Film/TV Industry.
Overview
Works: | 75 works in 20 publications in 20 languages |
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Titles
From Telenovelas to Netflix: Transnational, Transverse Television in Latin America
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Films of Arab Loutfi and Heiny Srour = Studies in Palestine Solidarity Cinema /
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Animating Unpredictable Effects = Nonlinearity in Hollywood’s R&D Complex /
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Heightened Genre and Women's Filmmaking in Hollywood = The Rise of the Cine-fille /
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Investigating Stranger Things = Upside Down in the World of Mainstream Cult Entertainment /
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Generations of Jewish Directors and the Struggle for America’s Soul = Wyler, Lumet, and Spielberg /
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Affektive Medienpraktiken = Emotionen, Körper, Zugehörigkeiten im Reality TV /
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Television Production in Transition = Independence, Scale, Sustainability and the Digital Challenge /
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Strangling Aunty: Perilous Times for the Australian Broadcasting Corporation
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Television Drama in the Age of Streaming = Transnational Strategies and Digital Production Cultures at the NRK /
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Die Doppelmoral des medialen ethnischen Humors = Satire, Minstrel- und Ethno-Comedy im internationalen Vergleich /
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Barra and Zaman: Reading Egyptian Modernity in Shadi Abdel Salam’s The Mummy
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Cultural Economy and Television in Jamaica and Ghana = #decolonization2point0 /
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Documentary Film Festivals Vol. 2 = Changes, Challenges, Professional Perspectives /
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European Cinema in the Twenty-First Century = Discourses, Directions and Genres /
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Television in Turkey = Local Production, Transnational Expansion and Political Aspirations /
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Teen TV = Repräsentationen, Lesarten und Produktionsweisen aktueller Jugendserien /
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Women in the International Film Industry = Policy, Practice and Power /
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DreamWorks Animation = Intertextuality and Aesthetics in Shrek and Beyond /
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Television and dating in contemporary China = identities, love and intimacy /
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RuPaul's Drag Race and the shifting visibility of drag culture = the boundaries of reality TV /
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The future of audiences = a foresight analysis of interfaces and engagement /
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Independent television production in the UK = from cottage industry to big business /
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Storytelling industries = narrative production in the 21st century /
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Drones and the creative industry = innovative strategies for European SMEs /
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Televising restoration Spain = history and fiction in twenty-first-century costume dramas /
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Cultural diversity in the French film industry = defending the cultural exception in a digital age /
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American televangelism and participatory cultures = Fans, Brands, and Play With Religious "Fakes" /
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Gatekeeping in the evolving business of independent film distribution
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Japanese influence on American children's television = transforming Saturday morning /
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Televising Restoration Spain = History and Fiction in Twenty-First-Century Costume Dramas /
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The Future of Audiences = A Foresight Analysis of Interfaces and Engagement /
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Cultural Diversity in the French Film Industry = Defending the Cultural Exception in a Digital Age /
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European Film and Television Co-production = Policy and Practice /
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Drones and the Creative Industry = Innovative Strategies for European SMEs /
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American Televangelism and Participatory Cultures = Fans, Brands, and Play With Religious "Fakes" /
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Der lange Arm der Ufa = Filmische Bilderwanderung zwischen Deutschland, Japan und China 1923-1949 /
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Independent Television Production in the UK = From Cottage Industry to Big Business /
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Storytelling Industries = Narrative Production in the 21st Century /
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Local Movie Supply in the German Motion Picture Industry = An Industrial Organization Perspective /
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Japanese Influence on American Children's Television = Transforming Saturday Morning /
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The Myth of Colorblindness = Race and Ethnicity in American Cinema /
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Gatekeeping in the Evolving Business of Independent Film Distribution
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