Theatre and Performance Studies.
概要
| 作品: | 159 作品在 51 項出版品 51 種語言 | |
|---|---|---|
書目資訊
Four Caribbean Women Playwrights = Ina Césaire, Maryse Condé, Gerty Dambury and Suzanne Dracius /
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Staging History from the Shoah to Palestine = Three Plays and Essays on WWII and Its Aftermath /
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Contemporary Japanese women's theatre and visual arts = performing girls' aesthetics /
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Queer dramaturgies = international perspectives on where performance leads queer /
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Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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Performing China on the London stage = Chinese opera and global power, 1759--2008 /
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Migration and performance in contemporary Ireland = towards a new interculturalism /
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International Theatre Olympics = the artistic and intercultural power of olympism /
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Creativity and community among autism-spectrum youth = creating positive social updrafts through play and performance /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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The self in performance = autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
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Staging queer feminisms = sexuality and gender in Australian performance, 2005-2015 /
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Adaptation and nation = theatrical contexts for contemporary English and Irish drama /
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International performance research pedagogies = towards an unconditional discipline? /
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Risk, participation, and performance practice = critical vulnerabilities in a precarious world /
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Sherlock Holmes from screen to stage = post-millennial adaptations in British theatre /
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Immersive theatre and audience experience = space, game and story in the work of Punchdrunk /
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Theatre for peacebuilding = the role of arts in conflict transformation in South Asia /
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Transmedia knowledge for liberal arts and community engagement = a StudioLab manifesto /
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Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Anthropology, Theatre, and Development = The Transformative Potential of Performance /
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Choreographing Problems = Expressive Concepts in Contemporary Dance and Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
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Creativity and Community among Autism-Spectrum Youth = Creating Positive Social Updrafts through Play and Performance /
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(書目-語言資料,印刷品)
Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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Migration and Performance in Contemporary Ireland = Towards a New Interculturalism /
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History as Theatrical Metaphor = History, Myth and National Identities in Modern Scottish Drama /
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The Self in Performance = Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre /
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Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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(書目-語言資料,印刷品)
Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
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Preispolitik für Theater = Strategische Preisgestaltung zwischen Einnahmesteigerung und öffentlichem Auftrag /
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International Theatre Olympics = The Artistic and Intercultural Power of Olympism /
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Theatre for Peacebuilding = The Role of Arts in Conflict Transformation in South Asia /
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Slam Poetry = Deutsch–US-amerikanische Studie zu den Ansichten und Handlungsweisen der Akteure /
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A Theatre Laboratory Approach to Pedagogy and Creativity = Odin Teatret and Group Learning /
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Posthuman Pedagogies in Practice = Arts based Approaches for Developing Participatory Futures /
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Intercultural Education, Folklore, and the Pedagogical Thought of Rachel Davis DuBois
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Maternal Representations in Twenty-First Century Broadway Musicals = Stage Mothers /
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Reenacting Shakespeare in the Shakespeare Aftermath = The Intermedial Turn and Turn to Embodiment /
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The Director and Directing = Craft, Process and Aesthetic in Contemporary Theatre /
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