English literature.
概要
| 作品: | 128 作品在 2 項出版品 2 種語言 | |
|---|---|---|
書目資訊
Natural disasters and Victorian Empire : = famines, fevers and the literary cultures of South Asia /
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Contemporary asylum narratives : = representing refugees in the Twenty-First century /
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The orphan in Eighteenth-Century fiction : = the vicissitudes of the Eighteenth-Century subject /
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Mediating for Immediacy: Text, Performance, and Dramaturgy in Multimedia Shakespeare Editions.
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The Trade of Penance : = Commercial Practice and Penitential Piety in Late Medieval Literature.
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Manuscript of Apocalyptic Poems With Critical Introduction on a Tradition of Apocalyptic Poetry.
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Uncovering Community in the Queer American Underground : = Through George Kuchar and LGBTQ Zines.
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"Killers Who Preach" : = Horror and the "Victorian" Culture Text in the Modern American Musical.
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Princes, Princesses, and Socialites : = Feminism and Class Transgression in Hollywood Romantic Comedies.
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Alimentary Theology : = Religious Experience and the Language of Food in Late-Medieval English Vernacular Literature.
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Statistical Fictions : = Nineteenth-Century Narrative and the Probability of Change.
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Seems Pretty Real : = An Examination of 9/11's Impact on the American Post-Apocalyptic Novel.
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"Lacking an Emotional Country..." : = Motion, Instability, and the Female Cosmopolitan in the Fiction of Mavis Gallant.
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To Cuivienen There Is No Return : = English and American Fantasy Literature as a Second Hagiography.
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Thomas Becket's Muslim Mother : = Imagining Englishness in the South English Legendary.
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The View Sub Specie Aeternitatis and Consolation : = Parallel Themes in the Old English Boethius and Selected Medieval English Literature.
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Sacred Nature : = Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.
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Horror, Not Just Horrible : = A Reconsideration of the Thematic Unity of Monsters in the Beowulf-Manuscript Through the Lens of Horror.
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Loving Bodies, Willing Minds : = Affect, Cognition, and Gender in Late Medieval English Literature.
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Emerging Authorities in Restoration Theatre : = Women's Entry Into Self-Representation.
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Exploring English Language Arts (ELA) Student Experiences With Virtual Reality (VR) Activities.
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The Dramatization of Non-Dramatic Material in the Secondary English Language Arts Classroom : = The House on Mango Street.
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"I Hope You Are Not Being Stupid About Children" : = Transforming Literature Pedagogy Through Children's Literature.
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Queer Impersonality : = Compulsory Visibility and the Politics of Form in Modernist Women's Life Writing.
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The Ram and Ewe of Venice : = Blackness and the Tragedy of Interracial Marriage in William Shakespeare's Othello.
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"Father As It Pleases Me" : = Christopher Marlowe's Inspiration of William Shakespeare Within Much Ado About Nothing.
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"That Danger Shall Seem Sport" : = Shakespearean Romantic Comedy for a Postfeminist Era.
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Master Mulcaster's Pageantry of Miseducation in Book One of Spenser's Faerie Queene.
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Forgive Me, Father, for I Have Sinned : = The Dramatic Potency of Confession on the Early Modern English Shakespearean Stage.
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Art That Is Not So New : = Tracing Aesthetics and Thematic Elements of the Pre-Raphaelites, Arts and Crafts, and Art Nouveau Movements.
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Shakespeare's Economies of Hospitality : = Broken Comedies, Bad Hosts, and Troublesome Guests.
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Transcending Genres : = J.R.R. Tolkien's Influence on Narrative Worlds in Ursula K. Le Guin, Margaret Atwood, and Junot Diaz.
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Probing Short Story Cycles : = Interpreting Dubliners and Winesburg, Ohio Through Nietzsche's Philosophical Concepts.
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Understanding the Experiences of Secondary ELA Teachers with the Integration of LGBTQ+-Inclusive Literature in the Core Curriculum.
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The Children of Anger and Revenge : = Managing Emotion in Early English Literature.
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"A Sad Tale Is Best for Winter:" The Use of Nature and Children in Adaptations of The Winter's Tale.
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Hidden Monstrosities : = The Transformation of Medieval Characters and Conventions in Shakespeare's Romances.
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Henry Howard, Thomas Nashe, Christopher Marlowe, and Queer Humanism in the Sixteenth Century.
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