Literature and Technology/Media.
Overview
| Works: | 85 works in 32 publications in 32 languages | |
|---|---|---|
Titles
Thomas Hardy and Victorian communication = letters, telegrams and postal systems /
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(Language materials, printed)
Staging science = scientific performance on street, stage and screen /
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(Language materials, printed)
Contemporary publics = shifting boundaries in new media, technology and culture /
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Digital citizenship in twenty-first-century young adult literature = imaginary activism /
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Reading modernism with machines = digital humanities and modernist literature /
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(Language materials, printed)
Life narratives and youth culture = representation, agency and participation /
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(Language materials, printed)
Digital bodies = creativity and technology in the arts and humanities /
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(Language materials, printed)
Teaching Victorian literature in the twenty-first century = a guide to pedagogy /
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(Language materials, printed)
Feminist periodicals and daily life = women and modernity in British culture /
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Stupid humanism = folly as competence in early modern and twenty-first-century culture /
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British Broadcasting and the public-private dichotomy = neoliberalism, citizenship and the public sphere /
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Nineteenth-century illustration and the digital = studies in word and image /
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(Language materials, printed)
The Nature of the machine and the collapse of cybernetics = a transhumanist lesson for emerging technologies /
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Posttraumatic stress disorder, trauma, and history in Metal Gear Solid V
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(Language materials, printed)
The hermeneutics of hell = visions and representations of the devil in world literature /
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Modernity and autobiography in nineteenth-century America = literary representations of communication and transportation technologies /
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Girls, autobiography, media = gender and self-mediation in digital economies /
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(Language materials, printed)
Digital media in education = teaching, learning and literacy practices with young learners /
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(Language materials, printed)
Living the stories we create = preparing students for the digital age /
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The smartphone paradox = our ruinous dependency in the Device Age /
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(Language materials, printed)
Representations of science in twenty-first-century fiction = human and temporal connectivities /
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(Language materials, printed)
Staging Science = Scientific Performance on Street, Stage and Screen /
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(Language materials, printed)
Jack the Ripper in Film and Culture = Top Hat, Gladstone Bag and Fog /
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(Language materials, printed)
Contemporary Publics = Shifting Boundaries in New Media, Technology and Culture /
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(Language materials, printed)
Life Narratives and Youth Culture = Representation, Agency and Participation /
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(Language materials, printed)
Digital Citizenship in Twenty-First-Century Young Adult Literature = Imaginary Activism /
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(Language materials, printed)
Reading Modernism with Machines = Digital Humanities and Modernist Literature /
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(Language materials, printed)
Thomas Hardy and Victorian Communication = Letters, Telegrams and Postal Systems /
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(Language materials, printed)
Technosex = Precarious Corporealities, Mediated Sexualities, and the Ethics of Embodied Technics /
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(Language materials, printed)
Teaching Graphic Novels in the English Classroom = Pedagogical Possibilities of Multimodal Literacy Engagement /
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(Language materials, printed)
The Smartphone Paradox = Our Ruinous Dependency in the Device Age /
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(Language materials, printed)
Living the Stories We Create = Preparing Students for the Digital Age /
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(Language materials, printed)
Poetik der Spaltung = Kernenergie in der deutschen Literatur 1906-2011 /
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(Language materials, printed)
Digital Media in Education = Teaching, Learning and Literacy Practices with Young Learners /
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(Language materials, printed)
Girls, Autobiography, Media = Gender and Self-Mediation in Digital Economies /
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(Language materials, printed)
Afrofuturism and Black Sound Studies = Culture, Technology, and Things to Come /
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(Language materials, printed)
Idylle = Eine medienästhetische Untersuchung des materialen Topos in Literatur, Film und Fernsehen /
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McLuhan’s Galaxies: Science Fiction Film Aesthetics in Light of Marshall McLuhan’s Thought
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Transmedial Narration = Narratives and Stories in Different Media /
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Schnittstellen der Kinder- und Jugendmedienforschung = Aktuelle Positionen und Perspektiven /
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(Language materials, printed)
Representations of Science in Twenty-First-Century Fiction = Human and Temporal Connectivities /
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Adaptation Considered as a Collaborative Art = Process and Practice /
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Die Pariser Bohème in der petite presse = Freibeuter auf dem Boulevard /
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New Forms of Self-Narration = Young Women, Life Writing and Human Rights /
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(Language materials, printed)
Desire in the Age of Robots and AI = An Investigation in Science Fiction and Fact /
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(Language materials, printed)
On Literary Plasticity = Readings with Kafka in Ecology, Voice, and Object-Life /
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Cosmos, Values, and Consciousness in Latin American Digital Culture
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(Language materials, printed)
Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945
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Die Alice-Maschine = Figurationen der Unruhe in der Populärkultur /
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Writing Cultures and Literary Media = Publishing and Reception in the Digital Age /
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(Language materials, printed)
Ambient Literature = Towards a New Poetics of Situated Writing and Reading Practices /
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Writing Manuals for the Masses = The Rise of the Literary Advice Industry from Quill to Keyboard /
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Stranded Encyclopedias, 1700–2000 = Exploring Unfinished, Unpublished, Unsuccessful Encyclopedic Projects /
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BildWissen – KinderBuch = Historische Sachliteratur für Kinder und Jugendliche und ihre digitale Analyse /
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The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
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