /
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Music-inspired harmony search algorithm = theory and applications /
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The Rubato composer music software = component-based implementation of a functorial concept architecture /
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The strange music of social life = a dialogue on dialogic sociology /
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Mathematical and computational modeling of tonality = theory and applications /
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Patterns of intuition = musical creativity in the light of algorithmic composition /
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Listening to China's cultural revolution = music, politics, and cultural continuities /
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Consuming music in the digital age = technologies, roles and everyday life /
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Integrative health through music therapy = accompanying the journey from illness to wellness /
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Sound, symbol, sociality = the aesthetic experience of extreme metal music /
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Globalization, music and cultures of distinction = the rise of pop music criticism in Italy /
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Music, mind, and embodiment = 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015 : revised selected papers /
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Networked music cultures = contemporary approaches,emerging issues /
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Performing China on the London stage = Chinese opera and global power, 1759--2008 /
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Cool math for hot music = a first introduction to mathematics for music theorists /
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Music through Fourier space = discrete Fourier transform in music theory /
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All about music = the complete ontology: realities, semiotics, communication, and embodiment /
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Hugo Chavez, Ali Primera and Venezuela = the politics of music in Latin America /
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Gender, metal and the media = women fans and the gendered experience of music /
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The Palgrave handbook of sound design and music in screen media = integrated soundtracks /
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Popular music in Eastern Europe = breaking the Cold War paradigm /
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The value of popular music = an approach from post-Kantian aesthetics /
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Performing Nashville = music tourism and country music's main street /
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Contemporary film music = investigating cinema narratives and composition /
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Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance.
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Digital connectivity and music culture = artists and accomplices /
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Volume I Affect and Feelings : = The Persuasive Power of Film Music. Volume II Quintet for Piano and String Quartet.
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Not just to win auditions : = Playing orchestral percussion excerpts for pedagogy and enrichment.
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Toward a Decolonial Homiletic : = In Search of a Local Preaching Voice for Trinidad and Tobago.
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Learning to Listen : = Musical Hearing and the Construction of Musicality in the Nineteenth Century.
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Creating an Unbroken Line of Becoming in Live Music Performance.
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Orality, Literacy, and the Learning of Instruments : = Professional Instrumentalists and Their Music in Early Modern Italy.
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Speaking the song, spreading the word, lifting the people: = The reimagination of community through vocal music activism.
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Essays on the Industrial Organization of the Modern Music Industry.
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Cultural Influences upon Soviet-Era Programmatic Piano Music for Children.
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Musical Means in Mussorgsky's "Songs and Dances of Death" : = A Singer's Study Guide.
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The world within the world : = The fusion of Western formal structures with Turkmen Dutar form in Turkmen piano music.
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Artist-fan engagement model : = Implications for music consumption and the music industry.
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Intersectional androgyny in cyberspace : = Gender, commercialization, and vocality in female ryouseiruis' music videos.
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Modernizing our methods : = Incorporating technology in undergraduate applied violin lessons.
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El Sistema USA : = An Exploratory Study of the Pedagogical Approaches in Beginning Violin Classes.
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Piano Performance in Musical Symbolism : = Interpretive Freedom through Understanding Symbolist Aesthetics.
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Violin Curriculum Incorporating Visual, Aural and Kinesthetic Perceptual Learning Modalities.
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George Rochberg's Caprice Variations for Unaccompanied Violin : = A Stylistic Study and Performance Guide.
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To See Music in Your Mind's Eye : = The Genesis of Memorization as a Piano Performance Practice.
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Preparation of the Richard Luby Edition of the Adagio and Fuga from J. S. Bach's Sonata in G Minor for Solo Violin.
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"In all the Factious Humours You Have Bred" : = Music as Political Propaganda in Seventeenth-Century England.
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Use of Parody Techniques in Jacques Offenbach's Operettes and Germaine Tailleferre's "Du Style Galant au Style Mechant".
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Mister Rogers' Musical Neighborhood : = Fred McFeely Rogers' Contributions to Early Childhood Music Education.
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THE QUINTETS FOR PIANO, OBOE, CLARINET, HORN AND BASSOON BY WOLFGANG AMADEUS MOZART AND LUDWIG VAN BEETHOVEN.
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CONTEMPORANEOUS CRITICISM OF BEETHOVEN : = A CASE STUDY IN MUSICAL AESTHETICS.
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Miroirs d'apres Perlemuter : = A short biography of Vlado Perlemuter with a commentary on his interpretation of Maurice Ravel's "Miroirs".
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A comparative performance study of the wind and string versions of Beethoven's Opus 16.
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The historical influences on the works for violin and orchestra by Ludwig van Beethoven.
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The violin bow : = Its oriental and medieval predecessors, historical development, and famous maker.
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Exploration of modeling strategies in applied piano studios in Korea.
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21st century choral performance practice : = Presenting the mash-up with practical applications.
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Factors affecting the programming of undergraduate piano recital repertoire : = A collective case study.
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Humanistic Vocal Pedagogy : = Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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Conducting, Teaching, Curating : = Re-channelings of a Percussive Education.
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A Comparative Evaluation of Group and Private Piano Instruction on the Musical Achievements of Young Beginners.
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Collective Efficacy Belief, Within-Group Agreement, and Performance Quality Among String Chamber Ensembles : = An Exploratory Study.
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Positionality in the Lives of Elementary General Music Teachers.
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An Exploration of a Beginning Undergraduate Music Student Conducting with Expressivity.
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Johannes Brahms, cello Sonata No. 2, Op. 99 : = A transcription and technical guide for alto saxophone and piano.
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An Annotated Guide to Published Horn Warm-Up Routines, 1940-2015.
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Contemporary strategies for fundamental development : = Utilizing extended techniques to advance foundational trumpet methodology.
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The twenty-first century cellist's bibliography : = A guide to cello research from 2000-2015.
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The effect of attentional focus on singing voice quality : = Towards the interdisciplinary experimental investigation of singing pedagogy.
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Building technical facility in tuba and euphonium players through the tuba-euphonium quartet.
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A pedagogical analysis and performance of selected compositions for piano by Vincent Persichetti.
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Pedagogical transcriptions for teaching two advanced works for cello : = Beethoven's Sonata for Cello and Piano No. 3 in A major, Op. 69 and Haydn's :Cello Concerto No. 1 in C Major, Hob.VIIb.1.
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Andre Jolivet's fusion : = Magical music, conventional lyricism, and Japanese influences network to create "Concerto pour flute et piano" and "Sonate pour flute et piano".
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Case Based Instructional Design for Developing Pedagogical Content Knowledge in Instrumental Music Teacher Education Courses : = Problem Solving in Ensembles.
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A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.
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The Score Study Procedures of Three Collegiate Wind Band Conductors.
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A Physiological Exploration and Pedagogical Integration of Voice and Brass Tuba Physical Methods to Enhance Tone Timbre or "Play Like You Sing".
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Job Satisfaction of Orchestral Musicians : = The Effects of Non-Performance Organizational Roles.
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The Effects of Performance Anxiety on Sight-Singing Achievement.
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The Piccolo in the 21st Century : = History, Construction, and Modern Pedagogical Resources.
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Volume I. Synchretic Analysis and Storyboard Scores : The Musical Rhythm of Filmic Elements; = Volume II. "The Nightingale" : Piece for Orchestra and Narrator, "The Twins" : Score to the Film by Daniela Hoyos, "April" : Score to the Film by Ann Tmangraksat /
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Etudes for the Bassoon : = An Annotated Bibliography and Pedagogical Guide.
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Los Angeles Noisescapes : = Culture and Aesthetics in the Early Twenty-First Century Experimental 'Noise' Scenes.
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A Review of Research on the Meaning of "Support" in Brass Pedagogy.
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Form, Style, and Influence in the Chamber Music of Antonin Dvorak.
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Crossover Trumpet Performance : = Jazz Style and Technique for Classical Trumpeters.
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Finding the Shakespeare in Ambroise Thomas's "Hamlet" : = A Comparison of Plot and Character in the Seventeenth-Century English Play and the Nineteenth-Century French Opera.
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Getting Out of a Jam : = Collective Improvisation in Popular Music.
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The combined influence of music function and preference on cognitive attention : = A cross cultural comparison.
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The effect of implied performer age, implied performer gender, and performance quality level on music majors' evaluations of solo musical performances.
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A study of the correlation between personality temperament and student instrument choice.
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The Effects of Contingent Lullaby Music on Parent-Infant Interaction and Amount of Infant Crying in the First Six Weeks of Life.
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An open-source internet-capable collaborative music production software toolkit.
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College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music.
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Claude Debussy's Melodies by Theodore de Banville : = Understanding Debussy's Musical Reflection.
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The Development and Continued Evolution of the American Style of Oboe Playing.
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Metric Experiments in Benjamin Britten's Vocal Music : = 1943-1945.
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Jazz and Recording in the Digital Age : = Technology, New Media, and Performance in New York and Online.
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A Performer's Analysis and Improvisational Guide to Jazz Sonata for Soprano Saxophone and Piano (1994), by Ramon Ricker (B. 1943).
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Pedals, Functions, and Form-Functional Overlap in the Instrumental Music of the Viennese Classical Style.
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The historical development of the video music industry : = A political economic analysis.
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The Mask of Eleanor : = A chamber opera in the form of a tenso : Music, libretto and staging.
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The significance of the sonata-allegro form in twentieth century music.
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A study of divertimento music, its history, form and usefulness in the instrumental music program.
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Time -consciousness and form in nonlinear music, and, "Flux" for large chamber ensemble.
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Community Engagement Or Community Outreach? A Case Study Of The Tallahassee Community Chorus And Its Unity Concert.
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Music, emotion, and personality typing : = A look into coexisting relationships.
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The emotional reactions of music therapy students to simulated auditory hallucinations and music.
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Multicultural music therapy : = A manual on cultural sensitivity in music therapy practice.
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The role of songs in music therapy with adults who have developmental disabilities.
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Survey results for the current state of censorship in adult psychiatric music therapy sessions.
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Developing metacognitive and self-regulated learning skills through Reflective Writing Prompts.
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Songwriting as inquiry and action : = Emotion, narrative identity, and authenticity in folk music culture.
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Music videos as meaningful entertainment? Psychological responses to audio-visual presentations of song narratives.
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Building categories to guide behavior : = How humans build and use auditory category knowledge throughout the lifespan.
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The Neuroanatomical and Evolutionary Basis of Human Musical Experience.
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The effects and comparisons of receptive live music listening and expressive music making on mood with elderly adults in a congregate residential setting.
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The Integrated Auditory System : = Communication and Cognition through the Lens of Musical Expertise.
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Unity Through Variety : = Exploring the Cyclic Principle in Selected Works for Piano.
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William Bolcom's "Twelve New Etudes" (1988) : = Theoretical and interpretative analysis.
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How undergraduate music schools address music performance anxiety : = A multiple case study.
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The relationship between rap music and the psychological well-being of African American adolescents.
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The performance conversation : = A pragmatic, curricular approach to speaking from the stage.
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Technique and expression in Carl Czerny's teaching : = A critical study of Czerny's Piano-Forte School, Opus 500, demonstrating the direct relation between mechanical teaching and expression in performance.
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Anglican Chant in the Twentieth-Century : = Genesis, Harmonic Development, and Style.
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McNeil Robinson as Choral Musician : = A Survey of His Choral Works for the Christian and Jewish Traditions.
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The Right Kind of Music : = Fundamentalist Christianity as Musical and Cultural Practice.
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Understanding Inner Music : = A Dimensional Approach to Musical Imagery.
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Who is More Creative? Assessing the Role that Individual Characteristics Play in Their Relationship with Creativity in Various Domains.
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Musical Gestures between Scores and Acoustics : = A Creative Application to Orchestra.
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Giambattista Velluti in London (1825-1829) : = Literary Constructions of the Last Operatic Castrato.
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Musical regularity and rhythmic patterns : = A quantitative analysis of birdsong structure.
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"Words of Wisdom" : = An Expectancy-Value Examination of Relationships among Hip-Hop Racial Socialization and Racial Identity of African-American College Students.
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Experiencing Musical Connection : = Sonic Interventions in Mediterranean Social Memory.
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Phenomenon and Abstraction : = Coordinating Concepts in Music Theory and Analysis.
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Music in Haredi Jewish Life : = Liquid Modernity and the Negotiation of Boundaries in Greater New York.
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Exploring Unexploited Compositional Space in Intercultural, Cross-level, and Concurrence Features of Music.
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Listening to a Liberated Paris : = Pierre Schaeffer Experiments with Radio.
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The Names of Minimalism : = Authorship and the Historiography of Dispute in New York Minimalism, 1960-1982.
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Objects of Veneration : = Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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A New Approach to the Analysis of Timbre = = Ein neuer Ansatz zur Klangfarbenanalyse.
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An Experience-Oriented Approach to Analyzing Stravinsky's Neoclassicism.
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Music Therapy for Eating Disorders : = A Manual for the Use of Music Therapy as an Integrative Therapy for the Treatment off Individuals with Eating Disorders.
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Visualizing Temporality in Music : = Music Perception - Feature Extraction.
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Moving in Sacred Time : = Metrical Interactions Between Body and Voice in Jewish and Greek Orthodox Liturgical Chant.
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Sound Business : = Great Women of Gospel Music and the Transmission of Tradition.
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Traveling Tunes : = French Comic Opera and Theater in London, 1714-1745.
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Monstrous Erotics : = Poetics of Embodiment in Black Diasporic Women's Performance.
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What it Do? : = Houston Hip Hop, Ciphers, Migration, and Borderlands.
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Harmony and Statistical Temporality : = Toward Jazz Syntax from Corpus Analytics.
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Some Statistical Methods for Brain Gene Expression Data : = Dimension Reduction, Feature Screening, and Causal Inference.
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Triangles of Soul---Schubert the "Wanderer" and His Music Explained by Neo-Riemannian Graphs.
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Deep Representation of Lyrical Style and Semantics for Music Recommendation.
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Joining Forces in Technology : = Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.
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Effects of the Presence of Audio and Type of Game Controller on Learning of Rhythmic Accuracy.
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Embodied, Representational, and Distributed Learning Practices in a Professional String Quartet.
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Looking Forward to the Past : = Baroque Rock's Postmodern Nostalgia and the Politics of Memory.
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An Investigation of Popular Music Placement as a Viewer Engagement Tool in Television Programming.
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A Qualitative Study of Short-Term Music Groups in the Performing Arts.
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Destination Freedom : = Strategies for Immersion in Narrative Soundscape Composition.
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Music-Based Emotion Regulation (MBER) Intervention Manual for Prevention of Depression in Older Persons.
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Singing is a Drag : = Gender, Voice, and Body in Drag Performance.
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The Professional Communication of Extra-institutional Musicians.
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Music with and without lyrics increases motivation, affect, and arousal during moderate-intensity cycling.
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Older adult's preferences between traditional music therapy techniques versus i-Pad technology assisted music therapy techniques.
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Music therapists' perspectives on the assessment and clinical interpretation of clients' vocal parameters.
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Freud and the problem with music : = A history of listening at the moment of psychoanalysis.
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An exploration of musician resilience in New Orleans following Hurricane Katrina.
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Modeling sense of place : = Emergence of meaningful places in encountering environments.
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Online Processing of Tonal Melodies : = Effects of Harmonic Expectations.
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A Multi-Level Model of Music-Evoked Emotions : = Stimulus Features, Personality, Familiarity, and Liking.
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Neural activation on guided imagery and music : = A functional MRI study.
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Psychoacoustic entropy theory and its implications for performance practice.
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A derivation of the tonal hierarchy from basic perceptual processes.
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The influence of formal music instruction on the construction of musical identities of conservatory jazz students.
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Musical working memory in musicians and nonmusicians : = Evidence for separate slave systems?
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Using music-based interventions with adolescents coping with family conflict or parental divorce : = A resource manual.
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A Theory of Analogy for Musical Sense-Making and Categorization : = Understanding Musical Jabberwocky.
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Music Analysis and Psychoanalysis : = Applying Freudian Primary Processes to Music Analysis.
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Beyond singer vs. non-singer in singing, health and well-being : = Development and testing of the Singing Experience Scale.
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Exploring the neural entrainment to musical rhythms and meter : = A steady-state evoked potential approach.
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Ready to blow your mind : = Andy Warhol's exploding plastic inevitable.
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Going Old School : = Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students.
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The Homeric Answer : = How By-Ear Learning and Improvisation Enhance the Musicianship of Classical Performers.
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Beyond the Concert Hall : = The Creation and Implementation of a Teaching Artist Training Program at the University Level.
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Is It All relative? Relative Pitch and L2 Lexical Tone Perception/Tone Language Comprehension by Adult Tone and Non-tone Language Speakers.
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Aural Abjections and Dancing Dystopias : = Sonic Signifiers in Video Game Horror.
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When the Streets Speak : = Investigating Music, Memory, and Identity in the Lives of Abidjanese Street Children.
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Dancing the archive : = Rhythms of change in post-volcano identities on Montserrat, West Indies.
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Relevant Versus Extraneous Music in Multimedia Instruction : = A Study of the Coherence Principle.
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"Melinda and Her Sisters" : = Reconsidering a Suffrage Operetta as Pageantry.
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Developing Popular Music Programs in Higher Education : = Exploring Possibilities.
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Constructing Symbolic Soundworlds Using Field Recordings and Sound Synthesis.
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The Musician-Designer : = Integrating the Projection Medium Into Dramatic Musical Narrative.
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Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance.
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Archimusic, A New Poiesis : = A Method for Archimusical Synthesis.
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The fan-artist relationship on social networking sites : = A cyberstage pass for the music fan.
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Algorithmic music analysis : = A case study of a prelude from David Cope's "From Darkness, Light".
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Taiwanese Composer Tyzen Hsiao : = Pedagogical Aspects of Selected Piano Solo Works.
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The Participatory We-Self : = Ethnicity and Music in Northern Thailand.
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The Future of the French Bassoon : = Changing Perception through Innovation.
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Music piracy or a permanent passive revolution : = An examination of the role of technology in the challenge to a cultural hegemon.
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Confessions in Fiction, Opera, and Memoir : = Subversive Elements of Courtesan Celebrity in Nineteenth-Century Paris.
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Underground Sounds : = Oral Tradition and Recording Culture in American Poetry, 1917-2008.
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The medial caesura in Schubert's sonata forms : = Formal and rhetorical complications.
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Women on FIRE : = Revamped Gender Codes in Alicia Keys' "Girl on Fire" Song & Video.
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The Making of the Recording Industry in Colonial Korea, 1910-1945.
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Effect of viable treatments on small room acoustics - A case study of control room 212B in Durgin Hall.
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Better Practice : = A Review of Research on Effective Practicing and Suggestions for Chinese Music Teachers.
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The Rise of the Chinese Concerto : = A Look into the Developments of Chinese Traditional Instrument Concerti with Western Orchestra.
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The influence of Chinese instruments on the violin : = A practice guide of three violin techniques.
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Experimental Music in Higher Education : = Toward a Pedagogy of Creativity.
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Chinese Elements and Influence in Tan Dun's Eight Memories in Watercolor.
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Queering the Body : = Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
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(Language materials, manuscript)
Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
by:
(Language materials, manuscript)
Evocations of Nature in the Piano Music of Franz Liszt and the Seeds of Impressionism.
by:
(Language materials, manuscript)
"I'm not a rapper, I'm an activist who rhymes" : = Native American hip hop, activism, and twenty-first century identities.
by:
(Language materials, manuscript)
Coloureds Performing Queer, or Queer Coloureds Performing? : = Asserting Belonging through Queer Behavior in Cape Town, South Africa.
by:
(Language materials, manuscript)
Music as Gestural Narrative : = An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109.
by:
(Language materials, manuscript)
The Culmination of the Russian Romantic Piano School as Represented By Early and Late Works of Rachmaninoff, Scriabin, and Medtner.
by:
(Language materials, manuscript)
"Let the Feast of Fools Begin, Batman!" : = The Traditional and Gothic Carnvialesques in the Sound Design of the "Batman : Arkham" Video Games.
by:
(Language materials, manuscript)
The Influence of Corporate Social Responsibility on The Decision-Making Process of Music Festival-Goers : = Findings from a Survey-Embedded Experiment.
by:
(Language materials, manuscript)
Pop Cultures : = A Comparative Analysis of the American and South Korean Record Industries.
by:
(Language materials, manuscript)
Perceptions of Adult Christian Creative Arts Practitioners in Leadership from NY, NJ, and PA about the Practice of Music, Art, and Dance in Cultivating Christian Spiritual Formation.
by:
(Language materials, manuscript)
Writing Music and Its Role in a Conductor's Training as a Performer.
by:
(Language materials, manuscript)
Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
by:
(Language materials, manuscript)
Designing for the Mindbody in Technology-Mediated Music-Making.
by:
(Language materials, manuscript)
Parents' Observations of Their Young Children's Music Behaviors During Music Classes after Completing the Children's Music Behavior Inventory.
by:
(Language materials, manuscript)
Using Mapping Music as a Memorization Method in Private Piano Teaching.
by:
(Language materials, manuscript)
The Perception of Trust Between Athletic Trainers and Musical Performing Artists.
by:
(Language materials, manuscript)
Collaborative crossover : = Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
by:
(Language materials, manuscript)
Grooves in the Landscape : = Vanished and Persistent Record Stores in the Postindustrial City.
by:
(Language materials, manuscript)
The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
by:
(Language materials, manuscript)
An examination of pre- and post-Vatican II music for the Roman Catholic liturgy : = Ethnic diversity as a vehicle of unity.
by:
(Language materials, manuscript)
Wagner domesticated, Wagner democratized : = The parlor reception of Musikdrama.
by:
(Language materials, manuscript)
The craft of spontaneous composition : = How jazz saxophonists have approached the instrumental solo in pop music.
by:
(Language materials, manuscript)
A world of flute music : = A look at the impact of siku and shakuhachi flute traditions on Western classical repertoire.
by:
(Language materials, manuscript)
Cabaret songs by classical composers during the first half of the twentieth century : = Satie, Schoenberg, Weill, and Britten.
by:
(Language materials, manuscript)
Mathematics and computation in music = 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017 : proceedings /
by:
(Language materials, printed)
The topos of music. = musical multiverse ontologies /. III,. Gestures
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(Language materials, printed)
The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
by:
(Language materials, printed)
The topos of music. = theory, software, and case studies /. II,. Performance
by:
(Language materials, printed)
Historical theory and methods through popular music, 1970-2000 = "Those are the New Saints" /
by:
(Language materials, printed)
Computer music instruments = foundations, design, and development /
by:
(Language materials, printed)
Music, youth and international links in post-war British fascism = the transformation of extremism /
by:
(Language materials, printed)
Rock and romanticism = post-punk, goth, and metal as dark romanticisms /
by:
(Language materials, printed)
Traditional musics in the modern world = Transmission, Evolution, and Challenges /
by:
(Language materials, printed)
Masculinity, class and music education = boys performing middle-class masculinities through music /
by:
(Language materials, printed)
I got something to say = gender, race, and social consciousness in rap music /
by:
(Language materials, printed)
Pluralism in American usic education research = essays and narratives /
by:
(Language materials, printed)
Music learning and teaching in culturally and socially diverse contexts = implications for classroom practice /
by:
(Language materials, printed)
The science of musical sound.. Volume 1,. Stringed instruments, pipe organs, and the human voice
by:
(Language materials, printed)
The music business and digital impacts = innovations and disruptions in the music industries /
by:
(Language materials, printed)
Performing music history = musicians speak first-hand about music history and performance /
by:
(Language materials, printed)
21st century perspectives on music, technology, and culture = listening spaces /
by:
(Language materials, printed)
Reggae and hip hop in Southern Italy = politics, languages, and multiple marginalities /
by:
(Language materials, printed)
Music and the environment in dystopian narrative = sounding the disaster /
by:
(Language materials, printed)
Understanding the Eurovision Song Contest in multicultural Australia = We Got Love /
by:
(Language materials, printed)
Semionauts of tradition = music, culture and identity in contemporary Singapore /
by:
(Language materials, printed)
Hyper-specializing in saxophone using acoustical insight and deep listening skills
by:
(Language materials, printed)
Ambisonics = a practical 3D audio theory for recording, studio production, sound reinforcement, and virtual reality /
by:
(Language materials, printed)
Eastern European popular music in a transnational context = beyond the borders /
by:
(Language materials, printed)
Towards an ontology of teaching = thing-centred pedagogy, affirmation and love for the world /
by:
(Language materials, printed)
Eurovision and Australia = interdisciplinary perspectives from Down Under /
by:
(Language materials, printed)
Musical instruments in the 21st century = identities, configurations, practices /
by:
(Language materials, printed)
Lady Gaga and the sociology of fame = the rise of a pop star in an age of celebrity /
by:
(Language materials, printed)
Agogic maps = from musical phrasing to enhancement of urban spaces /
by:
(Language materials, printed)
Sounds, societies, significations = numanistic approaches to music /
by:
(Language materials, printed)
Patterns of Intuition = Musical Creativity in the Light of Algorithmic Composition /
by:
(Language materials, printed)
Mathematics and Computation in Music = 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings /
by:
(Language materials, printed)
Contracts, Patronage and Mediation = The Articulation of Global and Local in the South African Recording Industry /
by:
(Language materials, printed)
Therapeutic Songwriting = Developments in Theory, Methods, and Practice /
by:
(Language materials, printed)
Soul, Country, and the USA = Race and Identity in American Music Culture /
by:
(Language materials, printed)
Italian Masculinity as Queer Melodrama = Caravaggio, Puccini, Contemporary Cinema /
by:
(Language materials, printed)
The Political World of Bob Dylan = Freedom and Justice, Power and Sin /
by:
(Language materials, printed)
The Pop Music Idol and the Spirit of Charisma = Reality Television Talent Shows in the Digital Economy of Hope /
by:
(Language materials, printed)
Computational Counterpoint Worlds = Mathematical Theory, Software, and Experiments /
by:
(Language materials, printed)
Fundamentals of Music Processing = Audio, Analysis, Algorithms, Applications /
by:
(Language materials, printed)
Language, Music, and Computing = First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers /
by:
(Language materials, printed)
Musik und Medizin = Chancen für Therapie, Prävention und Bildung /
by:
(Language materials, printed)
Populäre Musikkulturen im Film = Inter- und transdisziplinäre Perspektiven /
by:
(Language materials, printed)
Integrative Health through Music Therapy = Accompanying the Journey from Illness to Wellness /
by:
(Language materials, printed)
The Economics of the Popular Music Industry = Modelling from Microeconomic Theory and Industrial Organization /
by:
(Language materials, printed)
Music Through Fourier Space = Discrete Fourier Transform in Music Theory /
by:
(Language materials, printed)
New Orleans Rhythm and Blues After Katrina = Music, Magic and Myth /
by:
(Language materials, printed)
The Palgrave Handbook of Sound Design and Music in Screen Media = Integrated Soundtracks /
by:
(Language materials, printed)
Listening to China’s Cultural Revolution = Music, Politics, and Cultural Continuities /
by:
(Language materials, printed)
Sound, Symbol, Sociality = The Aesthetic Experience of Extreme Metal Music /
by:
(Language materials, printed)
Consuming Music in the Digital Age = Technologies, Roles and Everyday Life /
by:
(Language materials, printed)
21st Century Perspectives on Music, Technology, and Culture = Listening Spaces /
by:
(Language materials, printed)
Gender, Metal and the Media = Women Fans and the Gendered Experience of Music /
by:
(Language materials, printed)
Globalization, Music and Cultures of Distinction = The Rise of Pop Music Criticism in Italy /
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(Language materials, printed)
Hugo Chávez, Alí Primera and Venezuela = The Politics of Music in Latin America /
by:
(Language materials, printed)
Networked Music Cultures = Contemporary Approaches, Emerging Issues /
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(Language materials, printed)
Popular Music in Eastern Europe = Breaking the Cold War Paradigm /
by:
(Language materials, printed)
Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
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(Language materials, printed)
Tonsetzerinnen = Zur Rezeption von Komponistinnen in Deutschland um 1800 /
by:
(Language materials, printed)
All About Music = The Complete Ontology: Realities, Semiotics, Communication, and Embodiment /
by:
(Language materials, printed)
The Value of Popular Music = An Approach from Post-Kantian Aesthetics /
by:
(Language materials, printed)
Cool Math for Hot Music = A First Introduction to Mathematics for Music Theorists /
by:
(Language materials, printed)
Wie klingt die globale Ordnung = Die Entstehung eines Marktes für World Music /
by:
(Language materials, printed)
Music, Mind, and Embodiment = 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers /
by:
(Language materials, printed)
Improvisieren = Material, Interaktion, Haltung und Musik aus soziologischer Perspektive /
by:
(Language materials, printed)
Die Sprechstimme in der Musik = Komposition, Notation, Transkription /
by:
(Language materials, printed)
Musiktherapie und Autismus = Zur Anwendung ausgewählter Methoden der Leiborientierten Musiktherapie /
by:
(Language materials, printed)
Musikhören im Zeitalter Web 2.0 = Theoretische Grundlagen und empirische Befunde /
by:
(Language materials, printed)
Reggae and Hip Hop in Southern Italy = Politics, Languages, and Multiple Marginalities /
by:
(Language materials, printed)
Semionauts of Tradition = Music, Culture and Identity in Contemporary Singapore /
by:
(Language materials, printed)
Traditional Musics in the Modern World: Transmission, Evolution, and Challenges
by:
(Language materials, printed)
Music and the Environment in Dystopian Narrative = Sounding the Disaster /
by:
(Language materials, printed)
Understanding the Eurovision Song Contest in Multicultural Australia = We Got Love /
by:
(Language materials, printed)
Pluralism in American Music Education Research = Essays and Narratives /
by:
(Language materials, printed)
Echoes of Other Worlds: Sound in Virtual Reality = Past, Present and Future /
by:
(Language materials, printed)
The Science of Musical Sound = Volume 1: Stringed Instruments, Pipe Organs, and the Human Voice /
by:
(Language materials, printed)
Neurowissenschaften und Musikpädagogik = Klärungsversuche und Praxisbezüge /
by:
(Language materials, printed)
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
by:
(Language materials, printed)
Musik in Baden-Württemberg. Jahrbuch 2017/18 = Band 24 - Jubiläumsband.
by:
(Language materials, printed)
Music, Health and Wellbeing = Exploring Music for Health Equity and Social Justice /
by:
(Language materials, printed)
Vom Neandertal in die Philharmonie = Warum der Mensch ohne Musik nicht leben kann /
by:
(Language materials, printed)
Music Learning and Teaching in Culturally and Socially Diverse Contexts = Implications for Classroom Practice /
by:
(Language materials, printed)
Von der Autonomie des Klangs zur Heteronomie der Musik = Musikwissenschaftliche Antworten auf Musikphilosophie /
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(Language materials, printed)
The Music Business and Digital Impacts = Innovations and Disruptions in the Music Industries /
by:
(Language materials, printed)
Musikwirtschaftsforschung = Die Grundlagen einer neuen Disziplin /
by:
(Language materials, printed)
Rock and Romanticism = Post-Punk, Goth, and Metal as Dark Romanticisms /
by:
(Language materials, printed)
Symphonien aus dem Geiste der Vokalmusik = Zur Finalgestaltung in der Symphonik im 18. und frühen 19. Jahrhundert /
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(Language materials, printed)
Friedrich Schillers musikalische Wirkungsgeschichte = Ein Kompendium /
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(Language materials, printed)
Sound and the Aesthetics of Play = A Musical Ontology of Constructed Emotions /
by:
(Language materials, printed)
Afrofuturism and Black Sound Studies = Culture, Technology, and Things to Come /
by:
(Language materials, printed)
From Content-based Music Emotion Recognition to Emotion Maps of Musical Pieces
by:
(Language materials, printed)
International Relations, Music and Diplomacy = Sounds and Voices on the International Stage /
by:
(Language materials, printed)
Masculinity, Class and Music Education = Boys Performing Middle-Class Masculinities through Music /
by:
(Language materials, printed)
I Got Something to Say = Gender, Race, and Social Consciousness in Rap Music /
by:
(Language materials, printed)
Fundamentals of Piano Pedagogy = Fuelling Authentic Student Musicians from the Beginning /
by:
(Language materials, printed)
Designing Digital Musical Instruments Using Probatio = A Physical Prototyping Toolkit /
by:
(Language materials, printed)
Die Musikkultur im Iran seit der Islamischen Revolution = Überwindung von Verbot und Zensur durch konfrontative Annäherung /
by:
(Language materials, printed)
Marketing im Kulturbetrieb = Zur Konzeption des Marketing im Spannungsfeld von kulturellem Wert und ökonomischer Realität /
by:
(Language materials, printed)
Beethoven-Bilder = Was Kunst- und Musikgeschichte (sich) zu erzählen haben /
by:
(Language materials, printed)
Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
by:
(Language materials, printed)
Handbuch Musik und Medien = Interdisziplinärer Überblick über die Mediengeschichte der Musik /
by:
(Language materials, printed)
Eastern European Popular Music in a Transnational Context = Beyond the Borders /
by:
(Language materials, printed)
Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017 = Das Populäre in der Musik und das Musikverlagswesen /
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(Language materials, printed)
Computer Music Instruments II = Realtime and Object-Oriented Audio /
by:
(Language materials, printed)
„Sounds like a real man to me“ – Populäre Kultur, Musik und Männlichkeit
by:
(Language materials, printed)
The Values of Independent Hip-Hop in the Post-Golden Era = Hip-Hop’s Rebels /
by:
(Language materials, printed)
Popular Music in the Nostalgia Video Game = The Way It Never Sounded /
by:
(Language materials, printed)
Contemporary Popular Music Studies = Proceedings of the International Association for the Study of Popular Music 2017 /
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(Language materials, printed)
Musik und Stadt = Jahrbuch für Musikwirtschafts- und Musikkulturforschung 2/2018 /
by:
(Language materials, printed)
Towards an Ontology of Teaching = Thing-centred Pedagogy, Affirmation and Love for the World /
by:
(Language materials, printed)
Maternal Representations in Twenty-First Century Broadway Musicals = Stage Mothers /
by:
(Language materials, printed)
Praktiken und Subjektivierung im Musikunterricht = Zur musikpädagogischen Relevanz praktiken- und subjekttheoretischer Ansätze /
by:
(Language materials, printed)
Hyper-specializing in Saxophone Using Acoustical Insight and Deep Listening Skills
by:
(Language materials, printed)
Mathematics and Computation in Music = 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings /
by:
(Language materials, printed)
Proceedings of the 6th Conference on Sound and Music Technology (CSMT) = Revised Selected Papers /
by:
(Language materials, printed)
Music, Nostalgia and Memory = Historical and Psychological Perspectives /
by:
(Language materials, printed)
Music, Management, Marketing, and Law = Interviews Across the Music Business Value Chain /
by:
(Language materials, printed)
Arnold Schönbergs Schülerinnen = Biographisch-musikalische Studien /
by:
(Language materials, printed)
Capitals of Punk = DC, Paris, and Circulation in the Urban Underground /
by:
(Language materials, printed)
French Louisiana Music and Its Patrons = The Popularization and Transformation of a Regional Sound /
by:
(Language materials, printed)
Jakob Stolz (1832-1919) = Leben und Werk des Grazer Komponisten und Musikpädagogen /
by:
(Language materials, printed)
Sound at the Edge of Perception = The Aural Minutiae of Sand and other Worldly Murmurings /
by:
(Language materials, printed)
The Development of Popular Music Function in Film = From the Birth of Rock ‘n’ Roll to the Death of Disco /
by:
(Language materials, printed)
Eurovision and Australia = Interdisciplinary Perspectives from Down Under /
by:
(Language materials, printed)
Big Data und Musik = Jahrbuch für Musikwirtschafts- und Musikkulturforschung 1/2018 /
by:
(Language materials, printed)
Ambisonics = A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality /
by:
(Language materials, printed)
Craniomandibular Dysfunction in Violinists = A Literature Review /
by:
(Language materials, printed)
The Future of Music = Towards a Computational Musical Theory of Everything /
by:
(Language materials, printed)
Liberation, (De)Coloniality, and Liturgical Practices = Flipping the Song Bird /
by:
(Language materials, printed)
Concert Halls by Nagata Acoustics = Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria /
by:
(Language materials, printed)
Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
by:
(Language materials, printed)
Entrepreneurial Music Education = Professional Learning in Schools and the Industry /
by:
(Language materials, printed)
Proceedings of the 7th Conference on Sound and Music Technology (CSMT) = Revised Selected Papers /
by:
(Language materials, printed)
Transnational Flamenco = Exchange and the Individual in British and Spanish Flamenco Culture /
by:
(Language materials, printed)
Das Mächtige Häuflein = Nationale Musik des 19. Jahrhunderts in Russland /
by:
(Language materials, printed)
What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
by:
(Language materials, printed)
Popular Music, Technology, and the Changing Media Ecosystem = From Cassettes to Stream /
by:
(Language materials, printed)
Narratives and Reflections in Music Education = Listening to Voices Seldom Heard /
by:
(Language materials, printed)
Wiederholung als zentrales universelles Gestaltungsmittel der Musik
by:
(Language materials, printed)
Psychoacoustic Music Sound Field Synthesis = Creating Spaciousness for Composition, Performance, Acoustics and Perception /
by:
(Language materials, printed)
British Film Music = Musical Traditions in British Cinema, 1930s–1950s /
by:
(Language materials, printed)
Robotic Musicianship = Embodied Artificial Creativity and Mechatronic Musical Expression /
by:
(Language materials, printed)
Authenticity and Belonging in the Northern Soul Scene = The Role of History and Identity in a Multigenerational Music Culture /
by:
(Language materials, printed)
Stimmungen weben = Eine unterrichtswissenschaftliche Studie zur Gestaltung von Atmosphären /
by:
(Language materials, printed)
Handbuch Musik und Medien = Interdisziplinärer Überblick über die Mediengeschichte der Musik /
by:
(Language materials, printed)
Musikalisches Tempoempfinden in audiovisuellen Medien = Empirische Untersuchung zur intermodalen Wahrnehmung mit präsentativen Forschungsmethoden /
by:
(Language materials, printed)
Handbuch Funktionale Musik = Psychologie – Technik – Anwendungsgebiete /
by:
(Language materials, printed)
Entering the Battlefield = Eine ethnographische Annäherung an eine Musikszene /
by:
(Language materials, printed)
Audio Drama Modernism = The Missing Link between Descriptive Phonograph Sketches and Microphone Plays on the Radio /
by:
(Language materials, printed)
Die Neudeutsche Schule – Phänomen und Geschichte = Quellen und Kommentare zu einer zentralen musikästhetischen Kontroverse des 19. Jahrhunderts /
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(Language materials, printed)
Music and Sound in the Life and Literature of James Joyce = Joyces Noyces /
by:
(Language materials, printed)
Designing the Music Business = Design Culture, Music Video and Virtual Reality /
by:
(Language materials, printed)
Songs from Sweden = Shaping Pop Culture in a Globalized Music Industry /
by:
(Language materials, printed)
Ethno-Aesthetics of Surf in Florida = Surfing, Musicking, and Identity Marking /
by:
(Language materials, printed)
Getting Signed = Record Contracts, Musicians, and Power in Society /
by:
(Language materials, printed)
Thematisches Verzeichnis der musikalischen Werke Ignaz Franz von Beeckes (1733–1803)
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(Language materials, printed)
Rap and Politics = A Case Study of Panther, Gangster, and Hyphy Discourses in Oakland, CA (1965-2010) /
by:
(Language materials, printed)
The Art and Science of Surround and Stereo Recording = Including 3D Audio Techniques /
by:
(Language materials, printed)
Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music
by:
(Language materials, printed)
Music and Fuzzy Logic = The Dialectics of Idea and Realizations in the Artwork Process /
by:
(Language materials, printed)
China’s Music Industry Unplugged = Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy /
by:
(Language materials, printed)
Fractured Scenes = Underground Music-Making in Hong Kong and East Asia /
by:
(Language materials, printed)
Electronic Cities = Music, Policies and Space in the 21st Century /
by:
(Language materials, printed)
Handbook of Artificial Intelligence for Music = Foundations, Advanced Approaches, and Developments for Creativity /
by:
(Language materials, printed)
Der neue Schauder = Über das Phantastische der musikalischen Romantik /
by:
(Language materials, printed)
Music and Moral Management in the Nineteenth-Century English Lunatic Asylum
by:
(Language materials, printed)
Musical Nationalism in Indonesia = The Rise and Fall of Lagu Seriosa /
by:
(Language materials, printed)
Music in the Making of Modern Japan = Essays on Reception, Transformation and Cultural Flows /
by:
(Language materials, printed)
Audio Technology, Music, and Media = From Sound Wave to Reproduction /
by:
(Language materials, printed)
Fundamentals of Music Processing = Using Python and Jupyter Notebooks /
by:
(Language materials, printed)
»Bald sind wir aber Gesang« = Essays zu Oper, Musik und Literatur /
by:
(Language materials, printed)
Doktor Faustus (ver-)stimmen = Kompositionen zu Thomas Manns Roman /
by:
(Language materials, printed)
Proceedings of the 8th Conference on Sound and Music Technology = Selected Papers from CSMT /
by:
(Language materials, printed)
Yves Montand in the USSR = Cultural Diplomacy and Mixed Messages /
by:
(Language materials, printed)
Paul McCartney and His Creative Practice = The Beatles and Beyond /
by:
(Language materials, printed)
Italian Jewish Musicians and Composers under Fascism = Let Our Music Be Played /
by:
(Language materials, printed)
Narratives from Beyond the UK Reggae Bassline = The System is Sound /
by:
(Language materials, printed)
Perspectives on Music, Sound and Musicology = Research, Education and Practice /
by:
(Language materials, printed)
Jeliya at the Crossroads = Learning African Wisdom through an Embodied Practice /
by:
(Language materials, printed)
Rooms for the Learned Musician = A 20-Year Retrospective on the Acoustics of Music Education Facilities /
by:
(Language materials, printed)
Instrumentaler Musikunterricht als Teil allgemeiner Schulbildung = Das Pforzheimer Pädagogium und sein innovatives Schulmodell im ausgehenden 18. Jahrhundert /
by:
(Language materials, printed)
MUSIC and CAPITALISM = Melody, Harmony and Rhythm in the Modern World /
by:
(Language materials, printed)
Klang – Ton – Wort: akustische Dimensionen im Schaffen Marcel Beyers
by:
(Language materials, printed)
Musik und Fuzzy Logic = Die Dialektik von Idee und Realisierungen im Werkprozess /
by:
(Language materials, printed)
Das verdächtig Populäre in der Musik = Warum wir mögen, wofür wir uns schämen /
by:
(Language materials, printed)
Heavy Metal Music, Texts, and Nationhood = (Re)sounding Whiteness /
by:
(Language materials, printed)
Geographically Isolated and Peripheral Music Scenes = Global Insights and Perspectives /
by:
(Language materials, printed)
Cantar es mi mundo - Singen ist meine Welt = Spielräume zur Ermöglichung allgemeiner Bildungserfahrungen im Musikunterricht /
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Explosions in the Mind = Composing Psychedelic Sounds and Visualisations /
by:
(Language materials, printed)
Figuren der Resonanz = Das 18. Jahrhundert und seine musikalische Anthropologie /
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(Language materials, printed)
MUSIC and CAPITALISM = Melody, Harmony and Rhythm in the Modern World /
by:
(Language materials, printed)
Music Composition in Contexts of Early Childhood = Creation, Communication and Multi-Modal Experiences through Music /
by:
(Language materials, printed)
Multiple Epochisierungen = Literatur und Bildende Kunst 1500–1800 /
by:
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Jenseits der Vernunft = Form und Bedeutung in Wagners Musikdramen /
by:
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Die multiethnischen Einflüsse Brasiliens im Schaffen des Komponisten Hekel Tavares (1896–1969) = Ausführliche Erläuterungen am Beispiel seines „Concerto para Piano e Orquestra em Formas Brasileiras" op. 105 Nr. 2 /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 3: Afrobeat, Salsa, Reggae & Co. (1975-2000) /
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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 1: Ragtime, Tango, Rumba & Co. (1855–1945) /
by:
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Rethinking the Music Business = Music Contexts, Rights, Data, and COVID-19 /
by:
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The Bebop Scene in London's Soho, 1945-1950 = Post-war Britain’s First Youth Subculture /
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Die vertonte Rede = Prinzipien der Liedkomposition Franz Schuberts /
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(Language materials, printed)
Handbuch der deutschen Phonetik für Sängerinnen und Sänger = Mit einem umfangreichen Übungsteil und Hörproben /
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(Language materials, printed)
We Piano Teachers and Our Demons = Socio-psychological Obstacles on the Road to Inspired and Secure Performance /
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(Language materials, printed)
Kirche, Musik und ästhetische Bildung = Kirchenmusikpädagogik am Beispiel kirchlichen Singens /
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(Language materials, printed)
Music Therapy with Autistic Children in Aotearoa, New Zealand = Haumanu ā-Puoro mā ngā Tamariki Takiwātanga i Aotearoa /
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(Language materials, printed)
Die Musik der imaginären Türkei = Musik und Musikleben im Kontext der Migration aus der Türkei in Deutschland /
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(Language materials, printed)
Sound Practices in the Global South = Co-listening to Resounding Plurilogues /
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(Language materials, printed)
Schöner fremder Klang – Wie exotische Musik nach Deutschland kam = Band 2: Samba, Mambo, Bossa & Co. (1945–1975) /
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(Language materials, printed)
Global Dance Cultures in the 1970s and 1980s = Disco Heterotopias /
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(Language materials, printed)
Theorizing Music Videos of the Late 2010s = A Prosumer’s Study of a Medium /
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(Language materials, printed)
Music Representation and Transformation in Software = Structure and Algorithms in Python /
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(Language materials, printed)
Computer assisted music and dramatics = possibilities and challenges /
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(Language materials, printed)
A philosophy of ambient sound = materiality, technology, art and the sonic environment /
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(Language materials, printed)
音樂影像作品《 Bestie》創作論述 = = Discussion On The Creation of Musical Image Works "Bestie" /
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(Language materials, printed)
Moving between cultures through arts-based inquiry = re-membering identity /
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(Language materials, printed)
Neurocognitive music therapy = intersecting music, medicine and technology for health and well-being /
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(Language materials, printed)
Music, forced migration and emplacement = sounds of Asylum Bristol /
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(Language materials, printed)
The uses of the past in contemporary Western popular culture = nostalgia, politics, lifecycles, mediations, and materialities /
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(Language materials, printed)
Musical mothering = intergenerational strategies amongst the middle classes /
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(Language materials, printed)
Performing Performances of Culture : = Pong Lang Music, Signification, and Meta-Cultural Performance.
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(Language materials, manuscript)
The Order of Pitches : = Music Theory, Science, and Western Learning in 17th-Century China.
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(Language materials, manuscript)
On Wings of Song : = Exploring the First-Generation Chinese Art Song Composer Ellinor Valesby (1894-1969).
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(Language materials, manuscript)
Analyzing Postcolonial Creativity : = A Novel Theory for East-Asian New Music and Film Soundtracks.
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(Language materials, manuscript)
Interactive Multimedia Devices : = An Exploration Relating to Disability and Performance.
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(Language materials, manuscript)
Rural Music Teacher Self-Efficacy : = Source Influence and Commitment.
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(Language materials, manuscript)
Robert Schumann and "The Artist's Highest Goal" : = Religion, Romanticism, and Nation in the Late Choral Works.
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(Language materials, manuscript)
Listening to Music Educators in Sonora, Mexico While Challenging My Privilege : = An Autoethnographic Account.
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(Language materials, manuscript)
Igor Stravinsky's "Symphony of Psalms" : = An analysis for performance.
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(Language materials, manuscript)
The Training of Jazz and Popular Styles in Multiple Woodwind Degree Programs.
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(Language materials, manuscript)
From Small to Large : = Observations on George Crumb's Eleven Echoes of Autumn for Alto Flute, Clarinet, Violin, and Piano.
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(Language materials, manuscript)
Enlivening Baroque Solo Repertoire : = Thomas Demenga's ECM Recording of J.S. Bach's Fourth Cello Suite.
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(Language materials, manuscript)
Finding Messiaen's Blackbird : = An Investigative Analysis of Birdsong and Other Techniques Used in Le Merle Noir.
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(Language materials, manuscript)
How a Schenkerian Analysis may Inform the Interpretation and Performance of J. S. Bach's Lute Music on the Guitar using Selective Movements of Bach Lute Suite No. 4 in E Major (Bwv1006a) as a Demonstration.
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(Language materials, manuscript)
Two Lecture Recitals : = 1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.
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(Language materials, manuscript)
The Romantic heritage : = Dohnanyi's compositional language in his Six Concert Etudes, Op. 28.
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(Language materials, manuscript)
Olivier Messiaen's "Vingt Regards sur l'enfant-Jesus" : = Analytical, religious, and literary considerations.
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(Language materials, manuscript)
Using the organ to teach the fourth suite prelude for violoncello solo by J. S. Bach.
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(Language materials, manuscript)
Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.
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(Language materials, manuscript)
Charles Ives and democracy : = Association, borrowing, and treatment of dissonance in his music.
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(Language materials, manuscript)
Part I. "Blackbirds" and "Argot". Part II. Pushing the Envelope : = Art and Science in the Music of Gerard Grisey.
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(Language materials, manuscript)
Ways of Silence and Other Absences in the Music of George Crumb.
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(Language materials, manuscript)
Post-Classical Sonata Forms in the Piano Works of Chopin, Schumann, Liszt, and Brahms : = Romanticism Within Classicism.
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(Language materials, manuscript)
The impact of the lied on selected piano works of Franz Schubert, Robert Schumann, and Johannes Brahms.
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(Language materials, manuscript)
Illuminated Scores and the Architectural Design of Musical Form.
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(Language materials, manuscript)
A Study of Musical Rhetoric in J. S. Bach's Organ Fugues BWV 546, 552.2, 577, and 582.
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(Language materials, manuscript)
Analysis of Selected Compositions by Gordon Jacob for Solo Oboe : = Sonata for Oboe And Piano, Sonatina for Oboe and Harpsichord, Two Pieces for Twooboes and Cor Anglais, and Concerto No. 2 for Oboe.
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(Language materials, manuscript)
Francis Poulenc : = A Study of His Artistic Development and His Musical Style.
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(Language materials, manuscript)
Analysis and Performance of Selected Piano Works of Milton Babbitt (1916-).
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(Language materials, manuscript)
The Baroque Violoncello and the Unaccompanied Cello Suites of J.S. Bach, B.W.V. 1007-1012.
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(Language materials, manuscript)
Twelve tone techniques as they relate to form in selected works of Schoenberg and Webern.
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(Language materials, manuscript)
Euell Porter, profile of a choral musician : = An analysis of his musical philosophies, techniques and leadership style.
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(Language materials, manuscript)
The tritone in salient serialistic compositions of Igor Stravinsky.
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(Language materials, manuscript)
Intersecting Social Justice and the Secondary Choral Classroom : = A Phenomenological Study of Social Justice Teacher Perspectives.
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(Language materials, manuscript)
Music of the "True North" : = A Study of the Interaction of Canadian Music and an Inuit Community.
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(Language materials, manuscript)
The Effectiveness of Music Therapy on Feeding and Weight Gain in Premature Infants in the NICU : = A Systematic Review.
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(Language materials, manuscript)
Questions of Chineseness : = A Study of China Wind Pop Music and the Post-1990s Generation in the PRC, Hong Kong, Taiwan, and the UK.
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(Language materials, manuscript)
Music history pedagogy : = Three approaches to teaching a one-semester music history survey course in accordance with the LEAP Initiative.
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(Language materials, manuscript)
Subjective Experience, Job Satisfaction, and Professional Actions of Music Teachers as a Predictor of Flow State.
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(Language materials, manuscript)
The Feminine on Display : = Puccini's Othering of the Lower-Class Woman.
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(Language materials, manuscript)
Coram Deo : = The Trombone and the Sublime in Works by Beethoven.
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(Language materials, manuscript)
Characteristic articulation in Beethoven's piano music : = A performer's approach.
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(Language materials, manuscript)
I. Essay : = Transformation and Transfiguration in Gerard Grisey's "Four Songs for Crossing the Threshold" II. Musical Composition : "Everyone Became a Trail" - Song Cycle in Five Movements for Soprano and Chamber Ensemble.
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(Language materials, manuscript)
Structural implications of stylistic plurality in Puccini's "Turandot".
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(Language materials, manuscript)
The effect of purposeful distractors placed in an excerpt of Puccini's "La Boheme" to ascertain their influence on the listening experience.
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(Language materials, manuscript)
The application of contemporary double bass left hand techniques applied in the orchestra repertoire.
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(Language materials, manuscript)
The Evolution of the Fantasia and Works in Related Styles in the Seventeenth-Century Instrumental Ensemble Music of France and the Low Countries.
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(Language materials, manuscript)
The Concept of Unity and Uniqueness in the Multi-Movement Works of Beethoven : = An Analysis of the Selected Piano Sonatas - Opus 31, No. 3 and Opus 57.
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(Language materials, manuscript)
Charles Ives, a History and Bibliography of Criticism (1920-1939), and Ives' Influence (to 1947) on Bernard Herrmann, Elie Siegmeister, and Robert Palmer.
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(Language materials, manuscript)
Musical Improvisation as a Path toward Freedom of Exploration and Discovery of Self Expression.
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(Language materials, manuscript)
Maurice Ravel's "Tzigane" : = A link between theclassical and the Hungarian-Gypsy traditions.
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(Language materials, manuscript)
Engaging With Musical Theater Practitioners' Vernacular Musical Knowledge as Music-Theoretical Practice.
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(Language materials, manuscript)
Nicholai Kapustin's Eight Concert Etudes, Op. 40 : = Reflections on Analysis, Practice, and Performance.
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(Language materials, manuscript)
An Overview of Bohuslav Martinu's Piano Style with a Guide to Analysis and Interpretation of the "Fantasie et Toccata", H. 281.
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(Language materials, manuscript)
Philippe Gaubert (1879-1941) : = His Life and Contributions as Flutist, Editor, Teacher, Conductor, and Composer (France).
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(Language materials, manuscript)
The Romantic piano fantasia : = An historical survey of the classifications, composers, and repertory, ca. 1800-1850.
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(Language materials, manuscript)
"Taiwan yin yue qun xiang zi liao ku" ren wu she hui wang lao yan jiu = = Research on the Social Network of Characters in "The Online Database of Taiwanese Musicians."
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(Language materials, manuscript)
Ke jia liu hang yin yue zhi yan jiu yu ying yong : = yi "Ding hao dui mian" chuang zuo zhuan ji wei li = Research and Application of Hakka Pop Music : A Case Study of the Album "The place of the heart".
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(Language materials, manuscript)
Di san jie quan sheng ke jia min yao bi sai yan jiu = = A Study of the Third Provincial Hakka Folk Song Competition.
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(Language materials, manuscript)
Appalachian Dreams : = Traditional Folk Songs in Concert Literature for Classical Guitar.
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(Language materials, manuscript)
A Novel Approach : = Exploring Novels as Text Sources in Art Song.
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(Language materials, manuscript)
The notion of homeland in Taiwanese contemporary elementary music education.
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(Language materials, manuscript)
Using ChatGPT to Aid in Concert Band Music Selection : = A Pilot Study.
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(Language materials, manuscript)
Unconventional Wisdom in Resonating Echoes of the Past : = a Memoir on the Life and Music of Royal Hartigan.
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(Language materials, manuscript)
Basic Psychological Needs Support in the High School Choral Classroom : = Student and Teacher Perspectives.
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(Language materials, manuscript)
A study of Cantonese opera : = Musical source materials, historical development, contemporary social organization, and adaptive strategies.
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(Language materials, manuscript)
A Comprehensive Study of Alexander Tcherepnin's Op. 71, Seven Songs on Chinese Poems With Musical Analysis and Historical Context.
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(Language materials, manuscript)
Middle School Administrator and Instrumental Music Teacher Perceptions of the Danielson Framework for Teaching Observation Tool.
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(Language materials, manuscript)
Sustainable Education Is Online Education : = Designing and Instructing an Engaging and Effective Online Music Course.
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(Language materials, manuscript)
An Investigation of the Musical Characteristics of Two Brass Quintets From the 1990s by Robert Suderburg and an Assessment of Their Validity for Inclusion in Musical Performance.
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(Language materials, manuscript)
A "Rock To Lean On" : = Young Singers' Experiences in a Community Choir in Louisiana.
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(Language materials, manuscript)
Breaking the Shell : = Masculinity in Rock and Metal Music in America, 1990-1995.
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(Language materials, manuscript)
Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide.
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(Language materials, manuscript)
Tracing the Traditions and Incongruities : = A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35.
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(Language materials, manuscript)
Graphic Score on Trial : = The Utility and Emergence of a Transdisciplinary Linguistic = Partitura grafica a prueba : la utilidad y emergencia de una linguistica transdisciplinar.
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(Language materials, manuscript)
The Big Bang of Music Patronage in the United States : = The National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation.
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(Language materials, manuscript)
Ghost Structures : = Cyclic Temporal Schemes and Their Implications for Notation, Improvisation, and Technology.
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(Language materials, manuscript)
Competencies of Modern Musician Entrepreneurs : = The Role of Digitalization in the Music Industry.
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(Language materials, manuscript)
Licha Shitelaosi "Da ti qin zou ming qu zuo pin 6" zhi yue qu fen xi yu yan zou quan shi = = Music Analysis and Performance Interpretation of Richard Strauss' Cello Sonata in F Major, Op. 6.
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(Language materials, manuscript)
The Cello Exercise Index : = Considering Technique Resources for Cello Teachers and Students.
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(Language materials, manuscript)
Talking Back : = An Exploration of Negative Self-Talk in Undergraduate Voice Majors.
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(Language materials, manuscript)
The Effect of Self-Talk Training on Rhythm-Only Sight-Reading Performance Skills in Wind Instrument Students.
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(Language materials, manuscript)
Cracking the Code : = Teaching Piano Students the Art of Musical Interpretation, with Practical Applications for All Levels.
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(Language materials, manuscript)
Opera Chunhyangjeon [ˈɔpera tɕʰuncanʥʌn]- An Introduction to South Korea's First Changjak Opera, Opera Chunhyangjeon (1949), Including a Korean Lyric Diction Guide with a Complete IPA Transcription of the Libretto for Non- Korean Speakers.
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(Language materials, manuscript)
Musical Collaborations During Covid-19 - How the Remote Music-Making Process Affected Jazz Musicians' Communication, Social Dynamics, and Musical Decisions.
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(Language materials, manuscript)
Constructing an Architectural Model of Music : = A Comparative Study of Beethoven's Ninth Symphony and Van Alen's Chrysler Building.
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(Language materials, manuscript)
"Trying to Sound Like I Belong" : = A Phenomenological Examination of Music Recording and Production Artists' Experiences in School Music Classes.
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(Language materials, manuscript)
How a Corporation Thinks : = A Musicological Study of the Sony Archives at WikiLeaks.
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(Language materials, manuscript)
Intercultural Music and Meaning in Akin Euba's Chaka : = An Opera in Two Chants.
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(Language materials, manuscript)
Sounds of Dissent : = Sonic Representations of Resistance in 1960s Free Jazz.
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(Language materials, manuscript)
Music Making as Assimilation : = The Practice of Group Listening.
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(Language materials, manuscript)
Genre in Crisis, Crisis as Genre : = Contemporary Disruptions and Constructions in Bodies of Popular Music.
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(Language materials, manuscript)
The Hi-Fi Man : = Masculinity, Modularity, and Home Audio Technology in the U.S. Midcentury.
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(Language materials, manuscript)
Temporality in the First Movement of Trio No.1 for Piano, Violin, and Cello (1954) by Leon Kirchner in Light of Jonathan Kramer's Approach to Temporal Study.
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(Language materials, manuscript)
Stories and Significations : = Interpreting the Legacies of Count Basie and His Music.
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(Language materials, manuscript)
Synthesizer and Showiness : = The Evolution of 1980s New Wave and Synth Pop.
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(Language materials, manuscript)
Abstract Music for an Imaginary Film : = Nos. 1-9 for Two Pianos and Two Percussion, and Composing Memory : Sarah Kirkland Snider's Unremembered.
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(Language materials, manuscript)
Chamber Music in the Dominican Republic : = New Arrangements for Ensemble With Piano.
by:
(Language materials, manuscript)
Solo and Chamber Pieces for Viola by Female Composers : = Late Nineteenth to Twenty-First Centuries.
by:
(Language materials, manuscript)
Kaleidoscope : = Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000.
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(Language materials, manuscript)
Postcolonial Music Teaching and Learning : = Children's Engagement With Global Pop in an Elementary School Music Program.
by:
(Language materials, manuscript)
The Copyright Royalty Board and the Public Interest : = An Examination of Stakeholder Concerns in the Rate Setting Process.
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(Language materials, manuscript)
Active Listeners : = Three Essays on the Antecedents and Consequences of Consumers' Active Engagement With Music in Marketing Contexts.
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(Language materials, manuscript)
Poetics of Memory : = Transmodern Echoes in Works of Gamaliel Churata, Olly Wilson, and Mathew Rosenblum, and El Triptico Del Laykha [Original Composition].
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(Language materials, manuscript)
A Novel Jazz Music Curriculum for Young Children : = Results of a Pilot Study.
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(Language materials, manuscript)
Extreme Metal Across the Digital Divide : = Music, Technology, Genre.
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(Language materials, manuscript)
Development of a Measure of Musicians' Self-Efficacy for Error Identification and Remediation in Music Practice.
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(Language materials, manuscript)
Relational Music : = A Participatory Approach Towards Live Experimental Electronic Music.
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(Language materials, manuscript)
Listening for History : = Studies on Retro and the Temporalities of Popular Music.
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(Language materials, manuscript)
"Let the Music Win!" Towards a Reimagined Choral Pedagogy : = A Phenomenological Case Study of Chorister Experience at the Toronto Children's Chorus.
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(Language materials, manuscript)
A Pedagogical Analysis of Zhao Zhang's Pi Huang : = Representing Peking Opera on the Piano.
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(Language materials, manuscript)
How Unpopular Musicians Live : = Complex Leisure Careers in Toronto's Indie Scene.
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(Language materials, manuscript)
Sounds on Recordings, Notes on Paper : = Transcribing Popular Music in the Rock Era.
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(Language materials, manuscript)
Musical Expression in German Neo-Baroque Organ Music : = Case Studies of Selected Works by Hugo Distler and Ernst Pepping.
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(Language materials, manuscript)
The Effect of Pilates and Strength Training on Quality of Life and Pain in Musicians.
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(Language materials, manuscript)
Linguistic Influence in Digital Music : = Toward a Critical Theory for Music Software Practices.
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(Language materials, manuscript)
Scoring the Unknown : = Rethinking Fixity and Openness in Western Art Music Notation.
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(Language materials, manuscript)
"New Music Ambassadors to the World" : = A Biography of the California E.A.R. Unit.
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(Language materials, manuscript)
The Perceptions and Cultural Persistence of Graded Music Examinations, and Their Impacts on Instrumental Teaching and Learning in Hong Kong.
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(Language materials, manuscript)
Genre Experience Maps and Their Role in the Analysis of Post-2000s Popular Music.
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(Language materials, manuscript)
Analytic Frameworks for Music Livestreaming : = Liveness, Joint Attention, and the Dynamics of Participation.
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(Language materials, manuscript)
Effects of Individuals Listening to Preferred Music Genres on Self-Awareness and Stress.
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(Language materials, manuscript)
Composing (With) Theories of Acoustics and Pitch Perception After 1950.
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(Language materials, manuscript)
Decision-Making Processes of Non-Music Major Undergraduate Students to Enroll in String Instrument and Orchestra Lessons.
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(Language materials, manuscript)
The quest for national musical identity : = English opera and the press, 1834-1849.
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(Language materials, manuscript)
Bach's "Well-Tempered Clavier" in musical thought and practice, 1750-1850.
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(Language materials, manuscript)
A theory of temporal plasticity in tonal music : = An extension of the Schenkerian approach to rhythm with special reference to Beethoven's late music.
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(Language materials, manuscript)
A Survey of Literature on Entrepreneurial Experiences for Classical Musicians : = Implications for Training Pianists.
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(Language materials, manuscript)
Music-Centered Design : = Usability Testing of an Academic Library Web Scale Discovery Tool to Support Music Information Seeking.
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(Language materials, manuscript)
Canadians Redefining R&B : = The Online Marketing of Drake, Justin Bieber, and Jessie Reyez.
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(Language materials, manuscript)
The Avant-Garde Trombone : = The History and Development with an Examination of Luciano Berio's Sequenza V and Jacob TV's I Was Like Wow and an Analysis of John Kenny's Sonata For Tenor Trombone.
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(Language materials, manuscript)
Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue.
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(Language materials, manuscript)
Exploring Imaginary Landscapes : = A Practice of Brushstroke and Soundscape in Compositions.
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(Language materials, manuscript)
Virtuosity and illusion : = Bach's C -major solo violin fugue in the history of violin polyphony.
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(Language materials, manuscript)
Creating, Capturing and Conveying Spatial Music : = An Open-Source Approach.
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(Language materials, manuscript)
Soundings : = A Practice Led Investigation Into Interactive and Immersive Sound Art Installations 2000-2018.
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(Language materials, manuscript)
Expression in Live Coding : = Gestural Interaction for Machine Musicianship.
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(Language materials, manuscript)
Timpani Mallet Choices and How They Affect Sound and Interpretation.
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(Language materials, manuscript)
Felt Design : = Inclusive Practices for Movement-Based Musical Instruments.
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(Language materials, manuscript)
"It's All the Same" : = Genre Generalization in the American Music Industry.
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(Language materials, manuscript)
Chamber Tone Poems at the Turn of the Twentieth Century : = How the Harp Contributed to Their Development.
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(Language materials, manuscript)
A Narrative Approach to Challenging Conceptualizations of Music Improvisation.
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(Language materials, manuscript)
Resonant Simulacra : = Building Artificially Intelligent Instruments, a Portfolio of Musical Compositions, and a Self-Analysis of a Cybernetic Workstream.
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(Language materials, manuscript)
Symphonic Culture in Paris, 1880-1900 : = The Bande a Franck and beyond.
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(Language materials, manuscript)
Music and letters : = Correspondances of notes and narrative from Berlioz to Proust.
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(Language materials, manuscript)
The reception of German instrumental music in France between 1870 and 1914.
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(Language materials, manuscript)
Derivative Media : = The Financialization of Film, Television, and Popular Music, 2004-2016.
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(Language materials, manuscript)
Elements of shamanic mythology in E. T. A. Hoffmann's romantic conception of music.
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(Language materials, manuscript)
The Influence of French Salon Culture on the Complete Piano Works of Lili Boulanger.
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(Language materials, manuscript)
Voice Station : = A Portfolio of Four Works Exploring Radio Art and Its Mediated Voices.
by:
(Language materials, manuscript)
Using Vignettes to Change Music Therapists' Attitudes Toward Research.
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(Language materials, manuscript)
The Auditory Paradox of Preterm Birth : = Bridging the Gap with Mother's Voice.
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(Language materials, manuscript)
The Effects of Trauma Exposure and Music Listening Intervention on Distress Tolerance.
by:
(Language materials, manuscript)
An Exploratory Case Study of Teachers' Perceptions Using Culturally Relevant Music-Based Techniques to Increase Student Engagement of Urban At-Risk Youth.
by:
(Language materials, manuscript)
Speech Processing in Musicians and Non-Musicians : = An EEG Study.
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(Language materials, manuscript)
Self-Efficacy and Racial Identity for Undergraduate Music Majors.
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(Language materials, manuscript)
Of Victims and Survivors : = Representing Collective and Individual Rape Trauma.
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(Language materials, manuscript)
Mental Health in the Collegiate Music Studio : = Applied Instrumental Faculty Perspectives.
by:
(Language materials, manuscript)
Sad Songs : = Volume I for Mezzo-soprano, Flute, Clarinet, and Cello.
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(Language materials, manuscript)
Student Leadership in the Musical Ensemble : = A Descriptive Study.
by:
(Language materials, manuscript)
Paying Attention to Music : = Applying Attention Mechanisms to Automatic Music Transcription.
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(Language materials, manuscript)
Prelude to Music Education : = Investigating Students' Early Life Experiences Before Formal Music Education.
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(Language materials, manuscript)
Living on a Prayer : = Dance, Music & Creative Practice for Healing & Self Realization = Vivir en una oracion : Danza, musica y practica creativa para la sanacion y la autorrealizacion.
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(Language materials, manuscript)
Sounding Like Refugees : = Intercultural Music-Making and Syrian Refugee Integration in Northern Germany.
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(Language materials, manuscript)
1. The eight preludes for piano by Olivier Messiaen. 2. The influence of J. S. Bach on Mozart's keyboard concerto style. 3. The "Kresleriana" of Robert Schumann : = Its significance in Romantic piano literature [performance].
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(Language materials, manuscript)
Witold LutosLawski's Piano Sonata and Piano Etudes by Gyorgy Ligeti and Michael Levinas.
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(Language materials, manuscript)
A Comparative Study of the Social Function of African Algaita and Chinese Suona.
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(Language materials, manuscript)
A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor : = Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
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(Language materials, manuscript)
The Increasing Expressivities in Slow Movements of Beethoven's Piano Sonatas : = Op. 2 No. 2, Op. 13, Op. 53, Op. 57, Op. 101 and Op. 110.
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(Language materials, manuscript)
"Sonata for Solo Violoncello" by George Crumb : = A performance history.
by:
(Language materials, manuscript)
Transitioning to the oboe : = Methods and resources to assist in switching to the oboe from other woodwind instruments.
by:
(Language materials, manuscript)
The Oratorical and Operatic Oboe : = An Exploration of the Oboe's Roots in Vocal Traditions and an Expansion of Chamber Music Repertoire for the Oboe and the Voice.
by:
(Language materials, manuscript)
The Development of the Piano Intermezzo from the Nineteenth to Twenty-First Centuries.
by:
(Language materials, manuscript)
Building Originality Through Tradition : = MikoLaj Piotr Gorecki's Musical Style in Selected Piano Compositions.
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(Language materials, manuscript)
Celebrating the Voices of Women Composers in the Selected Cello Compositions From the Nineteenth and Early Twentieth Centuries.
by:
(Language materials, manuscript)
Dicotomia : = Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
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(Language materials, manuscript)
Conquering the Eroica Variations : = A Performer's Guide to Form, Stylistic Performance, and Technique in Beethoven's Op. 35.
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(Language materials, manuscript)
The analytical Grundgestalt : = A new model and methodology based on the music of Johannes Brahms.
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(Language materials, manuscript)
The Seven Capriccios of Johannes Brahms : = Op. 76, Nos. 1, 2, 5, 8 and Op. 116, Nos. 1, 3, 7.
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(Language materials, manuscript)
A Comparison of Thematic and Episodic Analyses of the Bach Two-Part Inventions.
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(Language materials, manuscript)
Contemplating a Brahms Intermezzo : = Toward a Comprehensive Analytical Method for the Explication and Interpretation of "Prescriptive Musical Structures". (Author's Original Composition), "Three Rossetti Songs for Soprano and Chamber Orchestra" Is Not a Part of the Film Copy.
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(Language materials, manuscript)
The Pittsburgh Overture by Krzysztof Penderecki (and) "Forging the Circle". (Original Composition).
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(Language materials, manuscript)
Awakening and expanding the self : = Meaningful moments in the music therapy process as experienced and described by music therapists and music therapy clients.
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(Language materials, manuscript)
A structural analysis and performance guideline of "Ludus tonalis" by Paul Hindemith.
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(Language materials, manuscript)
The works for voice and piano of Luigi Dallapiccola : = An eclectic analysis.
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(Language materials, manuscript)
"The Well-Tempered Clavier" by J. S. Bach and "Ludus Tonalis" by Paul Hindemith : = A comparative study.
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(Language materials, manuscript)
Paths not taken : = Structural-harmonic ambiguities in selected Brahms intermezzi.
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(Language materials, manuscript)
The role of pitch structures in auditory imagery : = Investigating psychological representations of the tonal hierarchy in imagined contexts.
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(Language materials, manuscript)
Sketches of grief : = Genesis, compositional practice, and revision in the operas of John Adams.
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(Language materials, manuscript)
Strategy in Contemporary Jazz Improvisation : = Theory and Practice.
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(Language materials, manuscript)
Building from Within : = A Harmonic Self-Help Guide for Guitar Chord Voicings, Their Densities, and Applications.
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(Language materials, manuscript)
Franz Liszt and his "Trois odes funebres" : = A philosophy of music, art, and literature.
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(Language materials, manuscript)
A Performance Guide of Cecile Chaminade's Early Piano Works : = Piano Sonata Op. 21, Six Etudes de Concert Op. 35, and Concertstuck Op. 40.
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(Language materials, manuscript)
Content Analysis of Guitar Repertoire for Young People : = The Michelson and Suzuki Collections.
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(Language materials, manuscript)
Recontextualizing Diverse Vocal Traditions Using Extended Vocal Technique Notation and Symbology : = A Case Study Using Korean Pansori Singing Style.
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(Language materials, manuscript)
Selected Chinese Art Songs of Tzu Huang : = A Performance Guide.
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(Language materials, manuscript)
The dissemination and reception of Liszt's piano music in New York, 1835-1875.
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(Language materials, manuscript)
Franz Liszt's "Dante Sonata" : = The origins, the criticism, a selective musical analysis, and commentary.
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(Language materials, manuscript)
Diction and dialect performance practice in the American Negro Spiritual and slave songs.
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(Language materials, manuscript)
The use of the glissando in piano solo and concerto compositions from Domenico Scarlatti to George Crumb.
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(Language materials, manuscript)
A Performance Guide for Eight Selected Chinese Art Songs Based on Song Ci from the Song Dynasty.
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(Language materials, manuscript)
Luke the Liturgist : = The Lukan Canticles and Communal Identity Formation.
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(Language materials, manuscript)
From East to West : = Exploration of Chinese and Western Musical Traditions in Selected Piano Solo Works by Chen Yi.
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(Language materials, manuscript)
Evolution of "Tenor" and "Baritone" Voice Classification in Musical Theater : = A Tessitura Analysis From Original Productions to Contemporary Revivals.
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(Language materials, manuscript)
Singing While Acting : = A Mixed Methods Study of Classical Singers' Application of the Chekhov and Meisner Acting Methods.
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(Language materials, manuscript)
From Swingin' on the Swingset to Swingin' on the Bandstand : = A Curriculum for Middle School Jazz Rhythm Section.
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(Language materials, manuscript)
From Robotic Singing to Singing Robots : = Analyzing the Voices of Artificial People in Music.
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(Language materials, manuscript)
The operetta empire : = Popular Viennese Music Theater and Austrian identity, 1900-1930.
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(Language materials, manuscript)
A Historical Study and Stylistic Analysis of Franz Liszt's "Annees De Pelerinage."
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(Language materials, manuscript)
Compelling Robot Behaviors through Supervised Learning and Choreorobotics.
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(Language materials, manuscript)
Between Lyrics & Lives : = How Lyrical Theologies of Brokenness Impact the Lived Expression of Same Gender Loving Male Gospel Singers.
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(Language materials, manuscript)
Musical Behaviours, Dispositions, and Tendencies : = Exploring Church Music-Making Through a Theory of Practice.
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(Language materials, manuscript)
Un recurso didactico autentico : = La musica en la clase de espanol como L2 = An Authentic Teaching Resource : Music in the Spanish as L2 Class.
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(Language materials, manuscript)
Servant Leader Choral Conductor : = The Effect of Servant Leadership in Community Choirs and Community Partnerships.
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(Language materials, manuscript)
A conductor's analysis of "Les Chansons des Roses" cycle and an overview of the vocal compositions of Morten Lauridsen.
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(Language materials, manuscript)
Listening Through the Firewall : = A Sonic Narrative of Communication Between Taiwan and Mainland China.
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(Language materials, manuscript)
The Cello Sonatas of Dame Ethel Smyth : = A Musical Analysis with Social and Feminist Commentary.
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(Language materials, manuscript)
Sound FX = unlocking the creative potential of recording studio effects /
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(Language materials, printed)
Soundpainting = collaborative creativity in conducted improvisation /
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(Language materials, printed)
Methodological musings = thinking with narrative in music education research /
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(Language materials, printed)
Digital electronics for musicians = build intuitive electronics and electroacoustic music interfaces /
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(Language materials, printed)
Persistent homology and discrete Fourier transform = an application to topological musical data analysis /
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(Language materials, printed)
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