Directing.

Jean-Luc Godard's political filmmaking by: (Language materials, printed)

Chinese film festivals = sites of translation / by: (Language materials, printed)

Style and Form in the Hollywood Slasher Film by: (Language materials, printed)

European Cinema and Television = Cultural Policy and Everyday Life / by: (Language materials, printed)

Doubling, Distance and Identification in the Cinema by: (Language materials, printed)

3D Cinema = Optical Illusions and Tactile Experiences / by: (Language materials, printed)

Besides the Screen = Moving Images through Distribution, Promotion and Curation / by: (Language materials, printed)

Klein, Sartre and Imagination in the Films of Ingmar Bergman by: (Language materials, printed)

The Musicality of Narrative Film by: (Language materials, printed)

Referentiality and the Films of Woody Allen by: (Language materials, printed)

Those Who Made It = Speaking with the Legends of Hollywood / by: (Language materials, printed)

Today's Sounds for Yesterday's Films = Making Music for Silent Cinema / by: (Language materials, printed)

Violent Women in Contemporary Cinema by: (Language materials, printed)

Alien Audiences = Remembering and Evaluating a Classic Movie / by: (Language materials, printed)

Lindsay Anderson Revisited = Unknown Aspects of a Film Director / by: (Language materials, printed)

Woman in Lars von Trier’s Cinema, 1996–2014 by: (Language materials, printed)

Affective Moments in the Films of Martel, Carri, and Puenzo by: (Language materials, printed)

Steven Spielberg's Style by Stealth by: (Language materials, printed)

Terrence Malick’s Unseeing Cinema = Memory, Time and Audibility / by: (Language materials, printed)

The Cinema of Muhammad Malas = Visions of a Syrian Auteur / by: (Language materials, printed)

The Films of Arturo Ripstein = The Sinister Gaze of the World / by: (Language materials, printed)

Jean-Luc Godard’s Political Filmmaking by: (Language materials, printed)

Justice in the Plays and Films of Martin McDonagh by: (Language materials, printed)

Quentin Tarantino and Film Theory = Aesthetics and Dialectics in Late Postmodernity / by: (Language materials, printed)

Love and Resistance in the Films of Mai Masri by: (Language materials, printed)

Žižek through Hitchcock by: (Language materials, printed)

Heightened Genre and Women's Filmmaking in Hollywood = The Rise of the Cine-fille / by: (Language materials, printed)

David Lynch = Blurred Boundaries / by: (Language materials, printed)

Violence, Conflict and Discourse in Mexican Cinema (2002-2015) by: (Language materials, printed)

Violence, conflict and discourse in Mexican cinema (2002-2015) by: (Language materials, printed)