National/Regional Theatre and Performance.
Overview
| Works: | 73 works in 20 publications in 20 languages | |
|---|---|---|
Titles
Masculinities and Manhood in Contemporary Irish Drama = Acting the Man /
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Site, Dance and Body = Movement, Materials and Corporeal Engagement /
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Affects in 21st-Century British Theatre = Exploring Feeling on Page and Stage /
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Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /
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Rehearsal Practices of Indigenous Women Theatre Makers = Australia, Aotearoa, and Turtle Island /
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Madness in Contemporary British Theatre = Resistances and Representations /
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Amateurtheaterprojekte zu Holocaust und Nationalsozialismus = Eine qualitative Studie zur Erinnerungskultur im 21. Jahrhundert /
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Black British Women's Theatre = Intersectionality, Archives, Aesthetics /
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Performances of Suffering in Latin American Migration = Heroes, Martyrs and Saints /
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Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
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Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
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Performing Southeast Asia = Performance, Politics and the Contemporary /
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Performing Welfare = Applied Theatre, Unemployment, and Economies of Participation /
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Intercultural Aesthetics in Traditional Chinese Theatre = From 1978 to the Present /
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Perspectives on contemporary Irish theatre = populating the stage /
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Theaters of error = problems of performance in German and French enlightenment theater /
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(Language materials, printed)
Racism and early blackface comic traditions = from the old world to the new /
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(Language materials, printed)
Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
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Staging the past in the age of Thatcher = "the history we haven't had" /
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The early modern theatre of cruelty and its doubles = Artaud and influence /
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Christina Reid's theatre of memory and identity = within and beyond the troubles /
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(Language materials, printed)
Oscar Wilde and contemporary Irish drama = learning to be Oscar's contemporary /
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(Language materials, printed)
Theatre and national identity in colonial India = formation of a community through cultural practice /
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(Language materials, printed)
The use of Asian theatre for modern western theatre = the displaced mirror /
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The comic everywoman in Irish popular theatre = political melodrama, 1890-1925 /
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(Language materials, printed)
Racism and Early Blackface Comic Traditions = From the Old World to the New /
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(Language materials, printed)
Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
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(Language materials, printed)
Christina Reid's Theatre of Memory and Identity = Within and Beyond the Troubles /
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(Language materials, printed)
Oscar Wilde and Contemporary Irish Drama = Learning to be Oscar's Contemporary /
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(Language materials, printed)
The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
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(Language materials, printed)
The Comic Everywoman in Irish Popular Theatre = Political Melodrama, 1890-1925 /
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(Language materials, printed)
Theatre and National Identity in Colonial India = Formation of a Community through Cultural Practice /
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(Language materials, printed)
The Use of Asian Theatre for Modern Western Theatre = The Displaced Mirror /
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(Language materials, printed)
Staging the Past in the Age of Thatcher = "The History We Haven't Had" /
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(Language materials, printed)
Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
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(Language materials, printed)
The Civil Rights Theatre Movement in New York, 1939–1966 = Staging Freedom /
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(Language materials, printed)
Austerity and the Public Role of Drama = Performing Lives-in-Common /
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(Language materials, printed)
Performing Dream Homes = Theater and the Spatial Politics of the Domestic Sphere /
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(Language materials, printed)
Modernism and Scottish Theatre since 1969 = A Revolution on Stage /
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Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
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Performance and the Disney Theme Park Experience = The Tourist as Actor /
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(Language materials, printed)
A New History of Medieval Japanese Theatre = Noh and Kyōgen from 1300 to 1600 /
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