Musical performances.
Overview
| Works: | 61 works in 0 publications in 0 languages | |
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Titles
Servant Leader Choral Conductor : = The Effect of Servant Leadership in Community Choirs and Community Partnerships.
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Building Orchestral Ensembles in St. Louis, Missouri, 1845-1890.
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Singing While Acting : = A Mixed Methods Study of Classical Singers' Application of the Chekhov and Meisner Acting Methods.
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From East to West : = Exploration of Chinese and Western Musical Traditions in Selected Piano Solo Works by Chen Yi.
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A Performance Guide for Eight Selected Chinese Art Songs Based on Song Ci from the Song Dynasty.
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Looking Back and Moving Forward : = from Baillot's L'art Du Violon to Boulez's Hyper-Violin.
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Conquering the Eroica Variations : = A Performer's Guide to Form, Stylistic Performance, and Technique in Beethoven's Op. 35.
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Die Politieke Sosialisering Van Universiteitstudente : = 'n Teoretiese En Paneelstudie.
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A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor : = Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
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1. The eight preludes for piano by Olivier Messiaen. 2. The influence of J. S. Bach on Mozart's keyboard concerto style. 3. The "Kresleriana" of Robert Schumann : = Its significance in Romantic piano literature [performance].
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Mental Health in the Collegiate Music Studio : = Applied Instrumental Faculty Perspectives.
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Resonant Simulacra : = Building Artificially Intelligent Instruments, a Portfolio of Musical Compositions, and a Self-Analysis of a Cybernetic Workstream.
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Chamber Tone Poems at the Turn of the Twentieth Century : = How the Harp Contributed to Their Development.
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Felt Design : = Inclusive Practices for Movement-Based Musical Instruments.
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Community Co-Creation and Virtual Reality in Opera : = Composing Out of the Ordinary/As an nGnach.
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Designing and Composing for Interdependent Collaborative Performance with Physics-Based Virtual Instruments.
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Touching Light : = A Framework for the Facilitation of Music-Making in Mixed Reality.
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A Performance Guide to Josh Oxford's Luminous Mysteries Rosary Sonata : = Situating a Commission Within Historical, Musical, Narrative, and Technical Contexts, With Violin Part in Semi-Tablature Notation.
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Avenue Breakdown : = Black Music and the Recording Industry in Shreveport 1948-1988.
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"New Music Ambassadors to the World" : = A Biography of the California E.A.R. Unit.
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Tracing the Traditions and Incongruities : = A Theoretical Analysis and Performance Guide of Shostakovich's Concerto for Piano, Trumpet and Strings, Op. 35.
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Seven Songs to Poems of James Joyce, Op. 54 (1926) by Karol Szymaowski : = A Historical Musicology Analysis and Performance Guide.
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Breaking the Shell : = Masculinity in Rock and Metal Music in America, 1990-1995.
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Transnational Historiography and Twentieth-Century Modernity : = Rachmaninoff Beyond Russia.
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Solo and Chamber Pieces for Viola by Female Composers : = Late Nineteenth to Twenty-First Centuries.
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Abstract Music for an Imaginary Film : = Nos. 1-9 for Two Pianos and Two Percussion, and Composing Memory : Sarah Kirkland Snider's Unremembered.
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Stories and Significations : = Interpreting the Legacies of Count Basie and His Music.
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Music Making as Assimilation : = The Practice of Group Listening.
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Opera Chunhyangjeon [ˈɔpera tɕʰuncanʥʌn]- An Introduction to South Korea's First Changjak Opera, Opera Chunhyangjeon (1949), Including a Korean Lyric Diction Guide with a Complete IPA Transcription of the Libretto for Non- Korean Speakers.
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Licha Shitelaosi "Da ti qin zou ming qu zuo pin 6" zhi yue qu fen xi yu yan zou quan shi = = Music Analysis and Performance Interpretation of Richard Strauss' Cello Sonata in F Major, Op. 6.
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An Investigation of the Musical Characteristics of Two Brass Quintets From the 1990s by Robert Suderburg and an Assessment of Their Validity for Inclusion in Musical Performance.
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The Interdisciplinary Music Degree : = Music Education, Music Performance, and Music and Fine Arts Administration.
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Playing With Shadows : = Tools for Interactive DMX Design in Max/MSP for Musical Composition.
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Unconventional Wisdom in Resonating Echoes of the Past : = a Memoir on the Life and Music of Royal Hartigan.
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A Novel Approach : = Exploring Novels as Text Sources in Art Song.
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The Paradoxical Twenty-Fifth : = Performance, Race, and Conditional Belonging on the American Imperial Frontier, 1882-1918.
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The Influence of Girolamo Frescobaldi on Keyboard Music in the Baroque Era.
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Fostering Flow : = Investigating Flow Experiences in Vocal and Choral Music Education.
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Two Lecture Recitals : = 1. Exploring the Inspiration and Style of Cheryl Frances-Hoad's Homages, Book I and Caroline Shaw's Gustave Le Gray 2. Musical Techniques and Religious Symbolism in Olivier Messiaen's Vingt Regards sur l'Enfant-Jesus.
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How a Schenkerian Analysis may Inform the Interpretation and Performance of J. S. Bach's Lute Music on the Guitar using Selective Movements of Bach Lute Suite No. 4 in E Major (Bwv1006a) as a Demonstration.
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Finding Messiaen's Blackbird : = An Investigative Analysis of Birdsong and Other Techniques Used in Le Merle Noir.
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Interactive Multimedia Devices : = An Exploration Relating to Disability and Performance.
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On Wings of Song : = Exploring the First-Generation Chinese Art Song Composer Ellinor Valesby (1894-1969).
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Piano Performance in Musical Symbolism : = Interpretive Freedom through Understanding Symbolist Aesthetics.
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Unity Through Variety : = Exploring the Cyclic Principle in Selected Works for Piano.
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Taiwanese Composer Tyzen Hsiao : = Pedagogical Aspects of Selected Piano Solo Works.
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The Voice and Architecture : = Translating the Fundamentals of Vocal Mechanism in the Design of a Music Performance Hall Facility.
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