Theatre and Performance Studies.
Overview
| Works: | 159 works in 51 publications in 51 languages | |
|---|---|---|
Titles
Ecoscenography = An Introduction to Ecological Design for Performance /
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Samuel Beckett’s Legacies in American Fiction = Problems in Postmodernism /
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Four Caribbean Women Playwrights = Ina Césaire, Maryse Condé, Gerty Dambury and Suzanne Dracius /
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Performativity of Villainy and Evil in Anglophone Literature and Media
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Staging History from the Shoah to Palestine = Three Plays and Essays on WWII and Its Aftermath /
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Bernard Shaw and the Censors = Fights and Failures, Stage and Screen /
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Performances of Authorial Presence and Absence = The Author Dies Hard /
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Contemporary Japanese women's theatre and visual arts = performing girls' aesthetics /
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Queer dramaturgies = international perspectives on where performance leads queer /
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Child labor in the British Victorian entertainment industry = 1875-1914 /
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Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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Performing China on the London stage = Chinese opera and global power, 1759--2008 /
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Migrating modernist performance = British theatrical travels through Russia /
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Migration and performance in contemporary Ireland = towards a new interculturalism /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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Intermedial praxis and practice as research = 'doing-thinking' in practice /
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International Theatre Olympics = the artistic and intercultural power of olympism /
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Creativity and community among autism-spectrum youth = creating positive social updrafts through play and performance /
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Playful memories = the autofictional turn in post-dictatorship Argentina /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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The self in performance = autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
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Staging queer feminisms = sexuality and gender in Australian performance, 2005-2015 /
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Popular theatre and political utopia in France, 1870-1940 = active citizens /
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Adaptation and nation = theatrical contexts for contemporary English and Irish drama /
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International performance research pedagogies = towards an unconditional discipline? /
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Shakespeare and conceptual blending = cognition, creativity, criticism /
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Risk, participation, and performance practice = critical vulnerabilities in a precarious world /
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Sherlock Holmes from screen to stage = post-millennial adaptations in British theatre /
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Inter views in performance philosophy = crossings and conversations /
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Immersive theatre and audience experience = space, game and story in the work of Punchdrunk /
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Bernard Shaw's fiction, material psychology, and affect = Shaw, Freud, Simmel /
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Viral dramaturgies = HIV and AIDS in performance in the twenty-first century /
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Cultural identity in British musical theatre, 1890-1939 = knowing one's place /
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Theatre for peacebuilding = the role of arts in conflict transformation in South Asia /
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The Palgrave handbook of contemporary Irish theatre and performance
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Collaboration in performance practice = premises, workings and failures /
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Transmedia knowledge for liberal arts and community engagement = a StudioLab manifesto /
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Japanese robot culture = performance, imagination, and modernity /
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Dramaturgy and Architecture = Theatre, Utopia and the Built Environment /
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Entr'acte = Performing Publics, Pervasive Media, and Architecture /
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Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Performances of Capitalism, Crises and Resistance = Inside/Outside Europe /
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Performance and Identity in Irish Stand-Up Comedy = The Comic 'i' /
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Anthropology, Theatre, and Development = The Transformative Potential of Performance /
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Political Performance in Syria = From the Six-Day War to the Syrian Uprising /
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British Theatre and the Great War, 1914 - 1919 = New Perspectives /
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Choreographing Problems = Expressive Concepts in Contemporary Dance and Performance /
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Transatlantic Broadway = The Infrastructural Politics of Global Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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(Language materials, printed)
Collaboration in Performance Practice = Premises, Workings and Failures /
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(Language materials, printed)
Migrating Modernist Performance = British Theatrical Travels Through Russia /
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(Language materials, printed)
Queer Performance and Contemporary Ireland = Dissent and Disorientation /
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(Language materials, printed)
Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
by:
(Language materials, printed)
Creativity and Community among Autism-Spectrum Youth = Creating Positive Social Updrafts through Play and Performance /
by:
(Language materials, printed)
Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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(Language materials, printed)
Migration and Performance in Contemporary Ireland = Towards a New Interculturalism /
by:
(Language materials, printed)
History as Theatrical Metaphor = History, Myth and National Identities in Modern Scottish Drama /
by:
(Language materials, printed)
Child Labor in the British Victorian Entertainment Industry = 1875–1914 /
by:
(Language materials, printed)
Playful Memories = The Autofictional Turn in Post-Dictatorship Argentina /
by:
(Language materials, printed)
The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
by:
(Language materials, printed)
The Self in Performance = Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre /
by:
(Language materials, printed)
Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
by:
(Language materials, printed)
Performing China on the London Stage = Chinese Opera and Global Power, 1759–2008 /
by:
(Language materials, printed)
Intermedial Praxis and Practice as Research = 'Doing-Thinking' in Practice /
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(Language materials, printed)
Preispolitik für Theater = Strategische Preisgestaltung zwischen Einnahmesteigerung und öffentlichem Auftrag /
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(Language materials, printed)
International Theatre Olympics = The Artistic and Intercultural Power of Olympism /
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Heilige Szenen = Räume und Strategien des Sakralen im Theater der Moderne /
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The Palgrave Handbook of Contemporary Irish Theatre and Performance
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(Language materials, printed)
Cultural Identity in British Musical Theatre, 1890–1939 = Knowing One’s Place /
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(Language materials, printed)
Theatre for Peacebuilding = The Role of Arts in Conflict Transformation in South Asia /
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(Language materials, printed)
Bernard Shaw’s Fiction, Material Psychology, and Affect = Shaw, Freud, Simmel /
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(Language materials, printed)
Slam Poetry = Deutsch–US-amerikanische Studie zu den Ansichten und Handlungsweisen der Akteure /
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Viral Dramaturgies = HIV and AIDS in Performance in the Twenty-First Century /
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A Theatre Laboratory Approach to Pedagogy and Creativity = Odin Teatret and Group Learning /
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Posthuman Pedagogies in Practice = Arts based Approaches for Developing Participatory Futures /
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Intercultural Education, Folklore, and the Pedagogical Thought of Rachel Davis DuBois
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Maternal Representations in Twenty-First Century Broadway Musicals = Stage Mothers /
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Reenacting Shakespeare in the Shakespeare Aftermath = The Intermedial Turn and Turn to Embodiment /
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The Director and Directing = Craft, Process and Aesthetic in Contemporary Theatre /
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Transmedia Knowledge for Liberal Arts and Community Engagement = A StudioLab Manifesto /
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