German literature.
Overview
| Works: | 45 works in 0 publications in 0 languages | |
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Titles
Die Unentrinnbare Idylle Literarische Konfigurationen Am Ende Der Nachkriegszeit = = The Unescapable Idyll Literary Configurations at the End of the Post-War Period.
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Dark mirrors : = Fantastic elements in E. T. A. Hoffmann's "Die Serapionsbrueder".
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Affective passages : = Emotion and affect in postwar West German culture.
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August Strindberg's perversions : = On the science, sin and scandal of homosexuality in August Strindberg's works.
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Feeling differently at the fin de siecle : = Representations of emotion and cultural change in German literature, 1890-1901.
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Responding to Pain : = Emotion, Medicine, and Culture between German Naturalism and Modernism.
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Louise Rosler's Die Strasse : = Subjectivity as Existential Debate in 1950s West German Art.
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Citation and Tradition : = Hannah Arendt's and Susan Sontag's Walter Benjamin Portraits.
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Richard Wagner's Visual Worlds : = The Gesamtkunstwerk and the Spectacle of Empire.
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The Cult of Cinderella : = A Perennial Princess in Fourth-Wave Feminist America.
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Refugees in an Einwanderungsland : = The Integration Policies of Turkish-German Representatives in the 18th Bundestag.
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E. T. A. HOFFMANN'S BILDUNGSMARCHEN : = "DER GOLDNE TOPF" (ROMANTICISM, HEINRICH VON OFTERDINGEN, NOVALIS, WILHELM MEISTER, BILDUNGSROMAN).
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Studies in Literary Resonance : = Novalis, Tiutchev, Hoffmann, Odoevsky and Rousseau.
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The education of the protagonist as reader in the early bildungsroman.
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NOVALIS' 'HEINRICH VON OFTERDINGEN' : = 'ERFUELLUNG' AS 'INDIVIDUATION'. AN INTERPRETATION OF THE NOVEL BASED ON THE PSYCHOLOGY OF C. G. JUNG.
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"IDEAL" VERSUS "REAL" : = WOMANHOOD AS PORTRAYED IN THE LITERATURE AND CORRESPONDENCE OF EARLY GERMAN ROMANTICISM.
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THE RICHLY SOWN FIELD : = THREE ESSAYS ON SEMIOLOGY IN THE WRITINGS OF FRIEDRICH VON HARDENBERG (NOVALIS).
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ROMANTIC DISTANCE : = THE POETICS OF ESTRANGEMENT AND SELF-DISCOVERY IN NOVALIS' "HEINRICH VON OFTERDINGEN" (ROMANTICISM, GERMANY, NOVEL).
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"THE VISIBLE SOUL OF POETRY : = " WOMEN AND THE POET IN NOVALIS'S "HEINRICH VON OFTERDINGEN" (GERMANY).
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NATURAL MAGIC AND MODERN SCIENCE IN THE POETIC WORKS OF NOVALIS AND SHELLEY (ALCHEMY, ROMANTIC, NEOPLATONISM, PERCY BYSSHE SHELLEY).
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The embodiment of the absolute : = Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis.
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"Rilke und kein Ende" : = Zur Rilke-Rezeption in Schweden von 1904 bis in die 1960er Jahre.
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Der traum von der Geliebten : = Aeussere und innere Bauform, Erzaehlweise und stofflicher Gehalt in Werken von Novalis, E. T. A. Hoffmann, Edgar Allan Poe und Nerval.
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Envisioning the transcendent : = The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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"Liebes-Toeten" : = Zur Objektwerdung der Frau im Roman der Fruehromantik. Novalis' "Heinrich von Ofterdingen", Friedrich Hoelderlins "Hyperion", Friedrich Schlegels "Lucinde".
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When Looks Can Kill : = Consumption as Failed Formation in Lessing's "Emilia Galotti" and Goethe's "Die Leiden Des Jungen Werthers" and "Faust".
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Objects of Veneration : = Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Freud and the problem with music : = A history of listening at the moment of psychoanalysis.
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Melancholie in Uwe Timms Romanen "Rot" und "Morenga" = = Melancholy in Uwe Timm's novels "Rot" and "Morenga".
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Winning New Freedom. Intersections of Text and Image in the Arts of Kurt Schwitters.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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Resonances in Middle High German : = New Methodologies in Prosody.
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Vergangenheitsbewaeltigung- und Aufarbeitung in "Der Verlorene", "Am Beispiel meines Bruders" und "Pawels Briefe".
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Creating the Third Reich through film, press, and pageantry (1933--1934) : = A myth-ritual analysis.
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Anselm Kiefer and W. G. Sebald : = Intersecting Approaches to German History.
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