Film genres.
Overview
| Works: | 120 works in 5 publications in 5 languages | |
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Titles
Realität in Serie = Realitätsbehauptungen in zeitgenössischen Fernsehserien /
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Genresignaturen = Diskurshistorische Perspektiven auf das Psycho-Universum von 1960 bis 2017 /
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The Palgrave Encyclopedia of American Horror Film Shorts = 1915–1976 /
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Alien-Invasion Films = Imperialism, Race and Gender in the American Security State, 1950-2020 /
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The End of Genre = Curations and Experiments in Intentional Discourses /
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Australian Westerns in the Fifties = Kangaroo, Hopalong Cassidy on Tour, and Whiplash /
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Quotenkiller oder Qualitätsfernsehen? = TV-Serien aus französisch- und spanischsprachigen Kulturräumen /
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Discourses of Home and Homeland in Irish Children’s Fiction 1990-2012 = Writing Home /
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Genre und Race = Mediale Interdependenzen von Ästhetik und Politik /
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Heightened Genre and Women's Filmmaking in Hollywood = The Rise of the Cine-fille /
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Discourses of Home and Homeland in Irish Children’s Fiction 1990-2012 = Writing Home /
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Kinematografie der Erinnerung = Band 2: Den Zweiten Weltkrieg erzählen /
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Academic Literacy Development = Perspectives on Multilingual Scholars' Approaches to Writing /
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Kinematografie der Erinnerung = Band 1: Filme als kollektives Gedächtnis verstehen /
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European Cinema in the Twenty-First Century = Discourses, Directions and Genres /
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Teen TV = Repräsentationen, Lesarten und Produktionsweisen aktueller Jugendserien /
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The Forest and the EcoGothic = The Deep Dark Woods in the Popular Imagination /
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Linked Noun Groups = Opposition and Expansion as Genre and Style Markers /
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Phraseology and Style in Subgenres of the Novel = A Synthesis of Corpus and Literary Perspectives /
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Discourse Markers and Beyond = Descriptive and Critical Perspectives on Discourse-Pragmatic Devices across Genres and Languages /
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Actor-Network Theory at the Movies = Reassembling the Contemporary American Teen Film With Latour /
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Plant horror = approaches to the monstrous vegetal in fiction and film /
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Genre trouble and extreme cinema = film theory at the fringes of contemporary art cinema /
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Global Melodrama = Nation, Body, and History in Contemporary Film /
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The US-Mexico Border in American Cold War Film = Romance, Revolution, and Regulation /
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The Revolting Child in Horror Cinema = Youth Rebellion and Queer Spectatorship /
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A History of 1970s Experimental Film = Britain's Decade of Diversity /
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Narco Cinema = Sex, Drugs, and Banda Music in Mexico’s B-Filmography /
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Screen Hustles, Grifts and Stings = Stings, Grifts, Hustles and the Long Con /
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Contemporary Women's Gothic Fiction = Carnival, Hauntings and Vampire Kisses /
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Plant Horror = Approaches to the Monstrous Vegetal in Fiction and Film /
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The Greatest Comic Book of All Time = Symbolic Capital and the Field of American Comic Books /
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The Shawshank Experience = Tracking the History of the World’s Favorite Movie /
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Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism
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Paradoxical Japaneseness = Cultural Representation in 21st Century Japanese Cinema /
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Transnational Horror Cinema = Bodies of Excess and the Global Grotesque /
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Screen Adaptations and the Politics of Childhood = Transforming Children's Literature into Film /
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All Too Human = Laughter, Humor, and Comedy in Nineteenth-Century Philosophy /
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Action, Detection and Shane Black = Antiessentialist Genre Theory and Its Application /
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Televising Restoration Spain = History and Fiction in Twenty-First-Century Costume Dramas /
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National Identity in 21st-Century Cuban Cinema = Screening the Repeating Island /
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The Theological Turn in Contemporary Gothic Fiction = Holy Ghosts /
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Religion and Identity in the Post-9/11 Vampire = God Is (Un)Dead /
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Age of the Geek = Depictions of Nerds and Geeks in Popular Media /
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Mensch, Maschine, Maschinenmenschen = Multidisziplinäre Perspektiven auf die Serie Westworld /
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Hong Kong Dark Cinema = Film Noir, Re-conceptions, and Reflexivity /
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Humor und erfolgreiche Kinderfilme = Strukturen und Relevanz eines filmischen Mittels /
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Transmediating the Whedonverse(s) = Essays on Texts, Paratexts, and Metatexts /
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Theorizing Stupid Media = De-Naturalizing Story Structures in the Cinematic, Televisual, and Videogames /
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Policing the World on Screen = American Mythologies and Hollywood's Rogue Crimefighters /
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